----------empyre- soft-skinned space----------------------
just a little thought from a lurker, so open to being ignored, on the first of 
Alan's points: raster/bitmap display (specifically) is the heir to a series of 
electronic technologies back through drum-scanned photographs sent by wire for 
half-tone printing. As Alan knows well, the alternate is vector graphics, and 
there have been vector screens (video games, radar, oscilloscopes) that have 
now been crowded or priced  out of everything but the laboratory. It is 
feasible to imagine a vector camera. The problem is that everything else has 
been standardised, from keyboards to motherboards, to bitmap. Vector has to be 
translated to read on bitmap displays. Vector, dating back to Sutherland and 
the Utah pioneers, is the still unexplored capacity for a different digital. 

What this might imply for embodiment or subjectivity? Klee's expression in the 
Pedagogical Notebooks: 'taking a line for a walk', and Hogarth's in the Line of 
Beauty, 'leading the eye a wanton chase' . Where bitmap maps, vector evolves; 
where bitmap concerns the actual, vector concerns the virtual, and thus 
(ontologically, eh Simon?) the virtual points to the non-identity of what 
presents itself as given, ie data.  or the subject (of data, as data)

sean

On 5 Jul 2014, at 18:06, Alan Sondheim wrote:

> ----------empyre- soft-skinned space----------------------
> 
> 
> Just a couple of quick points, probably askew or slant -
> 
> The digital, at least in everyday media use, is always implicated with the 
> raster; it's the raster that roughly maps the granularity of the analogic. 
> And the raster is predetermined, all the way back through the abacus, by 
> economic/power considerations - all those elements you speak of are 
> interelated through interoperability, mappings. They also require money, 
> institutions, to produce; this isn't the body running in the wilderness, this 
> is the wired body, and even to some extent, often the academic body as well.
> 
> Second point, the most askew, is an entry in the Assyran Dictionary, G, 
> Volume 5 - the mix of symptom, analog, barrier, etc. touches on all these 
> problems:
> 
> gabbu B s.; (part of the human or animal body); NB*
> 
> [su-u]su = ga-ab-bu [...] (preceded by sa(var.sa).lah = ha-dan-tum coagulated 
> blood, sa(var.sa).lah.lah = ha-s[a-ar]tum dried mucus) [...] [Assyrian quote] 
> one g. and the sibtu (assorted intestines?) of the sheep. [...] [Assyrian 
> quote] the intestines, the g., the ribs. [...] The content of the vocabulary 
> pasages which refer to the human body suggests that gabbu denotes a 
> semi-liquid part of the human body, or a secretion, while the passages from 
> NB texts indicate that the gabbu of animals [...] was an edible uniteand 
> denoted an internal part of the animal body, although it is never mentioned 
> among the exta. Possibly gabbu denotes the brain.
> 
> I'm not sure of the relevance here, except that the (Assyrian?) abject 
> travels through semiosis into an attempt at a determinative unit ending up 
> with the brain. The technology here would be cuneiform.
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