Email digest for the Global Conservation Forum (ConsDistList) egroup.
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 1. Event - Threads of Identity: Conservation as Storyteller in the Doddington 
Hall Tapestry Interiors

 2. Housing for Panotypes or Pannotypes

 3. Museums as Cooling Stations

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1.From: Leah Warriner-Wood
 Posted: Tuesday July 14, 2026  5:54 AM
 Subject: Event - Threads of Identity: Conservation as Storyteller in the 
Doddington Hall Tapestry Interiors
 Message:                                                       
Dear colleagues,
 
 
 
Please join me for an online talk on Monday 27 July (from 18.30 UK time) titled 
'Threads of Identity:  Conservation as Storyteller in the Doddington Hall 
Tapestry Interiors 
<https://www.icon.org.uk/events/threads-of-identity-conservation-as-storyteller-in-the-doddington-hall-tapestry-interiors.html>'
 
 
 
Drawing on a multi-year conservation project, and based on my doctoral 
research, I will be exploring how close material examination and documentation 
uncovered the human stories quietly embedded in two sets of 17th-century 
tapestries at  Doddington Hall in Lincolnshire.
 
 The event will be hosted on Zoom, in a collaboration between the Institute of 
Conservation Textiles and Historic Interiors Groups. 
 
 Places are free for Icon members. Non-members also very welcome (10 fee 
applies). 
 
 Best wishes,
 
Leah.
 
 
     
 
     
 <http://lincoln.ac.uk/>
   
Dr. Leah Warriner-Wood (she/her)  AFHEA  
 
Senior Lecturer, Conservation of Cultural Heritage
 
Joint Programme Leader, MA Conservation of Cultural Heritage
     
 
 
Lincoln School of Humanities & Heritage
 Part of the College of Arts, Social Sciences and Humanities
 University of Lincoln. Brayford Pool, Lincoln, Lincolnshire. LN6 7TS
 
Tel: 01522 835023 <tel:01522%20835023>
 
 
 
NB. I work from home for parts of the week. Please email in the first instance.
 
 
 
Article (free to access): Tapestries at Doddington Hall: Collecting, 
Conservation and Display, Art and the Country House, 
https://doi.org/10.17658/ACH/DNE510 <https://doi.org/10.17658/ACH/DNE510>
 
 
     
staff profile 
<https://staff.lincoln.ac.uk/135dc00e-21b7-44e5-8fae-f262a6f06eef>  |  Chat  
with me on teams 
<https://teams.microsoft.com/l/chat/0/[email protected]>  |  
www.lincoln.ac.uk <https://www.lincoln.ac.uk/>  |  www.facebook.com 
<https://www.facebook.com/unilincolnconservation>  |  www.instagram.com 
<https://www.instagram.com/uolconservation/>
     
 
                                                     
 
      
 
  
  <https://www.lincoln.ac.uk>
 
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2.From: Laura Covarsí
 Posted: Tuesday July 14, 2026  1:42 PM
 Subject: Housing for Panotypes or Pannotypes
 Message: Good afternoon,

I would like to get in touch with collection managers and conservators who hold 
panotypes in their collections. Specifically, I'm interested in loose panotypes 
that have not been mounted on a secondary support or housed within 
Anglo-American cases or European frames.

These are rare objects in collections, and complex ones, given their 
constituent materials (fabric, lacquers, collodion, protective varnishes, 
etc.). Designing appropriate housing for them is a real challenge, and I would 
welcome the opportunity to exchange ideas with colleagues facing similar issues.

Thank you very much in advance. I would greatly appreciate the chance to 
discuss these challenges further.

Best regards,
Laura Covarsí


------------------------------
Laura Covarsí
Conservator of Photographic Materials
Barcelona
Spain
------------------------------


3.From: Carolyn Tallent
 Posted: Tuesday July 14, 2026  4:50 PM
 Subject: Museums as Cooling Stations
 Message: 
The recurring extreme heat is causing thousands of deaths across Europe. Some 
museums have been officially opened to the public as cooling centers, and many 
others are undoubtedly being used as such by the public. 

This is an important function for museums, but we know that it will play havoc 
with climate control as spaces fill up with hot, sweaty humans.

I am interested in collecting information from museums/institutions as to what 
has taken place: what has been the effect on temperature or RH; what was the 
recovery time; was the entire museum open or were galleries with more 
vulnerable objects closed; was it possible to control the at-risk galleries; 
what worked and what didn’t. What kinds of protocols were used: reduced hours; 
controlled admittance; additional cooling equipment; and did larger crowds mean 
more security risk, etc.

This is a subject that could and should be discussed here, online on various 
lists, however, there is value in having the information compiled in a 
published article, which can be searched online. The WAAC Newsletter is a very 
good venue for information of this sort. The time from submission to 
publication is very short, sometimes as little as a month, depending on the 
publication cycle. Newsletter content is reserved for members for about a year 
and then is free for all on our website. Due to the timeliness of this 
information, this article/compilation might be posted sooner.

Also, besides online posting, feel free to contact me directly. If there is a 
need to keep your museum/institution’s information private that will be 
respected, it can be shared anonymously. Contributions of any length are 
welcome. 

Carolyn Tallent
WAAC Newsletter Editor




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