The affect of fatherhood on males, specifically, is to make them `Men', that is, highly defensive of all impulses to passivity, faggotry, and of desires to be female. Every boy wants to imitate his mother, be her, fuse with her, but Daddy forbids this; he is the mother; he gets to fuse with her. So he tells the boy, sometimes directly, sometimes indirectly, to not be a sissy, to act like a `Man'. The boy, scared shitless of and `respecting' his father, complies and becomes just like Daddy, that model of `Man'-hood, the all-American ideal -- the well-behaved heterosexual dullard. The effect of fatherhood on females is to make them male -- dependent, passive, domestic, animalistic, nice, insecure, approval and security seekers, cowardly, humble, `respectful' of authorities and men, closed, not fully responsive,half-dead, trivial, dull, conventional, flattened-out and thoroughly contemptible. Daddy's Girl, always tense and fearful, uncool, unanalytical, lacking objectivity, appraises Daddy, and thereafter, other men, against a background of fear (`respect') and is not only unable to see the empty shell behind the aloof facade, but accepts the male definition of himself as superior, as a female, and of herself, as inferior, as a male, which, thanks to Daddy, she really is. Valerie Solanas, SCUM MANIFESTO, 1971