-Caveat Lector-

Jane Campion film Holy Smoke

NOTE- Please check the archive for previous emails about thie upcoming
film about a cult deprogrammer. I hope that I am not too pessimistic when
I say that this film will continue to portray anyone who counsels people
out of a cult situation as an unscrupulous character. I was contacted by
Keitel's office before he took this project and didn't want anything to do
with it. My fear is that cults like Scientology (Nicole Kidman stars in
this film) wants to perpetuate the black propaganda against deprogramming.
My work trying to elucidate the issues and offer a legal, non -traumatic
approach will be undermined by such portrayals. I recived the following
from Australia  --Steve

http://www.smh.com.au/news/9912/14/national/national16.html

Steve, I thought you may be interested in this (attached) Sydney Morning
Herald piece of an interview between their film critic and Jane Campion -
part of the publicity push before "Holy Smoke" opens here on Boxing day,
December 26th.

The film opens with Neil Diamond's "Holy, Holy" - chosen by Campion's
older sister by a year Anna - and Winslet is supposed to represent the
younger more assertive woman of today. The 'deprogrammer', according to
Campion, starts off as "a spiv" [Macquarie Dictionary: n. Orig. Brit.
Colloq. one who lives by his wits, without working or by dubious
business activity, and usu. affecting ostentatious dress and tastes] and
changes, or is seduced, through his relationship with Winslet's
character. In fairness to Campion, character development is supposed to
be the root of drama, but she seems to emphasize it for Keitel's
character rather than for Winslet's.

She sounded defensive and a bit tired, pleading for sympathy in tackling a
controversial topic. The interviewer, who had backpacked in India (as I
have) was quite enthusiastic about the film. I have long thought that
there are possibilities in the story of interaction between young western
travellers and an ancient culture to our North-West. I don't think
Campion's film tackles this - but I'll have to see it for myself.

Keitel's character, at one stage, responds to her uncritical attachment
to the Indian group in question (which one ? Sai Baba ?) by pointing to
the low status of Indian women (a very feminist line, this) and
mentioning the use of ultra-sound to select for male children.

Ultimately, it might tell us more about where Jane Campion is coming
from than about some of the issues it claims to adress.

The SMH interview closes with reference to her next film produced by,
and starring Scientologist Nicole Kidman.

from a cult watcher- "Down Under"


 -   NATIONAL
 Campion defends her 'cheerfully provocative discussion'


 By GARRY MADDOX, Film Writer

 Jane Campion admits her new film, Holy Smoke, is meant to stir up a
reaction.

It has certainly done that since premiering at the Venice Film Festival,
though not of the kind the director intended.

Campion has already attacked some Australian reviews that dubbed the film
a failure before it attracted favourable notices at Venice.

A few hours before the film's Sydney premiere last night, Campion was much
calmer about the reaction to the film.

"I believe a general good faith in humanity, people always doing what they
think is right at the time. I just think that with a film like ours, which
is difficult to categorise, you can get it very wrong."

Campion says Holy Smoke, which centres on  the relationship between a
young woman (Kate Winslet) caught up with an Indian cult  and an American
deprogrammer (Harvey Keitel) engaged by her family, is the most
"cheerfully provocative" film in a career that has also included Sweetie,
An Angel At My Table, The Piano and The Portrait of a Lady.

"It's a discussion. We're the creators of the discussion. If everybody
comes out going 'oh lovely', where's the energy there? Where's the grounds
for us to discuss anything?"

So exactly what does she want to stir up audiences about?

Campion starts a list;  relationships between men and women, how to love,
what happens when power is an issue in a relationship.

She gets this far then notes how pleased she is by the lack of comment
about Winslet being "no stick insect" in the film.

"She's not fat or anything like that but she's whole, she's grounded. It's
very scary, that fantasy from photographers that clothes look better on
stick figures. Now everybody feels fat and revolting unless they're really
not eating."

Campion is also full of admiration for Keitel, one of cinema's tough guys.

"God, that guy must have really loved [producer] Jan [Chapman] and me to
do this movie ... He's given up all his front in order to do it, and all
his machismo."

Campion shrugs off talk about the pressures she might face as a celebrated
director with a new film.

"I don't know of one single film that everybody says is great. You think
'oh well, Titanic' but lots of people don't like Titanic.

"You'd love to be in that situation where everybody is going to say 'it's
just amazing' but it's not going to happen. So you may as well just go and
do what you believe and try to do it well."

Campion isn't thinking past her next film - the erotic thriller In The
Cut, which will star Nicole Kidman.


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