The upper scale is especially useful to protect parts of the image which would otherwise be pushed out of limits, for example very bright or dark areas in case of the equalizer module. This does not apply to input masks because of the way how the equalizer works.
Regards, Markus Am 09.01.2015 um 17:37 schrieb David Vincent-Jones: > The discussion regarding Luminosity Masks has certainly made me rethink the > way that I process many images. > > One 'feature' of parametric masking that still eludes me however and that is > the use of the upper (second) adjustment scale that appears, in the light of > multiple module applications, to be somewhat redundant. > > I would be interested to know how many users do find the second adjustment > useful ... and is it really being used? > > David > > ------------------------------------------------------------------------------ > Dive into the World of Parallel Programming! The Go Parallel Website, > sponsored by Intel and developed in partnership with Slashdot Media, is your > hub for all things parallel software development, from weekly thought > leadership blogs to news, videos, case studies, tutorials and more. Take a > look and join the conversation now. http://goparallel.sourceforge.net > _______________________________________________ > Darktable-users mailing list > [email protected] > https://lists.sourceforge.net/lists/listinfo/darktable-users > ------------------------------------------------------------------------------ Dive into the World of Parallel Programming! The Go Parallel Website, sponsored by Intel and developed in partnership with Slashdot Media, is your hub for all things parallel software development, from weekly thought leadership blogs to news, videos, case studies, tutorials and more. Take a look and join the conversation now. http://goparallel.sourceforge.net _______________________________________________ Darktable-users mailing list [email protected] https://lists.sourceforge.net/lists/listinfo/darktable-users
