Look at Cary Ravitz's web page on contra dance choreography 
(http://www.dance.ravitz.us/chor.php), especially the section on what he calls 
black boxes.  http://www.dance.ravitz.us/chor.php#m  I think that is exactly 
what you are asking about.  He did a useful workshop on that subject at Pigtown 
Fling a few years ago. 

David Harding

> On November 15, 2017 at 11:39 AM Angela DeCarlis via Callers 
> <callers@lists.sharedweight.net> wrote:
> 
>     Hello all,
> 
>     I'm remembering a few workshops I'd taken with Rick Mohr a few years ago, 
> and also an occasion where I collected a dance from his calling. He happily 
> gave me the name and author of the dance, but was also quick to note that he 
> had substituted out different moves for 16 counts of the dance, so that it 
> would work better with his evening's program.
> 
>     Now, someone like Rick can just do this in his head. He has a data base 
> of common combinations of dance moves, and where everyone ends up after 
> executing them. As such, he can easily make substitutions on the fly, because 
> he knows offhand that A+B=X+Y.**
> 
>     What I'm wondering is, has anyone bothered to write down and compile a 
> list of common choreography substitutions? I'm thinking a spreadsheet of some 
> sort, where we think about the net product of various combinations of dance 
> moves, and categorize the combinations based on their output.
> 
>     For example: Neighbor Promenade across, Ladies Chain = Long Lines Forward 
> and Back, Gents Allemande L 11/2.
> 
>     If no one has already done this, I'll start a new thread where we can 
> begin to collaboratively write one up! 
> 
>     Thanks, All!
>     Angela
>      
> 
>     **Yes, the momentum in each of these scenarios is probably different, and 
> one might be better than another. But this depends on the rest of the dance's 
> choreography, and for these purposes I don't especially care. :)
> 
>     ***Also worth acknowledging that substituting out an entire 16-count 
> phrase could easily result in calling a different dance written by a 
> different author, but I'm more concerned about using this technique for 
> practical programming purposes.
> 
> 
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