Email digest for the Global Conservation Forum (ConsDistList) egroup.
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 1. JOB POSTING. Conservator. Nottinghamshire Archives, UK

 2. RE: Yellow-Green Staining on Polyethylene Bags

 3. RE: Gilder's bole

 4. Job Alert - Assistant Conservator (Paper and Archives), Hampshire Archives, 
Winchester, UK

 5. Materials Science Pioneers in Art and Archaeology Webinar Series

 6. VOC scrubbers

 7. RE: 4 August 2026 - Icon Care of Collections Reading Group

 8. RE: Refinishing slate countertops and lab tables

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1.From: Jessica Phipps-Wardle
 Posted: Tuesday July 21, 2026  7:00 AM
 Subject: JOB POSTING. Conservator. Nottinghamshire Archives, UK
 Message: 
Job Title: Conservator


Location:  Nottinghamshire Archives, County House, Castle Meadow Road, 
Nottingham, NG2 1AG


Hours: Full-time (37 hours per week)


Grade: Hay Band A (£34,433 - £39,152 FTE)


Closing Date: 9th August 2026


Interview Date: 21st August 2026





Nottinghamshire Archives is looking for a Conservator, please see job 
description in the following link, Inspire: Culture, Learning & Libraries 
Careers 
<https://isw.changeworknow.co.uk/inspire_culture/vms/e/careers/positions/doslM_B_5cV4VvzhQjk5qL>





Please share with anyone you may think will be interested, many thanks.


------------------------------
Jess Phipps Wardle
Conservation Officer
Leicestershire County Council
UK
------------------------------


2.From: Dermot Cox-Kearns
 Posted: Tuesday July 21, 2026  7:09 AM
 Subject: RE: Yellow-Green Staining on Polyethylene Bags
 Message: 
Marybeth,


Bags made of virgin polyethylene that meet all USDA and FDA requirements are 
possibly the best, however the FDA and USDA standards are for 
pharmaceutical/medical and food needs so you would also need to consider the 
conservation/preservation requirements for the heritage sector.


My personal choice if they were available would be enclosures made from 
archival polyester (aka Mylar). I had considered trying to manufacture this 
type of enclosure and had invested in some equipment and materials to start 
experimenting in how they could be produced for conservation/prevention 
sometime ago; however, a very serious illness put a halt to my plans and 
unfortunately my energy and stamina today would not allow me to venture back 
into that project again.




------------------------------
Dermot Cox-Kearns
Owner
On The Edge
Ashford - Wicklow
Ireland
------------------------------
-------------------------------------------
Original Message:
Sent: 07-17-2026 12:53
From: Marybeth Tomka
Subject: Yellow-Green Staining on Polyethylene Bags




Dermot,


Do you know what grade of plastic that would be or the relative cost?


Thanks,


Marybeth




------------------------------
Marybeth Tomka
Argyle Archaeological Services
Converse Texas
USA
------------------------------

Original Message:
Sent: 07-17-2026 05:27
From: Dermot Cox-Kearns
Subject: Yellow-Green Staining on Polyethylene Bags




When they are making the bags, some of the producers use something to prevent 
static and sticking of the plastic material as it comes off the roll into the 
bag forming machine, when the material is going through the machine that 
formats the bags,  static and sticking can slow down the speed the machine can 
work at ... unfortunately I have no real idea what the materials are that they 
use to prevent static and sticking on the machines, possible it is similar to 
the coconut power that is used when they make disposal powder latex gloves, or 
some other similar material, similar materials are also used in the Litho 
printing industries.


A possible solution to eliminate the staining is to use food or pharmaceutical 
grade plastic bags, which would have a much cleaner production than standard 
plastic bags.




------------------------------
Dermot Cox-Kearns
Owner
On The Edge
Ashford - Wicklow
Ireland
------------------------------




3.From: Kristin Rattke
 Posted: Tuesday July 21, 2026  9:09 AM
 Subject: RE: Gilder's bole
 Message: Dear Caroline

Have you checked out the German gold leaf manufacturer Eytzinger yet? They have 
a large range of bole clay, including a bole powder without glue called 
Poliment-powder: https://www.eytzinger.com/products/poliment/ 
<https://www.eytzinger.com/products/poliment/>

My friend and master gilder, Michelle Sachs, is Eytzinger's key account 
manager, so if you have any questions about the products or technical questions 
about gilding please feel free to contact her at [email protected] 
<[email protected]>.

Best wishes from Berlin, 

Kristin Rattke
Paintings conservator


------------------------------
Kristin Rattke
Paintings Conservator in Private Practice
Stavanger
Norway
------------------------------
-------------------------------------------
Original Message:
Sent: 07-16-2026 07:07
From: Caroline Oliver
Subject: Gilder's bole

Hi everyone,
My jars are getting empty and I've just been searching the usual suppliers to 
buy some bole clay for gilding. It's getting harder to find stock available, 
especially since Selhamin has been discontinued, and the colour range is ever 
shrinking. I'm sure there are studios around the country (I'm UK based) that 
have bole they no longer use. How do people feel about re-homing/selling unused 
supplies?
Just a thought - it doesn't go off and there are gilders who would make good 
use of it.
Caroline 
 Caroline Oliver [email protected] 
<[email protected]>07739 069165
www.coconservation.co.uk <http://www.coconservation.co.uk> 
  


4.From: Frances Lunn
 Posted: Tuesday July 21, 2026  9:10 AM
 Subject: Job Alert - Assistant Conservator (Paper and Archives), Hampshire 
Archives, Winchester, UK
 Message: This is an exciting opportunity for a qualified paper and archives 
conservator to join the small conservation team at Hampshire Archives and 
develop their skills through the preservation and conservation of a range of 
archive materials.

Hampshire Archives has recently secured external funding to conserve, digitise 
and re-package some of Winchester Cathedral's medieval parchment rolls many of 
which are in a very fragile condition. In this role, you will help with some of 
the day-to-day conservation tasks, allowing the Conservator to focus on 
conservation of the Cathedral rolls. However, you will also have training in 
parchment conservation and participate in the rolls project alongside your 
other duties. 

This 12-month contract provides an excellent chance for a recently qualified or 
early career conservator, or someone returning to conservation after a break, 
to gain hands-on experience of working in a busy record office and to develop 
their skills through the preservation and conservation of a range of archive 
materials. 

Job Reference: HCC624587
Salary Range: £27,780 - £30,564 pro-rata, per annum (actual salary £13,515 - 
£14,869 per annum)
Work Location: Hampshire Record Office, Winchester
Hours per week: 18
Contract Type: Temporary (12 months)
Closing Date: 7 August 2026
Interview Date: 20 and 21 August 2026

For more details about the role and how to apply, please click here: Assistant 
Conservator (Paper and Archives) 
<https://careers.newjob.org.uk/HCC/job/Winchester-Assistant-Conservator-%28Paper-and-Archives%29-HAM/1416164333/>




------------------------------
Frances Lunn
Paper Conservator
Hampshire Archives
Winchester
United Kingdom
------------------------------


5.From: Celia Chari
 Posted: Tuesday July 21, 2026  10:47 AM
 Subject: Materials Science Pioneers in Art and Archaeology Webinar Series
 Message: I am pleased to announce the next speaker of the Materials Science 
Pioneers in Art and Archaeology Webinar Series - hosted by the Art, Archaeology 
and Conservation Science Division of the American Ceramic Society. 

Please join us this Friday, July 24th at 12 pm ET (5 pm BST / 6 pm CEST) as we 
welcome Dr. Marco Nicola, who is a Research Fellow at the University of Turin. 
Dr. Nicola's talk is titled:

>From Ancient Pigment to Future Technology: The Renaissance of Egyptian Blue 
>and Related 2D Silicates

Registration is required to attend, but still free of charge for all 
participants.

Following this webinar, the series will pause for the summer and return in late 
September 2026. We encourage you to join us for this final session before the 
break, where we will also share updates on the future of the series.

We hope to see you there!


Please register for this event: Art, Archaeology & Conservation Science 
Division - Materials Science Pioneers in Art and Archaeology Webinar Series 
<https://ceramics.org/course/art-archaeology-conservation-science-division-materials-science-pioneers-in-art-and-archaeology-webinar-series-from-ancient-pigment-to-future-technology-the-renaissance-of-egyptian-blue-and-relat/>


Missed any previous webinars from the series? Find them on the American Ceramic 
Society's YouTube page: https://www.youtube.com/@ceramicsociety/videos 
<https://www.youtube.com/@ceramicsociety/videos>





Abstract: 

Egyptian blue, the first synthetic pigment developed over 5000 years ago, has 
recently experienced an unexpected renaissance in materials science. This talk 
explores the journey of CaCuSi₄O₁₀ (cuprorivaite) and its related 
compounds-Chinese blue (BaCuSi₄O₁₀), Chinese purple (BaCuSi₂O₆), and wesselsite 
(SrCuSi₄O₁₀)-from antiquity to cutting-edge technologies. The discovery in 1996 
of their intense near-infrared (NIR) photoluminescence, excitable even by 
visible light, opened unprecedented application possibilities. In 2013, the 
successful exfoliation of these materials into luminescent nanosheets expanded 
the family of 2D nanomaterials. Today, these ancient silicates are finding 
innovative applications in diverse fields: NIR fluorescent probes for 
bioimaging and biophotonics, photothermal therapy in regenerative medicine 
taking advantage of their antibacterial and angiogenic properties, advanced 
sensors, luminescent solar concentrators for energy harvesting, and 
photocatalytic
 nitrogen fixation. Their exceptional stability, biocompatibility, 
sustainability and very high quantum yield could allow them to replace modern 
synthetic fluorophores based on critical elements. This presentation highlights 
how understanding ancient manufacturing techniques is inspiring tomorrow's 
technologies, demonstrating the extraordinary potential of materials for 
sustainable innovation.

Speaker Biography: 

Marco Nicola is a conservation scientist with over twenty years of experience 
in the fields of conservation science and materials technology. Born into a 
family of restorers, he graduated in chemistry and, in 2005, co-founded 
Adamantio srl – Science in Conservation together with Admir Masic (now a 
professor at the Massachusetts Institute of Technology – MIT). The company 
began as an academic spin-off of the University of Turin. Throughout his 
career, Nicola has applied advanced scientific methodologies to the 
conservation and restoration of significant cultural heritage sites and 
artworks. His notable projects include analytical work for the pilot 
restoration project of the Colonnade in St. Peter's Square, the Pompeii 
excavations, the Domus Aurea, the Grottoes of Catullus in Sirmione, the Museo 
Egizio in Turin, the Royal Villa of Monza, Raphael's frescoes at Villa 
Farnesina in Rome, and paintings by Caravaggio and other masters.


In 2024, Marco Nicola became a research fellow at the University of Turin after 
earning his PhD in Chemical and Materials Sciences with a thesis on Egyptian 
blue, exploring both its ancient origins and its potential modern and future 
applications. His research is characterized by an interdisciplinary approach 
that combines chemistry, materials science, history, and conservation, aiming 
to develop innovative solutions for the protection of artistic heritage and for 
the technologies of tomorrow.


------------------------------
Celia S. Chari
Conservation Scientist
Mapping Color in History, Harvard University
Based in Washington D.C.
United States
------------------------------


6.From: Jennifer Hadley
 Posted: Tuesday July 21, 2026  11:42 AM
 Subject: VOC scrubbers
 Message: 
We are laying new carpet and are in need of a VOC scrubber to help remove the 
smell and toxins in the adhesive from the air. Do you have any brands/models 
that you recommend? The carpet is in our galleries, which are around 2,000 sqft 
each. 


Thank You


------------------------------
Jennifer Hadley
Textile/Objects Conservator
LDS Church History Museum
Salt Lake Cty
United States
------------------------------


7.From: Meagen Smith
 Posted: Tuesday July 21, 2026  11:42 AM
 Subject: RE: 4 August 2026 - Icon Care of Collections Reading Group
 Message: 
Two weeks until the next reading group.


------------------------------
Meagen Smith
Library and archive conservator
Lambeth Palace Library
------------------------------
-------------------------------------------
Original Message:
Sent: 06-27-2026 04:33
From: Meagen Smith
Subject: 4 August 2026 - Icon Care of Collections Reading Group

The Care of Collections Reading Group explores and discusses open access 
articles covering preservation, collection care and collection wide 
conservation such as environmental monitoring, risk management, collection 
moves, etc. This activity provides an accountability partner for reading 
through the new or established research as a method of keeping our awareness 
high.**
The group meets the first Tuesday, every two months for an hour of discussion 
16.00 BST.
All are welcome to attend –though if you haven't read the book/journal/article, 
you won't miss any spoilers: degradation, embrittlement, climate change!
**4 August, 2026 via Zoom.
**Session reading choices is:
Taylor, J. (2017). Improving Reliability in Collection Condition Surveys by 
Utilizing Training and Decision Guides. Journal of the American Institute for 
Conservation, 56(2), 126–141. doi 10.1080/01971360.2017.1315512
Please sign up and vote for your choice with the Doodle poll:
https://doodle.com/sign-up-sheet/participate/55969a73-ecb0-4c20-b0df-ce7ceace3cbc/select
 
<https://doodle.com/sign-up-sheet/participate/55969a73-ecb0-4c20-b0df-ce7ceace3cbc/select>
or email [email protected] <[email protected]>
See you all in August.
Meagen



------------------------------
Meagen Smith
Library and archive conservator
Lambeth Palace Library
------------------------------


8.From: Craig Deller
 Posted: Tuesday July 21, 2026  12:59 PM
 Subject: RE: Refinishing slate countertops and lab tables
 Message: Hi Arianna, My first thought (after a good cleaning) would be to melt 
a hardened mix of microcrystalline wax onto the surface. By hardened, I mean 
the addition of Polywax 2000 to Multiwax 835, or some variation.A resin may 
delaminate and oil doesnt seem practical
Hope that is useful,Craig
Craig DellerCultural Heritage ConservatorFellow-AIC / IIC LinkedIn Profile 
<https://www.linkedin.com/in/craig-deller-faic-fiic-80b8a6374/>
   



-------------------------------------------
Original Message:
Sent: 7/20/2026 3:08:00 PM
From: Arianna Carini Johnston
Subject: Refinishing slate countertops and lab tables


After 25 years of heavy use, we are looking to refresh our slate counters and 
table tops in our lab spaces. The slate appears thirsty and inconsistent in 
color, but we are hesitant to apply a commercial sealant or oil without 
understanding how it will affect the surface or age. We also acknowledge 
polishing the surface would be the ideal first step, but we do not have the 
equipment, expertise, or time. They don't need to be perfect afterwards, 
just... better. 


Any recommendations or other experiences with large scale slate are 
appreciated. 


Thanks!


------------------------------
Arianna Carini Johnston
Conservator
Maryland Archaeological Conservation Lab
------------------------------




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