I think Chris Page got it right, as per usual:

> "Rings of Spring" by Chris Ricciotti?
>
> Cheers,
> -Chris
>

It makes sense that I would have picked this up from Chris Ricciotti since
I was dancing in Boston for so long. That said, what I called is a bit of a
variant (possibly I folk-processed it myself, or someone else did,
intentionally or accidentally) from the original, here
<https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=3369>.

Some thoughts on my variant:

   - There's a lot of extra time in the A1 in my version because I had the
   "gents go in" bit written as a "meanwhile" move. The timing of the original
   would be better for a hall of more seasoned dancers; my dancers really took
   advantage of the extra 4 beats to get their wave put together! Same for the
   16 count promenade — figuring out how to end the swing with everyone in the
   right place, and ending the promenade in the right place, took up all the
   extra time (this is compared to the B2 of Bill Olson's A Night at the
   Opera <https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=95>,
   which is also very similar)

   - To Mac's point regarding balances, I inadvertently taught/called the
   balances differently than I usually would, and it was a BIG success!
   Describing balances as "step to your own individual right, then to your own
   individual left" wasn't quite working, so I said/demoed that it was more
   like "[looks/leans right] Hi! [looks/leans left] Hello!" The dancers
   *loved* this, so much so that during the dance they all said it out loud
   with me. The first balance, right and left, became "Hi! Hello!" and next
   balance, left and right, went "Hello! Hi!" All smiles. Best teaching
   accident in recent memory! Let me know if any of you try it!



On Sun, Nov 19, 2023 at 6:58 PM John Sweeney via Contra Callers <
[email protected]> wrote:

> Hi Angela,
>
>               It looks like a simplified version of Bill Olsen’s “A Night
> at the Opera”:
>
> http://www.ibiblio.org/contradance/thecallersbox/dance.php?id=95
>
>
>
>               Circassian Circle is much simpler.  I wouldn’t consider it
> to be related.  Did you know that most people only dance Part 2?  Lots more
> information at:
>
> http://contrafusion.co.uk/Dances/EFDS4802-CircassianCircle.html
>
>
>
>             Happy dancing,
>
>                    John
>
>
>
> John Sweeney, Dancer, England   [email protected] 01233 625 362 & 07802
> 940 574
>
> http://www.contrafusion.co.uk for Dancing in Kent
>
>
>
>
> *From:* Angela DeCarlis via Contra Callers <
> [email protected]>
> *Sent:* 19 November 2023 17:07
> *To:* [email protected]
> *Cc:* Shared Weight Contra Callers <[email protected]>
> *Subject:* [Callers] Re: Favorite One Night Stand Dances
>
>
>
> Hello all,
>
>
>
> I called an *awesome* one-off gig on Friday night (honestly the most fun
> ONS ever for me) and used a lot of the dances mentioned in this thread —
> thanks everyone! I'll include my program below.
>
>
>
> I also called a Circle Mixer that I've had in my box for a long time, but
> I don't remember where I got it and don't know its name or author — maybe
> one of y'all will recognize it? It goes:
>
>
>
> A1: Ladies in 3 steps, clap on the fourth beat (4)
>
>       While Ladies back out, Gents in 3 steps, clap on the fourth beat (4)
>
>       Gents face out, return to place to form a wavy line (circle) (8)
>
> A2: Balance wave R, L (4), Allemande R 1x (4)
>
>       Balance wave L, R (4), Allemande L 1x (4)
>
> B1: New Partner (the person you turned by the Right) Balance & Swing
>
> B2: All promenade CCW (Gents in the Center), face in as couples to reform
> the circle
>
>
>
> This dance was a little harder to teach than most of the other things I
> called (it was also the only dance I called with two roles) but was easily
> danced — the rhythm and timing makes sense, and if you emphasize who
> promenades on the inside/outside in the B2, then everyone stays in the same
> role regardless of the way the swing is done or where the dancers end it.
> The timing overall has a lot of cushion, giving dancers plenty of time to
> hit the beats in the A1 and (to a lesser extent) A2.
>
>
>
> Here's the rest of my program:
>
>    1. Lucky Number Seven
>    2. Galopede
>    3. Do Si Three
>    4. Accretion Reel
>    5. Waves of the Sea
>    6. The Loon Dance
>    7. [Circle Mixer above]
>
> This got us through about 2 hours of dancing with some beefier-than-usual
> breaks in between each set. I walked through all the dances twice.
>
>
>
> Best,
>
> Angela
> _______________________________________________
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>
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