It's perfect for me, and only as far as the actual editing is concerned. I struggle with proper import formats as much as the next fellow man (my current project uses videos from at least 5 different sources, and yes, it's a pain), but once the track opens, I feel at ease with it, with the keyframes, with the curves, with pushing and pulling each reel in different ways with different mouse buttons, etc.
2012/3/12 Murray Strome <wmstr...@yahoo.com> > i wonder if you could share your "perfect workflow". I have been trying > for quite some time to figure out how to use Cinelarra, but have not found > a workflow that I could use effectively. > > --- On *Sat, 3/10/12, leandro ribeiro <leandroribe...@gmail.com>* wrote: > > > From: leandro ribeiro <leandroribe...@gmail.com> > Subject: [CinCV] Celluloid and bits - a love story > To: cinelerra@skolelinux.no > Received: Saturday, March 10, 2012, 9:06 AM > > .....When I'm with Cinelerra, everything just flows. I never find it odd, > hard or unintuitive. I do what I want, when I want, with the results I > want. It's like writing with a fountain pen! > > > And then, yesterday, it hit me: the very first time I installed Linux on > my computer (it was 2006 or something), I did it because of Cinelerra. > Everything on my PC (except for Windows) already was opensource, I just > needed a good video editor to replace Adobe Premiere. I read about > Cinelerra and that made me try Linux - and I never went back to Windows > since. > > Cinelerra's workflow is perfect for the way I "think" the editing process, > and it's responsible for me being a full time Linuxian. > >
