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There is 1 message in this issue.
Topics in this digest:
1. Definitions now completed. Dream is about the wicked yahoo members a
From: "[EMAIL PROTECTED]" [EMAIL PROTECTED]
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Message 1
From: "[EMAIL PROTECTED]" [EMAIL PROTECTED]
Date: Thu May 18, 2006 9:43pm(PDT)
Subject: Definitions now completed. Dream is about the wicked yahoo members a
Definitions now completed. Dream is about the wicked yahoo members and how
they stifled and sacrificed the God in Rasa. It was important to leave.
ELVIS IS HERE! WITH A MESSAGE
© Rasa Von Werder 2006
Dreamed 5/16/06
I am in a house - plain - do not know where, is not familiar to me, but
seems to be my house.
Amazingly and wonderfully, Elvis Presley is here with me!
At one point we are in this small bedroom (the only thing it might remind me
of slightly is my Dad's apartment in Brooklyn, when I went to visit him at
age 15, plain and tiny bedroom, but this is slightly better.)
Elvis is lying on his back on the bed, as if he had been sitting on the
'foot' edge and then laid back, and I seem to be on top of him somehow. He
has been talking 'small talk' and saying 'familiar, intimate' things (they
are sweet, humorous things), and he asks me if that was alright with me. I
say,
'Are you kidding? Now I can tell everyone 'Elvis Presley was intimate with
me!' '
In a moment I will see a doll sent to me as an Elvis 'memento' and I see the
same costume as if on him. It is red satin trimmed with red marabou.
I go into the living room (everything in this place is plain unpainted wood,
poor but clean) and I take a look at the two-foot doll and items sent me.
They are 'Elvis' mementoes, representing Elvis. The doll is dressed in the
way I described, and she has gardening tools. The tools are like rusted old
tools, the size this doll would use, but as if covered over with pastel
green and other colors, and soft like plastic, so they would be of no use
for actual gardening. (I tell Elvis 'people send me stuff like this all the
time.') There were boxes all around with mementoes of Elvis people sent me,
because they knew I loved him.
I seem to go back to the bedroom to connect with Elvis again, but soon it is
time for him to GO ON STAGE. I seem to be his assistant - like he needs me
for something. I follow him toward the stage from the back of it, and he
turns back to me and says,
'Why do I not feel well?'
I say to him,
'It's because, when you perform, YOU USE TEN TIMES THE ENERGY OF THE NORMAL
PERSON.'
I say this TWICE to make the emphasis, and the feeling of 'exhaustion' came
into his sense of 'not feeling well.'
Preamble - The Dream Began Like This:
I learned to SING the way Barbra Streisand sings! It was like a trick or a
path...I was nowhere near as good as her, but by learning to stay within my
own range, and 'phrasing' a certain way, I could pull off a tune. Together
with the fact that I was tall, beautiful, and could dance well, I made a
convincing act for where we are - Las Vegas. I see myself on stage, wearing
red, beautiful, talented, and kicking high with my legs through a red
costume with a split skirt, real glamorous.. It was a great act - not star
material, but adequate, acceptable, and something one could make a good
living from.
This learning to sing delights and surprizes me. I was singing in my room,
practicing.....
My lady friend 'Bella' communicates with me by letter or somehow, and tells
me she has heard of a song. She seems to be in a sort of 'box', like a
cardboard box, talking to me through it. I ask her to sing me this song, and
she does so. Her voice also wasn't perfect, but it was good. It was not as
good as mine, because she was hitting falsetto notes when outside her range,
but I sounded more professional by staying within my range. Nevertheless,
she surprizes me (as I thought she could not carry a tune.)
Time For Elvis to Perform
He needed some attendance, and I was helping him.
I elborated to Elvis about why I thought he 'did not feel good' at times. I
said,
'When you are performing (I spread my arms up and wide) you feel like you
are on top of the mountain (the feeling is being open wide), but later, you
are exhausted.
Now Elvis gets up on the stage, and the act that was before him should
instantly get off - I mean, come on, when Elvis Presley is ready to perform,
it should be a given that anyone else up there should automatically get
down.
But this little man who is sitting there at a small organ, playing and
singing, doesn't get it. He does not even notice Elvis, who is behind him
now waiting on a bench, with no lights on him and seems to be in sort of
rags!
I am to stage right from backstage where I can see the little man and Elvis
in the shadows.
The man is like a gnome or almost dwarf and looks gnarled and mean. But he
is pumping that organ really hard and singing. His singing is also like mine
and Bella's - not star material but able to pass as an opening or supporting
act. I see a green light coming out of him or his organ. He is pumping away,
and I am the whole time trying to get his attention, saying,
'ELVIS IS HERE and he has been waiting five minutes already! And I ask him,
'Do you want me to clean your clock?'
He answers revengefully. He is the sort of person that is mean and
revengefull. I tell him I was just kidding when I see his reaction, but at
my wits end on how to get him off the stage.
Then some sort of waltz number comes up, and in my mind's eye people,
perhaps in the audience, get up to take partners and dance. The organ man
gets up, and I quickly engage him in a waltz, and waltz him conveniently
backstage!
But before I can get back, in moments, Elvis has gotten up, and looking
around for a partner, took the first female available and not myself. She is
covered with freckles, and wearing a dress round scooped and so low you can
see she is totally flat chested, and yet, Elvis, who is real tall next to
her,bends down and kisses her chest. She has her back to the audience. I am
thinking,
'Elvis loves everyone - he doesn't go by looks.'
Just then a man who is one of twins, a thin dancer, sees me from further
right on stage, and approaches me for a swing. I get into his arms, knowing
he is a professional, and so am I, and I am able to follow his every move. I
am happy about this and think I will prove to him how easy to is to dance
with me.
He does this huge steps, and I follow backward, and we are moving off the
stage, into the arena, and down the area so far that soon I can scarcely see
the theater. (Everything is open as if we were outside.)
'Where are you taking me?'
I ask just as we are about to go through some doors into some kind of mall.
I turn him around and head back with the same kind of steps. Then I notice
that I have my left arm over his read end, and through the clothes, kind of
have my finger in his asshole. He tightens his asshole because he likes it,
and I know he's gay. We head back to the theater stage with those same huge
steps.
end of dream
~~~~~~~~~~~~~~~~~~~~
Elvis is Here!
Definitions of Symbols
~~~~~~~~~~~~~~~~~
HOUSE, PLAIN, WOOD, * ELVIS PRESLEY *
'I am in a house - plain - do not know where, is not
familiar to me,
but seems to be my house.
Amazingly and wonderfully, Elvis Presley is here with
me!
At one point we are in this small bedroom (the only
thing it might
remind me of slightly is my Dad's apartment in
Brooklyn, when I went
to visit him at age 15, plain and tiny bedroom, but
this is slightly
better.)'
THE PLAIN, BARE WOOD LOOK OF THIS HOUSE REPRESENTS
POVERTY. IN THE CONTEXT OF THE DREAM, I HAVE BEEN
SUFFERING. THE OLD DAD'S APARTMENT IS THE PERSONAL
SYMBOL SAYING IT WAS A POOR AND LONELY PLACE, AND SO
IS THIS.
ELVIS REPRESENTS GOD, ELVIS HIMSELF, AND IS AN ANALOGY
OF MY OWN CHANNELING OR BEING AN INSTRUMENT FOR GOD.
~~~~~~~~~~~~~~~~~
ELVIS LYING ON HIS BACK, MYSELF ON TOP * SPEAKING,
INTIMATE THINGS TO ME *
Elvis is lying on his back on the bed, as if he had
been sitting on
the 'foot' edge and then laid back, and I seem to be
on top of him
somehow. He has been talking 'small talk' and saying
'familiar,
intimate' things (they are sweet, humorous things),
and he asks me if
that was alright with me. I say,
'Are you kidding? Now I can tell everyone 'Elvis
Presley was intimate
with me!' '
ON HIS BACK WITH ME ON TOP, SIGNIFIES THAT I HAVE THE
'UPPER HAND' OR HAVE 'CONQUERED GOD/ELVIS' WITH MY
PRAYERS. GOD HAS HEARD ME, GOD HAS ARRIVED AS ELVIS,
THE FORM OF GOD, THE PERFORMER OF PERFORMERS!
THE SWEET INTIMATE WORDS GOD IS SAYING MEANS
CONTEMPLATION, GOD IS SPEAKING TO ME, DOWNLOADING
GRACE, GOD IS ABUNDANTLY, INTIMATELY BLESSING ME, AND
I AM THRILLED BY THIS.
~~~~~~~~~~~~~~~~~
ELVIS DOLL AS MEMENTOE * COSTUME, RED SATIN, RED
MARABOU *
In a moment I will see a doll sent to me as an Elvis
'memento' and I
see the same costume as if on him. It is red satin
trimmed with red
marabou.
THE DOLL REPRESENTING ELVIS IS GOD AND MYSELF IN
SYMBOL OR EFFIGY. I AM NOT ON THE INTERNET IN PERSON,
I AM THERE SYMBOLICALLY. PEOPLE ARE SENDING ME
LETTERS, POSTS, 'PACKAGES' OF WORDS WHERE THEY ARE
'SACRIFICING' ME IN EFFIGY, BUT THEY ARE REALLY
SACRIFICING GOD, THE LIVING FLESH, REPRESENTED BY
ELVIS. IN OTHER WORDS, IF SOMEONE LAMBASTS JESUS AND
MARY, THEY ARE ATTACKING GOD. WHEN YOU ATTACK AN
AGENT OR INSTRUMENT OF GOD, IT IS GOD YOU ARE
ATTACKING AS WELL. AND SO, I AM THE DOLL THEY ARE
ATTACKING.
THE RED REPRESENTS THE SACRIFICE, THE BLOOD - IT IS
GOD BEING SACRIFICED WHILE I AM SACRIFICED ON THE
GROUPS.
A DOLL IS BEAUTIFUL BUT ALSO A FAKE, AN IMITATION, AND
THEY ARE ACCUSING ME OF BEING SUCH.
~~~~~~~~~~~~~~~~~
PLAIN, UNPAINTED, POOR * TOOLS, RUSTED, PLASTIC,
TOY TOOLS * TELL ELVIS PEOPLE SEND ME STUFF LIKE
THIS ALL THE TIME
I go into the living room (everything in this place is
plain unpainted
wood, poor but clean) and I take a look at the
two-foot doll and items
sent me. They are 'Elvis' mementoes, representing
Elvis. The doll is
dressed in the way I described, and she has gardening
tools. The
tools are like rusted old tools, the size this doll
would use, but as
if covered over with pastel green and other colors,
and soft like
plastic, so they would be of no use for actual
gardening. (I tell
Elvis 'people send me stuff like this all the time.')
There were
boxes all around with mementoes of Elvis people sent
me, because they
knew I loved him.
THE PLAIN, UNPAINTED SURFACES AGAIN REITERATE THE
POVERTY I WAS IN WHILE PARTICIPATING IN THESE INTERNET
GROUPS.
THE TOOLS THAT GO WITH THE DOLL IS THAT THEY ARE
SAYING,
'YOU DO NOT HAVE GIFTS AND POWERS (TOOLS) OF GOD, THIS
IS ALL A GAME, A SHAM, AND YOU ARE A FAKE.'
BY TELLING ELVIS PEOPLE SEND ME STUFF LIKE THIS ALL
THE TIME, I AM TELLING GOD AND ELVIS THAT THEY SEND ME
HEINOUS LETTERS ALL THE TIME. THEY ARE ACCUSING ME
AND ATTACKING ME ALL THE TIME.
~~~~~~~~~~~~~~~~~
BEDROOM - CONNECT WITH ELVIS THERE * STAGE, TIME FOR
HIM TO GO ON STAGE * NEEDS ME, ELVIS NEEDS ME FOR
SOMETHING
I seem to go back to the bedroom to connect with Elvis
again, but soon
it is time for him to GO ON STAGE. I seem to be his
assistant - like
he needs me for something. I follow him toward the
stage from the
back of it, and he turns back to me and says,
FOR ELVIS TO BE READY TO GO BACK ON STAGE - TO HEAD
TOWARD THE STAGE, IS SAYING IT IS TIME FOR GOD TO TAKE
OVER MY BODY. THAT IS WHAT GOD NEEDS ME FOR - MY
BODY. GOD IS SPIRIT AND NEEDS EARTHEN VESSALS TO
PERFORM, TO WORK!
I CONNECT WITH HIM IN THE BEDROOM AS THAT IS THE
'CLOSET' JESUS SPEAKS OF - THAT WHEN YOU PRAY, GO INTO
YOUR CLOSET IN PRIVATE. IT IS PRIVATE, INTIMATE,
CONTEMPLATION.
~~~~~~~~~~~~~~~~~
FEELING UNWELL * ENERGY, YOU USE TEN TIMES THE
ENERGY
'Why do I not feel well?'
I say to him,
'It's because, when you perform, YOU USE TEN TIMES THE
ENERGY OF THE
NORMAL PERSON.'
I say this TWICE to make the emphasis, and the feeling
of 'exhaustion'
came into his sense of 'not feeling well.' '
I HAVE ALWAYS KNOWN THAT THOSE WHO HAVE POWERS SUCH AS
MYSELF (HEALING, MIRACLES, SHAKTIPAT) ARE OPEN
CHANNELS FOR GOD. IT MEANS OUR FACULTIES AND INNER
SENSES ARE OPEN, OUR MINDS AND HEARTS ARE OPEN.
WHATEVER WE DO, WE ARE FULLY ENGAGED IN THE THING, IN
THE SENSE THAT SO MUCH OF US IS GIVEN. WHEN SUCH A
PERSON BEGINS ENGAGING WITH THE WORDLY, THE NON
SPIRITUAL, THERE IS A GREAT PRICE TO BE PAID. THEY
GET USED, THEY GET EXHAUSTED. THOSE WHO ARE 'OF THE
EARTH' OR OF THE 'WORLD, FLESH AND DEVIL,' ARE NOT
OPEN IN THEIR HEARTS AND MINDS, AND THAT GIVES THEM
THE BENEFIT OF 'THICK SKIN.' THE THICK SKIN IS REALLY
THEY ARE HARD OF HEART AND MIND. THEY ARE CLOSED IN,
THEY ARE NOT OPEN. AND SO, THEIR ENGAGEMENT IN THE
WORLD DOES NOT COST AS MUCH, AS THEY DO NOT EXTEND
THEIR 'INNER SELF' AS MUCH.
THIS IS WHAT I AM SAYING TO ELVIS. ELVIS IS REALLY
MYSELF AS PERFORMER, ASKING WHY I HAVE NOT FELT WELL
SINCE ENGAGING IN THESE GROUPS, AND MY ATMAN IS
TELLING MYSELF WHY MY FLESH HAS BEEN EXHAUSTED OR NOT
AS BOUNCY AS USUAL.
THE SYMBOLS HERE BECOME INTERCHANGEABLE. ELVIS IS
GOD, I AM GOD. ELVIS IS THE ATMAN, BUT I AM THE
ATMAN. AT BASE, IT DOES ALL BECOME ONE. WE SEPARATE
GOD, FLESH, HUMAN, AND ATMAN, FOR THE SAKE OF
CONVENIENCE, BUT AT BASE, THEY ARE ONE INDEED. HERE
ALL THIS SEPARATION INTO ACTORS TELLS THE STORY
EFFICIENTLY.
~~~~~~~~~~~~~~~~~
Preamble - The Dream Began Like This:
SING, LEARN TO * DANCE, GOOD AT * KICK HIGH *
STAR, NOT A * MAKING A LIVING
'I learned to SING the way Barbra Streisand sings! It
was like a trick
or a path...I was nowhere near as good as her, but by
learning to stay
within my own range, and 'phrasing' a certain way, I
could pull off a
tune. Together with the fact that I was tall,
beautiful, and could
dance well, I made a convincing act for where we are -
Las Vegas. I
see myself on stage, wearing red, beautiful,
talented, and kicking
high with my legs through a red costume with a split
skirt, real
glamorous.. It was a great act - not star material,
but adequate,
acceptable, and something one could make a good living
from.'
THIS INTERESTING METAPHOR SHOWS MYSELF IN THE FLESH,
AND MY HUMAN ABILITIES AND TALENTS. THE SINGING,
DANCING, KICKING, ALL HAS TO DO WITH WRITING ON THE
INTERNET. THE RED COSTUME HEARKENS BACK TO THE 'RED
DOLL' WHO THEY HARRASS AND HURT, THIS IS THAT SAME
PERSON SPEAKING WELL AND KICKING HIGH, WHICH MEANS
FIGHTING BACK.
BUT I AM NOT 'IN GOD' OR ATMAN WHEN ENGAGING IN MOST
OF THESE 'FLAME WARS' AND ONLY THE ONE WHO IS OF GOD
IS THE STAR! MAKING A LIVING MEANS BEING SUCCESSFUL,
SHORT OF BEING THE BEST YOU CAN BE.
~~~~~~~~~~~~~~~~~
LADY FRIEND BELLA ALSO SINGS WELL * BOX, TALKS FROM
CARDBOARD BOX
This learning to sing delights and surprizes me. I
was singing in my
room, practicing.....
My lady friend 'Bella' communicates with me by letter
or somehow, and
tells me she has heard of a song. She seems to be in
a sort of 'box',
like a cardboard box, talking to me through it. I ask
her to sing me
this song, and she does so. Her voice also wasn't
perfect, but it was
good. It was not as good as mine, because she was
hitting falsetto
notes when outside her range, but I sounded more
professional by
staying within my range. Nevertheless, she surprizes
me (as I thought
she could not carry a tune.)
HERE THE DREAM IS SHOWING ME A FRIEND OF MINE IS ALSO
A GOOD WRITER, BUT SHE IS NOT CHANNELING GOD.
THE BOX SHOWS 'LIMITATION' OR 'BOUNDARIES.'
~~~~~~~~~~~~~~~~~
FEELING OF ELATION * EXHAUSTED LATER
Time For Elvis to Perform
He needed some attendance, and I was helping him.
I elborated to Elvis about why I thought he 'did not
feel good' at
times. I said,
'When you are performing (I spread my arms up and
wide) you feel like
you are on top of the mountain (the feeling is being
open wide.....it indicates a feeling of elation), but
later, you are exhausted.
THIS ONCE AGAIN POINTS OUT THE PERSON WHO IS OPEN IN
MIND AND HEART, HOW THEY GIVE FROM THE DEPTH OF THEIR
SOUL, AND THE ENERGY THAT IS TRANSMITTED GIVES A
TEMPORARY SENSE OF ELATION. BUT LATER, SINCE (AS
ALREADY EXPLAINED) THIS GOD PERSON IS SACRIFICED,
THEIR GOD POWER IS CONSUMED OR WASTED, AND NO ENERGY
IS RETURNED EXCEPT THE NEGATIVE, THE INSTRUMENT OF GOD
FEEL EXHAUSTED.
~~~~~~~~~~~~~~~~~
ELVIS ON STAGE * ANY OTHER ACT SHOULD GET OFF
'Now Elvis gets up on the stage, and the act that was
before him should
instantly get off - I mean, come on, when Elvis
Presley is ready to
perform, it should be a given that anyone else up
there would
automatically get down.'
ELVIS IS THE PRESENCE OF GOD, THE STAR, AND ALL THOSE
IN THE FLESH SHOULD DEFER TO HIS PERFORMING ABILITY,
SHOULD MAKE WAY FOR HIM TO 'PREACH, SPEAK, SING,
PERFORM.'
~~~~~~~~~~~~~~~~~
ELVIS ON THE BENCH, SITTING IN RAGS! * LITTLE MAN,
DOESN'T GET IT * LITTLE MAN, SMALL ORGAN
But this little man who is sitting there at a small
organ, playing and
singing, doesn't get it. He does not even notice
Elvis, who is behind
him now waiting on a bench, with no lights on him and
seems to be in
sort of rags!
ELVIS IN RAGS, BENCHWARMING AGAIN REITERATES THE POWER
OF GOD HAVING TO TAKE A BACK SEAT TO A PERSON IN THE
FLESH, THE LITTLE MAN WHO IS SPEAKING FROM HIS FLESH
OF SMALL MIND AND HEART. DOES NOT EVEN SEE ELVIS IS
THAT HE DOES NOT EVEN SEE GOD, HE IS PERFORMING FOR
PEOPLE, BUT HE DOES NOT EVEN SEE GOD WHO IS RIGHT
THERE ON THE STAGE WAITING TO GET ACTIVE.
SO AGAIN, THE THEME OF GOD BEING SACRIFICED IS HERE,
AS ELVIS IN RAGS. THIS IS THE POVERTY OF THOSE WHO
HAVE GOD WITHIN THEM, BUT ARE NOT RECOGNIZED, NOT
GIVEN A CHANCE TO SHINE.
~~~~~~~~~~~~~~~~~
GNOME, DWARF, GNARLED, MEAN * NOT STAR MATERIAL,
ADEQUATE * ORGAN
I am to stage right from backstage where I can see
the little man and
Elvis in the shadows.
The man is like a gnome or almost dwarf and looks
gnarled and mean.
But he is pumping that organ really hard and singing.
His singing is
also like mine and Bella's - not star material but
able to pass as an
opening or supporting act. I see a green light coming
out of him or
his organ. He is pumping away, and I am the whole
time trying to get
his attention, saying,
THIS LITTLE MAN IS THE MENTALITYOF A PERSON WHO I CALL
'BRUCK' THAT WAS ESPECIALLY BRUTAL. COMING FROM A
PLACE OF ORTHODOXY OR FUNDAMENTALISM IN HIS RELIGION
HE LAMBASTED ME VISCIOUSLY.
HE IS PERFORMING OUT OF HIS FLESH, THE NEON GREEN
COMING OUT OF HIS ORGAN. ORGAN COULD BE HEART.
~~~~~~~~~~~~~~~~~
ELVIS HAS BEEN WAITING * CLOCK, CLEAN CLOCK * WITS
END HOW TO GET HIM OFF THE STAGE
'ELVIS IS HERE and he has been waiting five minutes
already! And I
ask him,
'Do you want me to clean your clock?'
He answers revengefully. He is the sort of person
that is mean and
revengeful. I tell him I was just kidding when I see
his reaction,
but at my wits end on how to get him off the stage.
AT MY WITS END TO GET HIM OFF THE STAGE IS PERHAPS MY
ATMAN WAS TRYING TO FIGURE OUT HOW TO END THIS DEBACLE
OF INTERCHANGE WITH THE 'DWARF.'
HERE ELVIS, GOD IS WAITING, AND HE WON'T STOP. THIS
COULD BE A REFLECTION OR INDICATION OF ME TRYING TO
FIGURE OUT HOW TO GET OUT OF POSTING ON THE GROUPS,
ESPECIALLY REGARDING HIM. I HAD BEEN POSTING DAILY
FOR MONTHS, AND THIS MOST RECENT DRAMA HAD TO END IN
ORDER TO FREE MYSELF FOR A HIGHER PURPOSE. NO ONE
WAS ACTUALLY FORCING ME, I WAS PARTICIPATING
VOLUNTARILY, AND I WAS TRYING TO FIGURE OUT HOW TO
STOP.
TO CLEAN SOMEONES CLOCK MEANS TO EITHER TEAR UP THEIR
PLACE (BAR FOR INSTANCE. I HEARD A MARINE FRIEND OF
MINE TELL ME THE STORY OF A RIPOFF BAR THAT HAD ROBBED
ONE OF HIS BUDDIES, AND THE MARINES WENT IN AND
'CLEANED HIS CLOCK' MEANING TORE HIS BAR APART) OR IN
THIS CASE, ON THE INTERNET, WE USED IT TO MEAN TELL
SOMEONE OFF WITH GREAT APLOMB.
~~~~~~~~~~~~~~~~~
WALTZ COMES UP * WALTZ HIM BACKSTAGE
'Then some sort of waltz number comes up, and in my
mind's eye people,
perhaps in the audience, get up to take partners and
dance. The organ
man gets up, and I quickly engage him in a waltz, and
waltz him
conveniently backstage!'
THIS WALTZ BUSINESS SHOWS THAT SOME OPPORTUNITY CAME
UP - WHERE THE MOOD WAS RIGHT TO STOP THIS
INTERCHANGE, TO MOVE THIS CONVERSATION WITH THIS MAN
'OFFSTAGE', AND IT WAS DONE. IN OTHER WORDS, I FOUND
A WAY TO QUIT.
~~~~~~~~~~~~~~~~~
FRECKLES, COVERED WITH * FLAT CHESTED * ELVIS
CHOOSES HER, KISSES HER
But before I can get back, in moments, Elvis has
gotten up, and
looking around for a partner, took the first female
available and not
myself. She is covered with freckles, and wearing a
dress round
scooped and so low you can see she is totally flat
chested, and yet,
Elvis, who is real tall next to her, bends down and
kisses her chest.
She has her back to the audience. I am thinking,
'Elvis loves everyone - he doesn't go by looks.'
WHEN GOD PERFORMS OR ACTS, GOD LOVES EVERYONE. AND SO
HERE, ELVIS/GOD HAS CHOSEN A FRECKLED (COVERED WITH
THE STAINS OF SIN OR WITH FAULTS) AND FLAT CHESTED
(DEVOID OF LOVE) WOMAN AND HE KISSES HER!
ELVIS BEING TALL, IS GOD IS TALL, GREAT, AND GOD BENDS
DOWN TO TOUCH THE HEART OR 'KISS THE CHEST' OF THIS
FAULTED AND UNLOVING WOMAN.
I AM SAYING ELVIS LOVES EVERYONE, MEANING GOD LOVES
EVERYONE.
~~~~~~~~~~~~~~~~~
THIN MAN, PROFESSIONAL DANCER * ASSHOLE, FINGER IN
* I TURN HIM AROUND
'Just then a man who is one of twins, a thin dancer,
sees me from
further right on stage, and approaches me for a swing.
I get into his
arms, knowing he is a professional, and so am I, and I
am able to
follow his every move. I am happy about this and
think I will prove
to him how easy to is to dance with me.'
He does these huge steps, and I follow backward, and
we are moving off
the stage, into the arena, and down the area so far
that soon I can
scarcely see the theater. (Everything is open as if
we were outside.)
'Where are you taking me?'
I ask just as we are about to go through some doors
into some kind of
mall.
I turn him around and head back with the same kind of
steps. Then I
notice that I have my left arm over his read end, and
through the
clothes, kind of have my finger in his asshole. He
tightens his
asshole because he likes it, and I know he's gay. We
head back to the
theater stage with those same huge steps.
THIS WAS A PERSON I CALL 'LARRY' WHO I WAS ALSO
ENGAGED WITH ON THE GROUPS. HERE THE DREAM IS SAYING
HE GOT US WAY, WAY FAR AWAY FROM GOD, BUT I TURNED HIM
AROUND AND GOT BOTH OF US BACK. THE DREAM IS SAYING
'HE IS AN ASSHOLE, ' AND YOU PUT YOUR FINGER ON IT -
MEANING I FIGURED OUT WHAT WAS WRONG WITH HIM. HIS
BEHAVIOR GOT HIM DEMONIZED, BUT I TOOK CARE OF IT.
end of dream
INTERPRETATION and OVERVIEW of
ELVIS IS HERE! Dream
This dream concerns my recent involvement with the
yahoo group 'asylum
members' ('wanky', critical, troublesome souls) and
the negative
effect they have had on me, and the change that has
occured for the
better.
It portrays me as myself in the flesh (the imitation
Barbra
Streisand) but getting ready to be ONE with the
Highest, in fact, God in the form of ELVIS PRESLEY has
arrived! Besides myself, the dream also shows three
other people who are acting in flesh, a friend of mine
named Bella, a heinous, nasty person called Bruck, and
an 'asshole' named 'Larry.'
Elvis Presley represents three things - himself as a
channeler,
instrument or form (God taking flesh) of GOD. He
represents GOD and
he represents myself when I am IN GOD.
He appears and has communion with me, and soon he will
be on stage.
(Soon I will be on stage again by analogy....soon I
will be the Elvis,
God channeler again.)
Elvis was ONE with God when he performed. He was
channeling his ATMAN
- THE GOD WITHIN. For some time I have not been one
with God
channeling God in my writing on the internet, but have
been talking
with negative people who have been attacking me.
They have pulled
me into the flesh, they have taken me away from God.
My friend 'Bella' is also in the same boat, writing
well but not in
The Holy Spirit.
The mementoes to of Elvis, the doll, are actually the
negative letters and attacks. They portray me as
fake, artificial, a charlatan, not having any gifts or
powers from God.
This discoursing with negative and insignificant
people has had a detrimental effect on my
consciousness and feeling
of well being. (Here Elvis complains of not feeling
well after
performing.)
When Elvis performed, God performed. Now I just
closed the door on
the yahoo groups where I was being attacked. As soon
as this was done
- Elvis, symbol of the God within me who makes me a
star, gets ready
to perform. Elvis is the star over all, because God
is the star. No
one shines on their natural talent against God, and
so, when God is
ready to get up on the stage, whoever is there should
get off.
But the person who will not get off the stage is a
character I call
'Bruck.' He in real life is as portrayed here,
although the dream
does not show the degree of his cruelty and pride. I
finally 'waltzed
him off the stage' by leaving the premises.
The last waltz is one especially foolish person seen
as an
ASSHOLE.
But I do turn this person and myself around and am
heading back to the true mission.
Elvis, in choosing a less than perfect lady to dance
with and kiss on
the chest, portrays the nature of God: Unconditional
Love. Elvis
Presley exemplified a life of love and generosity, and
as
far as performance, when Elvis performed, God worked
through him.
That's why he is THE KING!
Many symbols support the meaning of this dream and
draw out its nuances.
~~~~~~~~~~~~~~~~~~~~
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