Am Montag, 19. Januar 2004 10:07 schrieb Doug du Boulay: > For me the distortion of the background synthesizer chordy bit (I know what > I'm talking about, really I do :-) seems to overload it at about the :50, > the 2:20 and 4:00 minute marks, after which sound cuts out altogeather. > Then about the 1:50 and 3:20 marks sound cuts back in again. > But briefly, three times, it sounded pretty good :-) > Its a mystery to me.
I only understand half of the above :-/ > Can alsa and aRTS play nicely togeather, or does one replace the other (not > sure I want to go that far. The Eurythmics aren't __that__ good). Actually, if you go more down, it gets faster and better. Arts should become a pure lib as alsa advances more and is less painful to use. Simply start timidity like with an init script like: #! /bin/sh PATH=/usr/local/sbin:/usr/local/bin:/sbin:/bin:/usr/sbin:/usr/bin DAEMON=/usr/bin/timidity NAME=timidity DESC="Timidity ALSA slave" OPTIONS="-iAq -Os" test -x $DAEMON || exit 0 set -e case "$1" in start) echo -n "Starting $DESC: $NAME" start-stop-daemon --start \ --pidfile /var/run/$NAME.pid --make-pidfile \ --background \ --exec $DAEMON -- $OPTIONS echo "." ;; stop) echo -n "Stopping $DESC: $NAME " start-stop-daemon --stop \ --pidfile /var/run/$NAME.pid \ --exec $DAEMON echo "." ;; *) N=/etc/init.d/$NAME echo "Usage: $N {start|stop}" >&2 exit 1 ;; esac exit 0 Most of it is copied and it cuts down to: timidity -iAq -Os Last time I checked, order mattered. Kmid then can make perfect use of it. However, with kmidi you have more control. But the frontend really sucks :-( HS -- Mein GPG-Key ist auf meiner Homepage verfügbar: http://www.hendrik-sattler.de oder über pgp.net PingoS - Linux-User helfen Schulen: http://www.pingos.org
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