-Caveat Lector-

"I pledge Allegiance to the Flag of the United States of America and to
the REPUBLIC for which it stands,  one Nation under God,indivisible,with
liberty and justice for all."

Remember:More people have died in Ted Kennedy's car than have died in
United States Commercial Nuclear Power plant operations

 visit my web site at
http://www.voicenet.com/~wbacon My ICQ# is 79071904
for a precise list of the powers of the Federal Government linkto:
http://www.voicenet.com/~wbacon/Enumerated.html

---------- Forwarded message ----------
Date: Fri, 25 Jun 2004 14:10:06 EDT
From: Human Events Book Service <[EMAIL PROTECTED]>
Reply-To: HAE <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED]
Subject: Michael Moore is a Big Fat Stupid White Man

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EXPOSED: The Left's biggest (and we do mean biggest) liar and hypocrite,
Michael Moore

Prepublication offer: books are en route from the publisher to our
warehouse!

Michael Moore is a Big Fat Stupid White Man
by David T. Hardy and Jason Clarke

Oscar-winning filmmaker and bestselling author Michael Moore has made a
king's fortune railing against the hypocrisy he epitomizes. In
"documentaries" like Bowling for Columbine and the soon-to-be-released
Fahrenheit 9/11, and in "nonfiction" books like Stupid White Men and
Dude, Where's My Country?, Moore has proved himself over and over to be
the most shamelessly dishonest -- if crudely effective -- propagandist
since Joseph Goebbels and Nazi documentarian Leni Riefenstahl. Now, in
Michael Moore is a Big Fat Stupid White Man, David T. Hardy and Jason
Clarke dish it back hard to the fervent prophet of the far left, turning
a careful eye on Moore's use of doctored film footage, manipulated facts,
and spliced speeches to tamper with the truth.

"Postwar filmmakers gave us the documentary, Rob Reiner gave us the
mockumentary, and Moore initiated a third genre, the crockumentary,"
write the authors. Drawing from the archives of their hugely popular
websites MooreLies.com and MooreExposed.com, Hardy and Clarke intrepidly
expose:

· How Moore pulls off a "man of the people" image so at odds with his
lifestyle as a fabulously wealthy Manhattanite

· Moore's upper-middle-class origins: how this self-described son of
factory workers from Flint, Michigan was anything but

· Why Moore shows the greatest disdain for that which he actually is: "a
very rich, pasty white American male"

· Why Warner Brothers, the distributor of Moore's first film, Roger & Me,
was forced to pay legal damages to a man portrayed by Moore in a false
light

· Why Moore's Oscar-winning anti-gun-rights documentary, Bowling for
Columbine, is "as manipulative as totalitarian propaganda"

· How, in Columbine, Moore made Charlton Heston -- once a leader of the
civil rights movement, a personal friend of Martin Luther King, and a
regular guest speaker for the Congress of Racial Equality -- come across
as a gun-crazy racist, all by distorting the evidence and "creative"
editing

· Moore the Prophet: how he has fared in some of his high-profile
predictions, such as his 2002 declaration that North Korean dictator Kim
Jong Il was about to have "a change of heart"

· Reported in full: Moore's hateful and racist (anti-white) remarks while
on a speaking tour in England just after 9/11

· The hilarious story behind Moore's grandstanding at the Academy Awards
-- at which he was loudly booed, to his evident surprise

· How Moore bends the truth to fit his predetermined thesis, creating a
false impression for a wide audience that takes in his message

· How Moore's career and public persona fit the textbooks definition of a
Narcissistic Personality Disorder, pervading his works with a truly
pathological combination of overwhelming egotism and self-loathing

Loaded with the kind of accurate, honest reporting to which Moore is
notoriously averse, and laced with the irreverent wit he only thinks he
has, Michael Moore is a Big Fat Stupid White Man will have you asking:
"Dude, where's your integrity?"

Be one of the first to own what is bound to be one of the most talked
about conservative books of the summer. Order Michael Moore is a Big Fat
Stupid White Man now and save 22% off bookstore prices:



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A runaway #1 bestseller about... punctuation?

Believe it! And when you read this delightfully instructive gem, you'll
see why!

Eats, Shoots and Leaves
by Lynne Truss

A panda enters a cafe, orders and devours a sandwich, draws a pistol,
fires a few shots and then heads for the door. "Why?" asks the bewildered
waiter. The panda tosses him a badly punctuated wildlife manual and says:
"I'm a panda. Look it up." The waiter reads the relevant entry: "Panda:
Large black and white bear-like mammal, native to China. Eats, shoots and
leaves."

Punctuation is an endangered species. We see signs every day for
"Banana's" or reading "Video's sold here." Competition rules remind us:
"The judges decision is final." What could be the harm in sloppy usage
from time to time? Well, consider how the absence of a single comma can
turn a reasonable request ("No dogs, please") into an unjust aspersion
against an entire species ("No dogs please"); or how a simple colon,
combined with a comma, can ignite sexual warfare: "A woman without her
man is nothing" becomes "A woman: without her, man is nothing."

To the rescue comes Lynne Truss, who uses her urbane, witty, and learned
voice to advocate for the proper use of punctuation in Eats, Shoots and
Leaves: The Zero Tolerance Approach to Punctuation. With the rallying cry
of "Sticklers Unite!" Truss has won the devotion of hundreds of thousands
of readers, who have made her book the publishing story of the year: a #1
bestseller not only in her native England, but in America too -- where it
has topped the New York Times list for eight straight weeks (and
counting)!

Eats, Shoots and Leaves is a narrative history of punctuation from
earlier days, when writers fought over the proper way to punctuate, to
today, when sloppy e-mails and text messaging have become the norm. The
book is full of bizarre true stories even copyeditors haven't heard
before: From the invention of the question mark in the time of
Charlemagne, to George Orwell shunning the semicolon, to New Yorker
editors having gentlemanly disagreements over the proper placement of a
comma, to errors in punctuation in current film titles and on
neighborhood signs, Lynne Truss reveals them all. A few horrors that she
has unearthed (with the poor apostrophe alone) include:

· Lands' End (mail-order company that roundly denies anything is wrong
with their name)

· Prudential-were here to help you

· Cyclist's Only (his only what?)

In Lynne Truss's words, "If I did not believe that everyone is capable of
understanding where an apostrophe goes, I would not be writing this book.
There are already umpteen excellent punctuation guides on the market. The
trouble with most of them is that they are read principally by keen
foreigners." This lively history of punctuation makes a powerful case for
the preservation of a system of printing conventions that is much too
subtle to be mucked about with.

"Wise and witty"
-- George Will

"Who would have thought a book about punctuation could cause such a
sensation? Certainly not its modest if indignant author, who began her
surprise hit motivated by 'horror' and 'despair' at the current state of
British usage: ungrammatical signs ('BOB,S PETS'), headlines ('DEAD SONS
PHOTOS MAY BE RELEASED') and band names ('Hear'Say') drove journalist and
novelist Truss absolutely batty. But this spirited and wittily
instructional little volume, which was a U.K. #1 bestseller, is not a
grammar book, Truss insists; like a self-help volume, it 'gives you
permission to love punctuation.' . . . Employing a chatty tone that
ranges from pleasant rant to gentle lecture to bemused dismay, Truss
dissects common errors that grammar mavens have long deplored (often, as
she readily points out, in isolation) and makes elegant arguments for
increased attention to punctuation correctness: 'without it there is no
reliable way of communicating meaning.' Interspersing her lessons with
bits of history (the apostrophe dates from the 16th century; the first
semicolon appeared in 1494) and plenty of wit, Truss serves up
delightful, unabashedly strict and sometimes snobby little book, with
cheery Britishisms ('Lawks-a-mussy!') dotting pages that express a more
international righteous indignation."
-- Publishers Weekly

Anyone can improve their writing and have an enjoyable read with Eats,
Shoots and Leaves. Save 20% off bookstore prices now:



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