I'd drop the all the passes and after the initial ravens right, just say
left *beat* right *beat* *left* *beat* right *beat* left *beat* right
*beat* balance and swing

That way you're providing a scaffold without obscuring the underlying music
you're trying to link them to.

Bob

On Fri, Feb 28, 2020 at 2:50 PM Jeff Kaufman via Contra Callers <
contracallers@lists.sharedweight.net> wrote:

> I don't think there's anything special about they hey: always cue things
> so that they start on the beat after you finish speaking.
>
> You might find "ravens left" etc works better than "ravens pass left",
> being shorter.  Otherwise it's hard to get all the words out.
>
> Jeff
>
> On Fri, Feb 28, 2020 at 6:06 AM Katherine Kitching via Contra Callers <
> contracallers@lists.sharedweight.net> wrote:
>
>>
>> hello - first time posting to this list so i'm sorry if I do it wrong
>> (looked in archives and couldn't see obvious answer)
>>
>>  I am going to teach and call my first dance with a hey this Saturday..
>> (ie tomorrow)
>>
>> our group takes things slow so i'd like to cue every interaction for the
>> first few times, as our previous caller did.... I don't know how common
>> this is but our previous caller would actually say--
>>
>>  ravens pass right
>> neighbours pass left
>> larks pass right
>> partners left
>> ravens pass right
>> neighbours pass left
>> larks pass right
>>  partner balance and swing
>>
>> I'm wondering if someone can clarify for me about delivering the calls
>> for this hey....normally of course I deliver instructions so the last bit
>> of instruction ends on the beat prior to the figure starting.
>>
>> But in the case of the Hey, if I remember correctly the caller actually
>> called out  the actions *as* they were happening....
>>
>> Am I remembering correctly and if so is this the best approach?
>>
>> In essence-- do I start by calling "ravens pass right" *just before*
>> they do it, or *while* they are doing it?
>>
>> thanks muchly :)
>>
>> Katherine Kitching in Hfx NS Canada
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