dxomark.com website seems to have relevant numbers, see for example
Nikon lens mentioned by Sturm Flut:
https://www.dxomark.com/Lenses/Nikon/AF-S-Nikkor-24-70mm-f-2.8G-ED-mounted-on-Nikon-D750__975
https://www.dxomark.com/Lenses/Nikon/AF-S-Nikkor-24-70mm-f-2.8G-ED-mounted-on-Nikon-D7100__865

Interestingly enough on D810 number is higher than on D750 even though
sensor's physical dimensions are the same, probably due to the absence
of optical low-pass filter:
https://www.dxomark.com/Lenses/Nikon/AF-S-Nikkor-24-70mm-f-2.8G-ED-mounted-on-Nikon-D810__963


On Sun, 24 Feb 2019 13:32:54 +0100
Florian W <flo.wern...@gmail.com> wrote:

> Thanks for the details Simon.
> 
> I also thought about it a bit and had a reasoning similar to yours, that
> basically something designed for a specific acquisition chain will probably
> perform worse on an acquisition chain farther from its spec.
> 
> However thinking about it more deeply, 2 things are still boggling my mind.
> 
> 1 This reasoning is mixing description of digital features with analog ones
> . A lens quality and specs is not defined by MP resolution (rather by like
> purity of the glass, glass curvature homogeneity, CoC, TCA, and so on).
> 
> 2 Some of the lenses we're talking about were developed and (partially)
> targeted to FF cameras having a sensor with less MP than a current APS-C
> (for example in Canon, the 6D is a 2012 FF with 20MP).
> 
> If the reasoning is valid, a lens released at times of FF with 24MP or
> higher wouldn't be a good match to the previous cameras with less MP. Which
> doesn't seems to be the case.
> 
> What I mean by this is that at some point, to ensure a lens will perform
> well on FF cameras that will be released the following decade, one can
> assume that the optical manufacturing quality is probably one order of
> magnitude above the quality required to fit the current camera sensor
> capabilities. Maybe explaining why you can see problems in older lenses.
> 
> Please feel free to point any mistake in this reasoning.
> 
> Maybe are we lucky enough that someone working in the optical lenses or
> cameras industry is part of this mailing list and provide us some insights
> about it :)
> 
> Florian Wernert
> Software engineer INSA
> In-training Neuroscience researcher
> https://www.linkedin.com/in/wernertflorian
> 
> 
> 
> Le sam. 23 févr. 2019 à 18:12, Sturm Flut <sturmf...@lieberbiber.de> a
> écrit :
> 
> > Hi,
> >
> > Am 23.02.19 um 16:34 schrieb Florian W:  
> > > Thanks for your answers guys.
> > >
> > > Simon, I'm curious to know why to you it's not the best idea ?  
> >
> > (oversimplifying it a bit)
> >
> > Full-frame lenses are designed to deliver their full sharpness across
> > the whole full-frame image circle. If I put a full-frame lens on my
> > APS-C D7100, I am basically expecting it to deliver 24 megapixels within
> > the smaller APS-C image circle the sensor is cropping out. That means I
> > expect the lens to deliver about 24*2,25 = 54 megapixels over the whole
> > full-frame image circle. Which not that many standard lenses will do.
> >
> > If put my standard 24-70/2.8 on a Nikon D850 and (let's say) it only
> > delivers 40 megapixels of actual resolution instead of the ~46 the
> > sensor wants, that's not going to be a catastrophe. If I put it on a
> > camera with a lower resolution sensor, e.g. the 24 megapixel sensor in
> > the D750, there is zero problem. But if I put the same lens on the
> > D7100, the cropped area will only get around 40 / 2,25 = 17 megapixels.
> > That's suddenly 30% less than what the sensor needs. And not every lens
> > will even deliver these 40 megapixels. Good APS-C and especially
> > Micro-Four-Thirds lenses are expensive and hard to make because they
> > have to be very sharp within the smaller image circle.
> >
> > Prime lenses are usually sharper to begin with, so with your 50/1.8 and
> > 28/2.8 it might not be that much of an issue. But I can clearly see the
> > problem with my 24-70/2.8, and especially with the good old 70-300/4.5-5.6.
> >
> > cheers,
> > Simon
> >  
> 
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