>On Monday, Sep 5, 2005, [EMAIL PROTECTED] wrote: > > I didn't catch the beginning of this thread, but have always felt that > > there > > were a few places in Giuliani's work that might have had even more > > than just > > Beethoven's influence attached. Specifically, the second of the two > > Rondos > > for Guitar and Piano, and the last movement of Op. 25 for violin and > > guitar. > > In both places Giuliani seems to step outside of his normal harmonic > > vocabulary, and into something radically different.
This doesn't necessarily add much to the discourse at hand, but I've always felt op. 25 was amongst Giuliani's most inspired works. Eugene To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
