-Caveat Lector-

Holocaust Survivor
Memoir Exposed as Fraud

http://www.rense.com/general33/frauad.htm

Institute for Historical Review
1-15-3

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first person to prove that the essence of this essay is not accurate...

A Holocaust survivor memoir that has received prestigious literary awards and
lavish praise has been exposed as a hoax.

In Fragments: Memories of a Wartime Childhood, Binjamin Wilkomirski
describes his ordeal as an infant in the Jewish ghetto of Riga (Latvia), where his
earliest memory is of seeing his father being killed. Wilkomirski also tells how he
survived the terrible rigors of wartime internment, at the age of three or four, in
the German-run concentration camps of Majdanek and Auschwitz.

First published in German in 1995, Fragments has been translated into twelve
languages. In Switzerland, the country where Wilkomirski lives, the book has
been a major best-seller. Two documentary films and numerous personal
appearances by the author in schools throughout the country have helped
promote the memoir.

The American edition was published by Schocken, an imprint of Random
House, which heavily promoted the book with teachers' study guides and other
supplementary materials.

Jewish groups and major American newspapers have warmly praised
Fragments. The New York Times called it "stunning," and the Los Angeles
Times lauded it as a "classic first-hand account of the Holocaust." It received the
1996 National Jewish Book Award for Autobiography and Memoir, while in
Britain it was awarded the Jewish Quarterly Literary Prize, and in France the Prix
Memoire de la Shoah.

The US Holocaust Memorial Museum in Washington, DC -- a federal
government agency -- was so impressed that it sent Wilkomirski on a six-city
United States fund-raising tour last fall.

This past summer, though, compelling evidence came to light exposing
Wilkomirski's memoir as an literary hoax.

Although he claims to have been born in Latvia in 1939, and to have arrived in
Switzerland in 1947 or 1948, Swiss legal records show that he was actually born
in Switzerland in February 1941, the son of an unwed woman, Yvette Grosjean.
The infant was then adopted and raised by the Doessekkers, a middle-class
Zurich couple. Jewish author Daniel Ganzfried, writing in the Swiss weekly
Weltwoche, also reports that he has found a 1946 photo of the young Bruno
Doessekker (Wilkomirski) in the garden of his adoptive parents.

Comparisons have been drawn between Wilkomirski's Fragments and The
Painted Bird, the supposedly autobiographical "Holocaust memoir" by prominent
literary figure Jerzy Kosinksi that turned out to be fraudulent.

Reaction by Jewish Holocaust scholars to the new revelations has been
instructive, because they seem more concerned about propagandistic impact
than about historical truth. Their primary regret seems merely to be that the
fraud has been detected, not that it was perpetrated.

In an essay published in a major Canadian newspaper (Ottawa Citizen, Nov. 18,
1998), Jewish writer Judith Shulevitz arrogantly argued that it doesn't really
matter much if Fragments is authentic. Her main misgiving, apparently, is that
the deceit was not more adroit: "I can't help wishing Wilkomirksi-Doesseker [sic]
had been more subtle in his efforts at deception, and produced the magnificent
fraud world literature deserves." Deborah Dwork, director of the Center for
Holocaust Studies at Clark University (Worcester, Mass.), and co-author of
Auschwitz: 1270 to the Present (Yale Univ. Press, 1996), agrees that Fragments
now appears to be fraudulent. At the same time, though, she expressed
sympathy for Wilkomirski, saying that when she met him he appeared "to be a
deeply scarred man." Amazingly, Dwork does not blame him for the imposture,
"because she believes in his identity." Instead, she takes the publishers to task
for having "exploited" Wilkomirski. (New York Times, Nov. 3, 1998).

Deborah Lipstadt, author of the anti-revisionist polemic Denying the Holocaust,
has assigned Fragments in her Emory University class on Holocaust memoirs.
When confronted with evidence that it is a fraud, she commented that the new
revelations "might complicate matters somewhat, but [the work] is still powerful."

Daniel Ganzfried reports that Jews have complained to him that even if
Fragments is a fraud, his exposé is dangerously aiding "those who deny the
Holocaust." American Jewish writer Howard Weiss makes a similar point in an
essay published in the Chicago Jewish Star (Oct. 9- 29, 1998):

Presenting a fictional account of the Holocaust as factual only provides
ammunition to those who already deny that the horrors of Nazism and the death
camps ever even happened. If one account is untrue, the deniers' reasoning
goes, how can we be sure any survivors accounts are true ... Perhaps no one
was ready to question the authenticity of the [Wilkomirski] account because just
about anything concerning the Holocaust becomes sacrosanct.

Wilkomirski himself has responded to the new revelations by going into hiding,
although he did issue a defiant statement describing the climate of discussion
about his memoir as a "poisonous" atmosphere of "totalitarian judgment and
criticism."

-- M. W. http://ihr.org/jhr/v17/v17n5p15_Weber.html

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