Remember the RCA Victor record album picture of the dog listening to the
Victrola - his master's voice? (EMI record label in UK).

Ken Javor
Phone: (256) 650-5261


> From: John Woodgate <jmw1...@btinternet.com>
> Reply-To: John Woodgate <jmw1...@btinternet.com>
> Date: Fri, 26 Aug 2016 22:47:23 +0100
> To: <EMC-PSTC@LISTSERV.IEEE.ORG>
> Subject: Re: [PSES] Fuses can affect performance other than safety!
> 
> Interchannel phase differences *measurably* alter the stereo image. Phase
> difference between voltage and current has no effect unless a non-minimum
> phase device is involved.
> 
> 'Live versus recorded' demos (with good results) date way back to the early
> 1950s, first in USA and soon after in Britain.
> 
> With best wishes DESIGN IT IN! OOO - Own Opinions Only
> www.jmwa.demon.co.uk J M Woodgate and Associates Rayleigh England
> 
> Sylvae in aeternum manent.
> 
> 
> -----Original Message-----
> From: Peter Tarver [mailto:ptar...@enphaseenergy.com]
> Sent: Friday, August 26, 2016 8:58 PM
> To: EMC-PSTC@LISTSERV.IEEE.ORG
> Subject: Re: [PSES] Fuses can affect performance other than safety!
> 
> Some of the articles I'd read in some magazine or other (copies available if
> you know Mr. Peabody and his boy Sherman), stated some equipment designers
> were paying extraordinarily close attention to maintaining the phase
> relationships between channels and between voltage and current, as signal
> passed through a system. Claims were made that doing so improved the
> accuracy of the reproduced sound.
> 
> I heard stories in the early 1980s of people standing around rooms, dropping
> a set of keys onto a glass coffee table and recording it, then everyone else
> closing their eyes while someone made them guess if the next sound they
> heard sound was recorded or live. Folklore to people like me, but gospel to
> some audiophiles.
> 
> 
> Peter Tarver
> 
>> -----Original Message-----
>> From: Ken Javor
>> [mailto:ken.ja...@emccompliance.com]
>> Sent: Thursday, August 25, 2016 17:32
>> 
>> A very simple and inexpensive means of arranging staging is to
>> introduce delays between left and right channels such that the sound
>> appears to be coming from a particular direction. This is much easier
>> to accomplish with headphones than loudspeakers, but it's the same
>> principle.
>> I've seen a
>> convincing demonstration at the US Army Aeromedical Research Lab
>> (USAARL), where something like five different radios can be going at
>> once and a helicopter crew have to be able to intelligently respond in
>> a crisis situation, and what people normally do in a situation like
>> that where they can't pay attention to everyone is they zero in on one
>> conversation and ignore the others, and to do that we use
>> directionality.
>> Originally there
>> was none and the headphones could be blaring all channels at once, and
>> the crew would simply turn off he radios they didn't want to hear,
>> which wasn't good. By introducing specific delays for each radio, the
>> various radios could be made to sound as if one conversation was from
>> 12:00, another at
>> 3:00 another at 6:00 and so on. That allowed the crew to mentally
>> focus in on the conversation of interest and tune out the others
>> temporarily.  But that is all software and digital circuitry: no fancy
>> audiophile equipment necessary.
>> 
>> Ken Javor
>> Phone: (256) 650-5261
>> 
>> 
>>> From: Peter Tarver <ptar...@enphaseenergy.com>
>>> Reply-To: Peter Tarver <ptar...@enphaseenergy.com>
>>> Date: Thu, 25 Aug 2016 21:37:04 +0000
>>> To: <EMC-PSTC@LISTSERV.IEEE.ORG>
>>> Conversation: [PSES] Fuses can affect performance other
>> than safety!
>>> Subject: Re: [PSES] Fuses can affect performance other
>> than safety!
>>> 
>>> I have heard of and known a few audiophiles that go to
>> great lengths to have
>>> sound reproduced as accurately as possible and spend
>> enormous sums to
>>> accomplish that.
>>> 
>>> The term that was most silly in my view was holography;
>> but I understood what
>>> was meant. The aforementioned audiophiles claim to
>> recreate the spatial
>>> relationship between the physical locations musical
>> instruments when recorded.
>>> The needs for recording and reproduction are entirely
>> impractical and don't
>>> seem achievable for simple stereophonics, so it seems on
>> the bovine
>>> scatological side of the olfactory sense.
>>> 
>>> BUT, I have stood in and moved about a room that was
>> carefully put together.
>>> In one part of the room one instrument (say clarinet)
>> could be heard more
>>> distinctly than in other areas, and so on for other
>> instruments, giving the
>>> impression that one was moving from musician to
>> musician on a sound stage.
>>> 
>>> Pretty clever, but outlandishly expensive.
>>> 
>>> 
>>> Peter Tarver
>>> 
>>>> -----Original Message-----
>>>> From: Ken Javor
>>>> [mailto:ken.ja...@emccompliance.com]
>>>> Sent: Monday, August 22, 2016 19:55
>>>> 
>>>> Next, the terms are not entirely gibberish. They may be unfamiliar
>>>> to those not in the hi-fi hobby, but I can make
>> out
>>>> all but one of these terms:
>>>> 
>>>> Sound staging means stereo separation.  Or whatever passes fro that
>>>> in the age of five and six different
>> channels (I
>>>> haven't kept up with this stuff since it departed from two
>>>> channels).  I don't know how a fuse aids or degrades channel
>>>> separation, but at least we can understand what
>> is
>>>> being claimed.
>>>> 
>>> 
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