> Dang Dexter, if you don't write music reviews for a living, you are missing your
> calling. Absolutely fantastic, way to go.
>
> Scooter
>
> Dexter Glenn wrote:
>
> > Here is a review I posted on Yahoo Music:
> >
> > The professional music critics have never really liked the Doobie Brothers,
> > especially when Michael McDonald was with them. They never felt the Doobies
> > lived up to their potential. They felt the Doobies needed to be a
> > richly-produced, powerful, Chicago-type version of the Airplance, Creedance
> > and Three Dog Night all-in-one. The problem is they just never let the
> > Doobie Brothers be the Doobie Brothers.
> >
> > Alas, the Doobie Brothers, not meaning too, always confused and frustrated
> > the professional music critics. Very few Doobie Brother songs sound the
> > same, making them impossible to categorize. Critics love categorization. The
> > confusion part, as I see it, is what Pat Simmons role has been and is with
> > the Doobie Brothers.
> >
> > Pat Simmons is the only Doobie Brother that has been with the band for the
> > entire 30 years. Of the 3 main writers for the Doobs (Tom Johnston, McDonald
> > and Simmons), Simmons has been sort of in the background, occasionally
> > busting out with a big hit like "Black Water," but mostly has been/is an
> > adjunct to Johnston and McDonald. But the critics do not like Simmons'
> > music. But here lies one of the secrets to the Doobie's success.
> >
> > Have you noticed that Tom Johnston's and Michael McDonald's solo careers
> > were not/have not been big commercial successes? Pat Simmons has done a
> > masterful job through the years of helping take the edge off of Johnston's
> > and McDonald's music. Johnston and McDonald alone are almost to much to
> > take, like too much of a good thing - something's missing - there's just too
> > much of a raw edge.
> >
> > Definition of the Doobie Brothers: Pat Simmons and Tom Johnston or Pat
> > Simmons and Michael McDonald.
> >
> > On to Sibling Rivalry. There is much more of a democracy in place here
> > (another criticism of the professional music critics) with Johnston and
> > Simmons sharing writing credits with John McFee, Keith Knudsen, Mike Hossack
> > and Guy Allison. But this serves to take some edge off as well, along with
> > allowing the band to explore some new territory. The best song by far on SR
> > is 45th Floor, a political satire written by Johnston and Bill Champlin
> > (lead singer for Chicago and former leader of Sons Of Champlin). Lyrically
> > one of the best songs the Doobies have released, 45th Floor would be a top
> > ten hit if the radio stations afforded it air-play. Johnston's lead vocals
> > are terrific, and Guy Allison's keyboards and arranging are magnificent.
> > Ironically, some of the best work is by Simmons. Ordinary Man and Don't Be
> > Afraid are beautiful tunes that beg to be heard again and again, and Five
> > Corners (co-written with McFee) is a nice instrumental in the same veign as
> > Stampede's Slack Key Soquel Rag. Rocking Horse, written by Knudsen and
> > Allison, is the real sleeper though. The Doobies really stretch on this one,
> > and, if afforded the proper amount of air-play, could become a big hit.
> >
> > I do feel the Doobie Brothers could benefit from a full-time producer,
> > someone like their long-time producer at Warner Brothers, Ted Templeman.
> > Templeman always came up with great percussion ideas, and, if their is any
> > negative with Sibling Rivalry, it is the Doobie Brother's signature rhythm
> > section is not as prevalent as with previous albums.
> >
> > Usually in music the right thing happens, and Sibling Rivalry is too good to
> > go unnoticed. I highly recommend this cd to anyone who enjoys quality rock
> > music.
> >
> > Dexter Glenn
> > Tampa, Florida
> >
> > _________________________
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> > "unsubscribe doobiefans-list" in the body.

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