And yeah, robins get like 2 beats to finish the Mad Robin, and 4 more to
chill

On Fri, Apr 11, 2025, 5:43 PM Julian Blechner <[email protected]>
wrote:

> Clockwise!
>
> On Fri, Apr 11, 2025, 4:05 PM Angela DeCarlis <[email protected]>
> wrote:
>
>> Julian, without being able to physically walk it right now, is the Mad
>> Robin in your dance CCW?
>>
>> Also, while the Larks Allemande L, do the Robins just chill? Or is there
>> a lil cast/turn they can do to keep momentum from the MR to the RSR?
>>
>> Don — I love your choreography! This dance looks very cool. I might try
>> it this weekend. Thank you for sharing!
>>
>> On Fri, Apr 11, 2025, 10:42 AM Don Veino via Contra Callers <
>> [email protected]> wrote:
>>
>>> Just as another example of MR across:
>>>
>>> Holy Cannoli! - DI -  Don Veino 20160415
>>>
>>> Written while driving home from NEFFA 2015 after indulging in a
>>> delicious chocolate chip dipped one. First called by Linda Leslie at the
>>> Scout House Monday Contras 4/26/2015. It danced well, requires good spacing
>>> up and down. A2 timing depends on the crowd and music selection.
>>>
>>> A1
>>> (4,12) N B&S
>>>
>>> A2
>>> (6) Circle Left 3/4 (to face up/down, looking at your P - on Gent/Larks'
>>> home side)
>>> (10) Mad Robin 1+1/2 (across set, Gents/Larks going Left to Right
>>> through center first)
>>>
>>> B1
>>> (16) Partner RSR & Swing (on Ladies/Robins' home side)
>>>
>>> B2
>>> (8) Ladies/Robins Chain
>>> (8) Half Hey, LDY/RBN Pass Right to start (and look towards
>>> progression...)
>>>
>>> On Fri, Apr 11, 2025, 11:45 AM Julian Blechner via Contra Callers <
>>> [email protected]> wrote:
>>>
>>>> Scene: Beantown Stomp, dancing with another caller, Alex D-L on stage.
>>>> Dance has a balance ring, pass thru to ocean wave.
>>>>
>>>> Me, to my partner: "How stupid would it be to have a balance, Mad Robin
>>>> across the set?"
>>>> Her: "Do it!"
>>>>
>>>> It's across a musical phrase. And I was skeptical that space was
>>>> available, but, if you can balance and pass through to an ocean wave, you
>>>> can Mad Robin facing up and down, it turns out.
>>>>
>>>> Called last night in Philly, positive feedback after, band picked music
>>>> that worked with the cross-phrase.
>>>>
>>>> Mad Robin Across
>>>> Julian Blechner
>>>> Becket (CW)
>>>>
>>>> A1. Circle L 3/4 (8) (with "next as a typical Butter progression)
>>>>       NS (8)
>>>> A2. LLFB (8)
>>>>       Robins Chain to P (8), form ring of 4
>>>> B1. Bal Ring (4)
>>>>       Mad Robin Across (8)
>>>> Larks catch LH early, Alle L 1x (4)
>>>> B2. P R. Shoulder 'Round and Swing (16)
>>>>
>>>> Notes:
>>>> Larks catch left hands about 3/4 the way through the Mad Robin, so
>>>> their 1x allemande is 6 beats of music. Telling Larks they will catch LH
>>>> early is important.
>>>>
>>>> I assumed dancers would arrive early to the B2, and made it a Right
>>>> Shoulder 'Round instead of a balance. However, perhaps with the timing of
>>>> the music being not super sluggish, dancers seemed to arrive with timing
>>>> that would have worked for the balance.
>>>>
>>>> Will likely call something with this at NEFFA, but the dance is tested,
>>>> danced, and I'm confident in it.
>>>>
>>>> In dance,
>>>> Julian Blechner
>>>> He/Him
>>>> Western Mass, USA
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>>>>
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>>
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