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Click Here: <A HREF="http://www.steamshovelpress.com/altmedia.html">'X-Men':
Psychic Warfare and the Mind Control E…</A>
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'X-Men': Psychic Warfare and the Mind Control Enigma
Defining a world of superhumans with paranormal powers, 'X-Men'
delivers a psychic battlefield of Good Mutants, Bad Mutants and Bad Humans.
To call them "superheroes," however, is really stretching a concept
that is archaic and even quaint. Recycling aspects of recent history like the
Holocaust, the Commie Scare and Queer Bashing, "X-Men" also infers the occult
atrocities of mind control -- but leaves them curiously hidden.
Based on the best-selling Marvel Comics series, the premise of "X-Men"
is that "mutants" or genetic mutations are the latest stage of human
evolution. But how they got to be "mutations" is unexplained -- unless you
understand the 20th century history of mind control.
Directed by Bryan Singer, who directed the stylish but empty "Usual
Suspects," this dark and somber movie opens in a concentration camp in Poland
with Nazis herding Jews, while a boy watches in helpless terror.
The mutants and their psychic powers are slowly -- very slowly --
introduced. Implying the Nazi atrocity medical "experiments," Wolverine (Hugh
Jackman) has an all-metal endoskeleton which includes retractable surgical
knife blades which shoot out of his knuckles. In the wilds of Canada, he
meets Rogue (Anna Paquin), another mutant-freak whose touch drains the life
force out of people.
Meanwhile Senator Kelly (Bruce Davison) recalls the McCarthy-era Red
Scare with his call for registering mutants as the latest threat to mankind.
"Are mutants dangerous?" he asks. "What does the mutant community have to
hide?"
The Good Mutant Leader, Professor Charles Xavier (Patrick Stewart),
runs a school for gifted youngsters in toney Westchester, where he teaches
them to control their psychic powers. Xavier's staff includes Storm (Halle
Berry), who can manipulate the weather, Dr. Jean Grey (Famke Janssen) who can
move things with her mind, and Cyclops (James Marsden) who has the ability to
shoot death rays from his eyes.
The head of the Bad Mutants, Magneto (Ian McKellan), plans to turn
world leaders into mutants. In a meeting with Xavier, a former colleague, he
rationalizes his plan with these words -- "Let's just say -- Good works too
slow."
Magneto has Sabretooth (Tyler Mann) who looks like the Ron Perlman
version of the Beast, Toad (Ray Park) whose "power" includes the ability to
climb walls and to shoot out his outrageously long tongue, and Mystique
(Rebecca Romijn-Stamos) whose guise as a reptilian-like shapeshifter lets her
assume the form of anything she chooses.
Despite the allusions to Teen Alienation, Gay Persecution and Red
Baiting, the occult message of "X-Men" is its analogy to mind control victims
who have been trained -- and bred -- to be experts in the psychic arts.
The always articulate Annie McKenna, a mind control survivor herself
and the author of "Paperclip Dolls", brings the mind control implications of
the "X-Men" movie into clear focus.
"What do I think a mutant is?" she writes. "My memories and the
memories of fellow survivors include messages about genetics, DNA, mutations
and hybrids. I think the underground world of mind control is light years
ahead in their genetic technology than what is publicly known."
"If the next evolution of humanity is genetic mutation to access higher
intelligence, it will be another war, but it will be the same war as always.
Good vs evil. And my bet is on the good guys."
On the other hand -- like the Illuminati who control events from behind
the scenes, Xavier, who wants to help mankind and Magneto, who wants to
destroy them, may be a personification of the archetypal struggle of the
Nephilim gods themselves. According to Sumerian history, the two brother Enki
and Enlil were continually warring and making up. The pawns in the game are,
of course, the humans.
"In one scene, Storm says she is afraid of humans because all she wants
to do is try to help and they are afraid of her," McKenna continues. "Their
fear is projected as persecution. That is exactly how I feel as a victim of
mind control. People become afraid if I say I'm a multiple, let alone a mind
control victim."
"Most of society can't even relate to that. Besides it requires some
focused research and education before the public would even be able to
understand the source of the problem as well as the huge scope of the
problem."
For a detailed look at structured multiple personality disorder and
other mind control abuses, read "Mind Control Slavery and the New World
Order" at http://www.nexusmagazine.com/mindcontrolNWO.html
"I truly identify with being a mutant," writes Ms. McKenna. "I know my
psychic skills were greatly honed and my system now uses those skills for
healing."
"If it can happen to me, why not on a stream of consciousness type of
level?" she concludes -- affirming the usefulness of psychic abilities as an
aid for healing.
As for the movie, the unspoken X-factor, if you will, is that psychic
powers themselves in many cases may be the result of Illuminati genetic
engineering experiments. Gene splicing and other exotic techniques could be
used to enhance these abilities. And mind control programming and
conditioning, of course, is commonly used to segregate these psychic powers
in specific alters or personality fragments for espionage, assassination and
other nasty purposes.
Mind control survivor Arizona Wilder says she was trained as a psychic
assassin by a shadowy Belgium-based group called Janus, which was used as a
pool of loanout psychic killer-spies for various intelligence agencies. She
confirms that the handler of the Janus teams was the reptilian-tongued
William F. Buckley Jr., of PBS Firing Line and National Review fame.
Buckley, one of the visible Overlords of the Power Elite, is a member
of the ultra-secret society, Order of Skull and Bones, a frequent participant
in the Bohemian Grove revels, and an attendee of the Bilderberg meetings
where global policies are set in motion.
Another mind control survivor Stewart Swerdlow, author of "The Montauk
Project: The Alien Connection" corroborates Arizona Wilder's recollections
with his own memories of interactions with Buckley.
One of the so-called Montauk Boys, Swerdlow writes, "And you should
understand that the ceremonies conducted at Montauk were very occasional. In
other words they would occur at certain times of the year, And they would
bring in people that were not usually there, one of whom was William F.
Buckley."
In the end, "X-Men" has great special effects, but too many characters
and not enough plot to go around. It has infrequent wisecracking dialogue --
"What do they call you? Wheels?" one of the characters asks the
wheelchair-bound Xavier, alluding to the ostensibly silly one-or-two syllable
mutant handles. They could be after all just code names for certain psychic
alters.
The theme of "X-Men" is popular alienation, but the psychic powers of
telepathy, telekinesis, and remote viewing may themselves be the keys to
global enslavement -- or planetary healing.
Guess what the Illuminati are betting on?
Copyright © 2000 Uri Dowbenko. All Rights Reserved.
Uri Dowbenko is CEO of New Improved Entertainment Corp. He can be reached by
e-mail at [EMAIL PROTECTED]
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