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EMPIRE OF CONSPIRACY
The Culture of Paranoia in Postwar America


Timothy Melley
Why, Timothy Melley asks, have paranoia and conspiracy theory become such
prominent features of postwar American culture? In Empire of Conspiracy,
Melley explores the recent growth of anxieties about thought-control,
assassination, political indoctrination, stalking, surveillance, and
corporate and government plots. At the heart of these developments, he
believes, lies a widespread sense of crisis in the way Americans think about
human autonomy and individuality. Nothing reveals this crisis more than the
remarkably consistent form of expression that Melley calls "agency panic"--an
intense fear that individuals can be shaped or controlled by powerful
external forces. Drawing on a broad range of forms that manifest this
fear--including fiction, film, television, sociology, political writing,
self-help literature, and cultural theory--Melley provides a new
understanding of the relation between postwar American literature, popular
culture, and cultural theory.
Empire of Conspiracy offers insightful new readings of texts ranging from
Joseph Heller's Catch-22 to the Unabomber "Manifesto," from Vance Packard's
Hidden Persuaders to recent addiction discourse, and from the "stalker"
novels of Margaret Atwood and Diane Johnson to the conspiracy fictions of
Thomas Pynchon, William Burroughs, Don DeLillo, and Kathy Acker. Throughout,
Melley finds recurrent anxieties about the power of large organizations to
control human beings. These fears, he contends, indicate the continuing
appeal of a form of individualism that is no longer wholly accurate or
useful, but that still underpins a national fantasy of freedom from social
control.

Timothy Melley teaches American literature at Miami University of Ohio.
   SOCIAL SCIENCE / Anthropology / Cultural
   LITERARY CRITICISM / American / General
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Paper  DECEMBER 1999  264pp  6 x 9
ISBN: 0-8014-8606-8  18.95s  Quantity
Cloth  DECEMBER 1999  264pp  6 x 9
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