Email digest for the Global Conservation Forum (ConsDistList) egroup.
------------------------------------------------------------------------------------------------------------

 1. RE: Gilder's bole

 2. RE: VOC scrubbers

 3. RE: CO2 Blasting on Outdoor Bronze

 4. RE: Pressure Sensitive Tapes Symposium - Save the Date!

 5. Biodeterioration of Limestone Structures

 6. RE: CO2 Blasting on Outdoor Bronze

 7. RE: Pressure Sensitive Tapes Symposium - Save the Date!

 8. [FREE Training] Materials for Preserving Paper Collections

 9. Job Posting: High Level Masonry Senior Stone Conservator

 10. RE: Refinishing slate countertops and lab tables

 11. R-Codex project: Many thanks for your help!

------------------------------------------------------------------------------------------------------------

1.From: Caroline Oliver
 Posted: Thursday July 23, 2026  6:45 AM
 Subject: RE: Gilder's bole
 Message: Dear All,
Thank you so much for all the suggestions for suppliers. I'm aware of all the 
uk ones, and know of Sepp leaf in the US. The Eytzinger website looks 
interesting too, but shipping to the uk from abroad is ever more expensive. I 
haven't used the Sinopia brand yet but will give it a go. I suppose my original 
post was more of a plea for people not to throw away old, half empty pots of 
bole, but to find your local friendly gilding conservator! It also confirms 
that there aren't any other brands out there that I'm not aware of. It's a 
shame as the fewer brands there are, the fewer colours are available and the 
more mixing and tinkering it takes at my end. It's hard to make a bright, 
acidic yellow when you are starting with a very orange-yellow base (for 
example)!
Thanks all.Caroline 

 Caroline Oliver [email protected] 069165
www.coconservation.co.uk <http://www.coconservation.co.uk> 
  


-------------------------------------------
Original Message:
Sent: 7/22/2026 4:50:00 PM
From: Steven Prins
Subject: RE: Gilder's bole


Dear Caroline,


You will also find a good assortment of gilding supplies, including clay, at 
Sepp Leaf in NYC:  https://www.seppleaf.com/products/supplies 
<https://www.seppleaf.com/products/supplies>.  


Sinopia in CA also makes bole:  
https://www.sinopia.com/water-gilding-grounds-gesso-and-bole-clays 
<https://www.sinopia.com/water-gilding-grounds-gesso-and-bole-clays>.  Theirs 
can be found at other retailers, i.e. Jackson's in the UK.  


Hope that helps.  Good luck.


Best to all,


Steven


------------------------------
Steven Prins 
Santa Fe, NM
------------------------------
-------------------------------------------
Original Message:
Sent: 07-21-2026 08:13
From: Kristin Rattke
Subject:  Gilder's bole

Dear Caroline
Have you checked out the German gold leaf manufacturer Eytzinger yet? They have 
a large range of bole clay, including a bole powder without glue called 
Poliment-powder: https://www.eytzinger.com/products/poliment/ 
<https://www.eytzinger.com/products/poliment/>
My friend and master gilder, Michelle Sachs, is Eytzinger's key account 
manager, so if you have any questions about the products or technical questions 
about gilding please feel free to contact her at [email protected] 
<[email protected]>.

Best wishes from Berlin,

Kristin Rattke
Paintings conservator


------------------------------
Kristin Rattke
Paintings Conservator in Private Practice
Stavanger
Norway
------------------------------



2.From: Kristie Short-Traxler
 Posted: Thursday July 23, 2026  6:45 AM
 Subject: RE: VOC scrubbers
 Message: 
Hi,


I have used a Phoenix Guardian HEPA with 4 stage filtration here in the UK and 
they are available in the US from  HEPA Scrubbers and Negative Air Machine | 
Porta-Air, Inc (888) 519-1422 
<https://www.porta-air.com/hepa-scrubbers.html?utm_source=chatgpt.com>




Porta-air
remove preview






 <https://www.porta-air.com/hepa-scrubbers.html?utm_source=chatgpt.com>




HEPA Scrubbers and Negative Air Machine | Porta-Air, Inc (888) 519-1422


Porta-Air, Inc. offers scrubber rentals and sales ranging from 500 to 2000 CFM. 
All HEPA scrubbers meet 99.97% particulate removal rate per ASME and U.S. DOE 
testing standards. Porta-Air offers Phoenix, OmniTec and Abatement Technologies 
HEPA Systems. The Guardian HEPA can perform several critical air quality 
remediation functions simultaneously.


 View this on Porta-air > 
<https://www.porta-air.com/hepa-scrubbers.html?utm_source=chatgpt.com>



















For a 2,000 ft² gallery, the size of the air scrubber (or combination of 
scrubbers) depends on the ceiling height but the company can assist you in 
correct sizing.
Whatever you end up using, I would suggest avoiding ionic, plasma, or PECO 
purifiers. Better to use only physical adsorption as electrostatic systems 
create ozone. I am assuming no collections present but ozone best avoided 
altogether!
Prioritize deep-bed carbon canisters over thin carbon sheets for economy.
If you are open to modifying your venue infrastructure, you could also choose 
to custom retrofit your HVAC from commercial filtration brands like Camfil USA 
or Purafil. Expensive and usually reserved for some very large multiple gallery 
refurbs.
Hope this helps,
Best,
Kristie


------------------------------
Kristie Short-Traxler
Independent Collection Care Consultant and Conservation Scientist
Brighton and Hove
United Kingdom
------------------------------
-------------------------------------------
Original Message:
Sent: 07-21-2026 11:07
From: Jennifer Hadley
Subject: VOC scrubbers


We are laying new carpet and are in need of a VOC scrubber to help remove the 
smell and toxins in the adhesive from the air. Do you have any brands/models 
that you recommend? The carpet is in our galleries, which are around 2,000 sqft 
each. 

Thank You


------------------------------
Jennifer Hadley
Textile/Objects Conservator
LDS Church History Museum
Salt Lake Cty
United States
------------------------------


3.From: Margaret Breuker
 Posted: Thursday July 23, 2026  7:41 AM
 Subject: RE: CO2 Blasting on Outdoor Bronze
 Message: 
Hi Megan, Olivia,


Eleven plus years ago the NPS in the northeast switched over to hot waxing all 
of their outdoor monuments.  I'd be happy to speak with you about what we have 
observed.  Feel free to contact me and we can set up a time to discuss.


Best,


Margaret


------------------------------
Margaret Breuker
Supervisory Project Specialist, Conservation, Construction, Strategic Planning 
and Training
NPS Historic Architecture, Conservation, and Engineering Center
Lowell
United States
------------------------------
-------------------------------------------
Original Message:
Sent: 07-22-2026 16:30
From: Megan Escene
Subject: CO2 Blasting on Outdoor Bronze

Hello Everyone,
Our names are Olivia Fiore and Megan Escene. We are pre-program interns at the 
Museum of Fine Arts, Boston conducting research on CO2 cleaning for an outdoor 
bronze sculpture. Has anyone had success in full removal of coating on bronze 
sculpture using CO2 blasting, without the need for additional strippers or 
solvents?
Thank you,
Megan Escene and Olivia Fiore


------------------------------
Objects Conservation Pre-Program Interns
Department of Conservation and Scientific Research
Museum of Fine Arts, Boston
------------------------------


4.From: Marie Oedel
 Posted: Thursday July 23, 2026  10:11 AM
 Subject: RE: Pressure Sensitive Tapes Symposium - Save the Date!
 Message: 
Is there a registration link?


------------------------------
Marie Oedel
Book Conservator
Museum of Fine Arts, Boston
Wolfeboro
United States
------------------------------
-------------------------------------------
Original Message:
Sent: 07-22-2026 10:01
From: Sarah Saetren
Subject: Pressure Sensitive Tapes Symposium - Save the Date!


AIC's Book and Paper Group and FAIC are excited to announce the upcoming 
symposium, Pressure Sensitive Tapes: Manufacture, Deterioration, and Evolving 
Approaches to Treatment.

The two-day symposium will take place on October 4-5, 2027, at the Indiana 
State Library, followed by a hands-on workshop and tours on October 6. The 
symposium will be live-streamed so that those who cannot attend in-person can 
participate virtually. 

The program will refresh participants' understanding of the practical issues 
surrounding pressure sensitive tapes as well as gain knowledge of some of the 
evolving research and treatment approaches. Speakers will present on topics 
such as historic and modern manufacture of pressure sensitive tapes; 
characteristic deterioration pathways of different tape formulations; 
traditional and cutting-edge approaches to pressure sensitive tape removal and 
stain reduction; and ethical considerations when treating objects made of or 
having pressure sensitive tape.

Stay tuned for the call for papers coming in August!


------------------------------
Sarah Saetren
FAIC Education Manager
------------------------------


5.From: Mia Taeyaerts
 Posted: Thursday July 23, 2026  10:11 AM
 Subject: Biodeterioration of Limestone Structures
 Message: 
I am an MSc student at Imperial College London, originally from the US, 
studying sustainable materials engineering. For my thesis I am researching the 
biodeterioration of heritage structures, as I am passionate about preserving 
architecture as a form of art. I have chosen to focus specifically on the role 
that fungi play in both the acidic dissolution and physical weathering of 
limestone. I have begun collecting information from both the Mediterranean 
region and Northern Europe/UK. I wanted to ask if anyone in the US has 
encountered this issue or has any insight they would be able to share. If this 
is an issue you have encountered and you deal with conservation efforts, I have 
the following questions:



Which interventions have actually worked well for you, and under what 
conditions do they fail?

When you decide whether to remove fungal growth, what drives the decision most: 
aesthetics, public perception, long-term material risk, cost, or reversibility?

 How important are maintenance and environmental control compared with direct 
biocidal treatment?


If you have any additional insight aside from these questions I would be more 
than happy to hear! Thank you.


------------------------------
Mia Taeyaerts
MSc Student
Imperial College London
London, GB
------------------------------


6.From: Brian Cullen
 Posted: Thursday July 23, 2026  10:12 AM
 Subject: RE: CO2 Blasting on Outdoor Bronze
 Message: 
Not a big fan of blasting bronze. have not tried CO2 but all blasting involves 
Peening the surface of the metal. which removes hard building up on the 
surface.  it is less effective on softer coatings.  Blasting  dose effect the 
surface of the metal. What coating are you trying to remove? Most lacquers and 
all waxes can be removed using solvents. some coatings like Urethane epoxies 
and enamels to chemical remove require much harsher chemicals which must be 
very carefully handled. these are corrosive to metals can damage adjacent 
surfaces.   Avoid any of the new "Safe stripers" these are acidic and require 
dwell times that can considerably etch the metal.  Always before applying any 
coating to any surface have a plain to safely remove it.   Hot wax is a great 
option, Cold application of Microcryatline wax also works will and is much 
safer to apply and less chance fo damaging adjacent materials. .  i add a 
little dye. to avoid visible white wax building up in recesses. Better too much
 wax than to little. cleaning out the corners can remove too much from 
surrounding surfaces.   


------------------------------
Brian Cullen
[email protected]
703-336-3342
------------------------------
-------------------------------------------
Original Message:
Sent: 07-22-2026 16:30
From: Megan Escene
Subject: CO2 Blasting on Outdoor Bronze

Hello Everyone,
Our names are Olivia Fiore and Megan Escene. We are pre-program interns at the 
Museum of Fine Arts, Boston conducting research on CO2 cleaning for an outdoor 
bronze sculpture. Has anyone had success in full removal of coating on bronze 
sculpture using CO2 blasting, without the need for additional strippers or 
solvents?
Thank you,
Megan Escene and Olivia Fiore


------------------------------
Objects Conservation Pre-Program Interns
Department of Conservation and Scientific Research
Museum of Fine Arts, Boston
------------------------------


7.From: Sarah Saetren
 Posted: Thursday July 23, 2026  11:39 AM
 Subject: RE: Pressure Sensitive Tapes Symposium - Save the Date!
 Message: 
Not yet! There will be a link to the call for papers next month and then we 
will open registration probably in December/January once we have the speakers 
selected.


------------------------------
Sarah Saetren
FAIC Education Manager
------------------------------
-------------------------------------------
Original Message:
Sent: 07-23-2026 07:53
From: Marie Oedel
Subject:  Pressure Sensitive Tapes Symposium - Save the Date!


Is there a registration link?


------------------------------
Marie Oedel
Book Conservator
Museum of Fine Arts, Boston
Wolfeboro
United States
------------------------------



8.From: Diana Bencatel
 Posted: Thursday July 23, 2026  11:39 AM
 Subject: [FREE Training] Materials for Preserving Paper Collections
 Message: Hi!

Join this free 1-hour training where youll discover tools and equipment that 
support key conservation actions, from environmental monitoring and cleaning to 
proper storage and small emergency repairs.

Save your seat now:
 English session: https://event.webinarjam.com/channel/materialsregist 
<https://event.webinarjam.com/channel/materialsregist>
 Portuguese session: https://event.webinarjam.com/channel/inscricaomateriais 
<https://event.webinarjam.com/channel/inscricaomateriais>

See you soon!

Diana Bencatel
Collections Conservator



9.From: Reed Hudson
 Posted: Thursday July 23, 2026  11:40 AM
 Subject: Job Posting: High Level Masonry Senior Stone Conservator
 Message: 



Historic Environment Scotland (HES) are the lead body for Scotland's historic 
environment; a charity dedicated to the advancement of heritage, culture, 
education and environmental protection.



We are seeking a skilled and qualified Stone Conservator to join the 
Collections and Applied Conservation (C&AC) department and lead a small team 
dedicated to responding to the conservation needs identified by the High Level 
Masonry (HLM) Project. In this role you will lead and deliver the Conservation 
Programme for high-level carved decorative stone across our estate of 
Properties in Care (PiCs). This is a full-time, permanent and pensionable 
position based at South Gyle Conservation Centre in Edinburgh, with a starting 
salary of £43,227 pro rata, per year.



About the Role

The C&AC team is responsible for the care, conservation and management of HES 
collections and loans across the estate, as well as associated fabric. Our 
collections span over 5,000 years of human history and range from small 
archaeological finds to large industrial machinery. We care for some of 
Scotland's most culturally significant objects, including the Honours of 
Scotland and the St Andrews Sarcophagus, with more than 45,000 objects 
distributed across more than 140 locations throughout Scotland. Our team of 
Stone Conservators are focused on the conservation of carved and decorative 
stonework at our PiCs and on our collections of artefacts.

 

The HLM project was established to inspect PiCs with high-level masonry at risk 
of falling, and to identify and address areas where conservation is needed. As 
some sites will have restricted access while inspections and conservation works 
are conducted, the project also looks at facilitating access and finding new 
ways to tell the stories of those PiCs. The HLM project is a key corporate 
priority and a proactive step in managing the sites in our care within a 
changing environment, as well as fulfilling our statutory duties to our people, 
visitors and contractors.

 

As HLM Senior Stone Conservator, you will lead a small team dedicated to the 
HLM Project and will line manage an HLM Stone Conservator. You will be the main 
point of contact within the C&AC department for enquiries related to HLM, and 
will be responsible for programme management and reporting.

 

About You

You will be required to demonstrate that you meet the requirements and 
qualifications below as part of the selection process.

 

·       SCQF Level 9 <https://scqf.org.uk/the-framework/interactive-framework/> 
qualification in Stone Conservation (or equivalent discipline), or demonstrable 
work experience in Stone Conservation

·       Extensive knowledge of the conservation of stone sculptural and 
architectural details coupled with strong conservation ethics in line with HES' 
conservation principles

·       Demonstrable experience working in the conservation field, with 
specialist knowledge of the treatment of stone

·       An understanding of stone as a material (geological type and 
composition), stone decay and weathering patterns, and ability to produce 
condition assessments based on this knowledge

·       Demonstrable dexterity and tool skills, to be illustrated via a 
portfolio of projects at the interview stage

·       Demonstrable experience in project and/or programme management 

·       Good working knowledge of Microsoft Office including Outlook for 
managing emails, Word for writing high-quality reports, and Excel

·       Excellent written and verbal communication skills and ability to 
provide support, advice, and advocacy in a cultural heritage setting

·       Self-motivated, able to work autonomously, take initiative and 
responsibility


Experience in managing a large portfolio of work and ability to work with 
stakeholders and as part of a team to prioritise project delivery and make 
decisions effectively and collaboratively 

·       Full UK driving licence to support travel across the estate, including 
to remote sites where equipment transport is required, or if non-UK driving 
licence holder, willingness to convert within first 12 months of employment


Good understanding of Health and Safety regulations and evidence of appropriate 
working practices

 

Benefits of joining us at Historic Environment Scotland


Enrolment onto a Civil Service Pension scheme – 28% employer contribution
25 days annual leave, pro-rata (increasing to 30 days after 3 years) + 11.5 
public holidays
Reimbursement for relevant professional subscriptions
Support for further education and personal development
Study leave for work related courses
Flexible working hours (where appropriate)
Free entry to all of our properties (with up to three guests)
Free entry to English Heritage, Manx and Cadw properties

 

For more information about the role and how to apply, please view the full Job 
Advertisement 
<https://ekov.fa.em3.oraclecloud.com/hcmUI/CandidateExperience/en/sites/CX_2001/job/427/?utm_medium=jobshare&utm_source=External+Job+Share>.
 

 

 






------------------------------
Reed Hudson
Senior Metals Conservator
Historic Environment Scotland
Edinburgh
United Kingdom
------------------------------


10.From: Craig Deller
 Posted: Thursday July 23, 2026  11:40 AM
 Subject: RE: Refinishing slate countertops and lab tables
 Message: Hi Arianna, True, aliphatic hydrocarbons, etc. will disrupt wax 
pretty easily, even when the wax is melted into the porous slate. Occasional 
reapplication may be impractical; Im not sure. Perhaps a pure tung oil, but 
that takes a month to fully cure. Just a thought; would love to hear what you 
come up with.
Craig
Craig DellerCultural Heritage ConservatorFellow-AIC / IIC LinkedIn Profile 
<https://www.linkedin.com/in/craig-deller-faic-fiic-80b8a6374/>
   





-------------------------------------------
Original Message:
Sent: 7/22/2026 10:15:00 AM
From: Arianna Carini Johnston
Subject: RE: Refinishing slate countertops and lab tables


Hi Craig,


Thanks for the suggestion, but this is exactly the opposite of what we'd want. 
We regularly work with solvents like mineral spirits, stoddard solvent, and 
occasionally acids and bases and we would not want anything significantly 
reactive or migratory in our working surface. I also think of wax as quite a 
bulky molecule that I don't think would penetrate very deeply into the porous 
slate. I agree with your assessment of a resin or an oil as well.


Best,


Arianna


------------------------------
Arianna Carini Johnston
Conservator
Maryland Archaeological Conservation Lab
------------------------------
-------------------------------------------
Original Message:
Sent: 07-21-2026 12:39
From: Craig Deller
Subject:  Refinishing slate countertops and lab tables

Hi Arianna, My first thought (after a good cleaning) would be to melt a 
hardened mix of microcrystalline wax onto the surface. By hardened, I mean the 
addition of Polywax 2000 to Multiwax 835, or some variation.A resin may 
delaminate and oil doesn't seem practical
Hope that is useful,Craig
Craig DellerCultural Heritage ConservatorFellow-AIC / IIC LinkedIn Profile 
<https://www.linkedin.com/in/craig-deller-faic-fiic-80b8a6374/>
   






11.From: Elisabeth Dagrada
 Posted: Thursday July 23, 2026  11:41 AM
 Subject: R-Codex project: Many thanks for your help!
 Message: 
Dear colleagues,


Thank you very much for your time and responses regarding to our survey 
"Survey: Conservation Bindings of Western Medieval Manuscripts".


We are grateful to annouce that two articles are published in Journal of Paper 
Conservation presenting the results of our R-CODEX project (Reliures de 
Conservation et Démarche Expérimentale). We hope that our works will bring you 
some information to feed your practicise and your knowledge.


Please let find our articles below :


- Conservation Bindings - Bound for the Future: A Fresh Look at Medieval 
Manuscript Preservation in France - Survey Results1 
<https://www.tandfonline.com/doi/full/10.1080/18680860.2026.2633503>
- https://www.tandfonline.com/doi/full/10.1080/18680860.2026.2652988#d1e128 
<https://www.tandfonline.com/doi/full/10.1080/18680860.2026.2652988#d1e128>


Best to all.


------------------------------
Élisabeth Dagrada
Book Conservator
Bibliothèque interuniversitaire de la Sorbonne
17 rue de la Sorbonne, 75005 PARIS
FRANCE
+33 1 40 46 30 63
------------------------------




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