Just wonder why he licensed the music compositions and nothing for the
art? Because this is a graphic rendering, not necessarily "sampling" in
the traditional sense, how do you go about licensing the underlying
composition for a photograph? Should you have to? Someone said it would
have been ideal to take a picture just like the original, and then base
the digital render upon that instead of Maisel's pic. But yeah, the
chillin' effect on expression here is waaaay cold. Well, at least Baio
made this public....
On Mon, 27 Jun 2011 11:54:36 -0700, Alex Leavitt wrote:
I thought the pushback against Baio's interpretation was interesting.
I was keyed into it on Twitter, where someone said they didn't see a
right/wrong in the situation. There was also a large thread on Reddit
where a lot of comments sided with Maisel.
Alex
---
Alexander Leavitt
PhD Student
USC Annenberg School for Communication & Journalism
http://alexleavitt.com [5]
Twitter: @alexleavitt
On Mon, Jun 27, 2011 at 10:42 AM, Ryan Prior wrote:
On Thu, Jun 23, 2011 at 6:25 PM, Parker Higgins wrote:
> In case you missed it, Andy Baio posted a long, smart, and
extremely sad
> blog post about fair use and his experience making a cool piece
of art,
> going above and beyond to try to make sure everything was above
board, and
> then getting screwed on a copyright issue and paying a ,500
(!!!)
> settlement.
Oh no! I bought Kind of Bloop when it came out and then bought it
again as a gift for my brother. So disappointed to hear he was
nailed.
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