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Thanks, Renate, for the intro, and hello to Empyre subscribers, especially 
Jason, my co-host for week 4 on Boredom.

I will begin my posts this evening (EST) and continue daily throughout the week 
as the discussion develops.  Here is my starting point:

Part One of Heidegger's *The Fundamental Concepts of Metaphysics* analyzes 
profound boredom (Langeweile) as the fundamental attunement of “our 
contemporary situation.”  It discusses the fundamental attunement of boredom in 
relation to temporality and questions of world, finitude, and solitude.  
Boredom as that which holds us in limbo and leaves us empty relates immediately 
and mediately to the passing of time and its dragging.  Heidegger does not 
relate this situation to consciousness, but as with most of his writings, he 
relates it to Dasein (there-being).  Nevertheless, Heidegger articulates a 
specific mode of hearing and seeing connected with boredom, when he writes of 
“being compelled to listen to what profound boredom gives us to understand” and 
of “being impelled through the entrancement of time toward the moment of vision 
as the temporal character of being held in limbo.”  My question here is: does 
the specific mode of hearing and seeing connected with boredom have a 
technological analogue?  For instance, is the assemblage of time and vision and 
hearing a cinematographic technics?  It is here that we might ask about 
cinematic boredom, both in the sense of the kind of boredom that belongs to 
cinema and in the sense that boredom is somehow cinematic.  In five posts that 
follow Heidegger's five chapters on Langeweile, I would like to discuss 
contemporary conditions of mediality in relation to boredom as the fundamental 
attunement of “our situation.”  Contemporary conditions of mediality go beyond 
the cinematic and include not only other forms of machinic vision, machinic 
hearing, and machinic sensing, but also telepathic, telerobotic, and networked 
modes of mediality. 

Erin Obodiac


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