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In keeping aware of the competition out there, here is a pilot report on the Aerostar Festival S-LSA.  At a new price of $65k, it won’t be competing with Coupes directly.  But you may encounter it as it shows up in Sport Pilot flight schools.

 

Andy Mueller is a Sport Flight Instructor at a small grass airport near St. Louis.  He has at least one CFI joining him about November 1 and, from all his posts I’ve read, he’s a pretty nice guy and should make a pretty good instructor.

www.flystl.com

 

For pictures of the plane, visit:

http://www.lightsportflying.com/festival/festival.html

 

I have no connection to either business or to the aircraft manufacturer.  I’m just irrepressibly curious.

 

Ed Burkhead

http://edburkhead.com

ed -at- edburkhead???.com          (change -at- to @ and remove "???")

 

 


From: On Behalf Of Andy Mueller
Sent: Sunday, October 09, 2005 11:14 PM
To:
Subject: PIREP: Aerostar Festival

 

Howdy all -

Saturday I flew down to Sikeston Missouri to meet Rick Pellicotti and his wife Debbie, and fly the Aerostar Festival S-LSA.

 

(It's pure coincidence that I got to have lunch with Rick and Debbie at the semi-famous Lambert's Cafe - home of "throwed rolls".  If you've never been, I highly recommend a trip.    Lambert's runs a shuttle back and forth from the airport for pilots who fly in to Sikeston.  They pick you up at the airport and then sneak you into the back door, taking you straight to a table, with no waiting in the ever-present line outside.    www.throwedrolls.com)

 

I thought I'd write up a quick PIREP for folks that might be interested. 

 

(Disclaimer:  Rick did buy me lunch at Lambert's - but that's all that I have beholden to the man.  I have no financial interest in his company and am otherwise just an impartial observer.) 

 

Right from the start, as soon as you begin the walk around, you can tell that the Festival came out of a different philosophy than did many of the other S-LSA's out there.

First, it's BIG.   At least for an LSA.    That makes for a very nice, roomy cabin and an absolutely cavernous cargo area.   You could haul freight in the space behind the seats, it's so big.  But we'll get to the interior in a minute.

 

Second, it's built like one might expect a plane from a former Soviet Bloc nation to be built.  It's beefy and substantial in nearly every respect - a marked departure from many of the other Light Sport designs I have flown that seem, well, a bit plastic - even when they are made of metal.  I suppose it's not too surprising, since Aerostar (a Romanian company) builds the Yak-52 military trainer as well.   This plane is s-o-l-i-d.  

 

The airplane looks very nice sitting on the ramp - a little similar to a Grumman or vaguely a bit like an old Navion that's been shrunk in the dryer.  

When you get up close, nitpickers may have some words about the paint job and the finish work, however.   The paint scheme was quite attractive in the white and light blue, but on close inspection, the paint job is amateurish.   Bazillions of cherry rivets made the wing surface of the test aircraft look a bit like a cheese grater.  Strong?  Heck yeah.  Pretty?  Not really.  Rick mentioned that future aircraft would be coming off the line with flush riveted wings and better paint jobs.  I think that will make a much better impression on buyers.   Personally, I really didn't mind the "cosmetic flaws" so much, because from the word GO, it's apparent that this is a plane made to work for a living in the harsh flight training world.  "Pretty" isn't what I care about.  The plane was designed to take a lickin' and keep on tickin' - not to be somebody's eye-candy hanger queen.   If I had to go to battle and fly close-air-support in a Light Sport aircraft, I'd take the Festival.  If the Sting or the Breezer are the slick fighter planes of the Light Sport world, then the Festival is the workhorse A-10 with the titanium armor around the pilot.

 

Climbing in, the strong design was apparent again.  There is a fully reinforced wing-walk on the root, and sturdy grab handles placed right where you would want them.   In contrast to most light sport airplanes in which you have to be careful of what you grab and where you put your weight, it was difficult to find a spot in the Festival that you could bend if you tried to!   For entry, you just climb onto the wing root and step into the cabin and have a seat.  Zero contortionism.  That's also a welcome difference from most LSA's where there is a practiced "technique" one uses to get in and out.  

 

Once seated, at 44 inches wide, the cabin is nicely roomy and the fully adjustable seats (forward, aft, and seatback rake) are quite comfortable.  The seatbelt and harness are Hooker, and easy to use and adjust.   The controls all fall easily to hand, and the test aircraft was equipped with dual throttles, so both pilots can fly right-hand stick, left-hand throttle if they wish.  Overall, on the cabin layout, I give it very high marks.   The panel is all "made in USA", as are many of the fittings and fixtures of the aircraft.   American pilots won't feel like they are sitting in a foreign plane, and American mechanics won't feel like they are working on a foreign plane. Most of the parts for the plane are straight out of Aircraft Spruce - no having to order tires or light bulbs from a warehouse in Romania.

 

 The cargo area behind the seat is large enough to carry a small water buffalo - I mean it's BIG.   Rick said that he's had prospects say, "Hey... I could put the kids back there!".    Well, even though they would fit just fine, all that structural integrity has a price - and in this case, that price is weight.   The aircraft has an empty weight of about 855, and the max Light Sport gross of 1320.   That leaves just 465 pounds of useful load.   If you fill the 20 gallon tanks, that leaves you with a remaining payload of only about 365 lbs.   Better leave the kids, not to mention the water buffaloes, at home.   One can, with relative ease, fill only one of the wing tanks, saving an additional 60 pounds of weight at the expense of 10 gallons of go-juice.   

 

The canopy can be left open for all operations on the ground, but must be latched for flight.   Here again, the beefiness shows up, as the canopy latches in three places - passenger side, pilot side, and overhead at the windscreen.   All that is quickly and easily accomplished with a single latching lever that opens and closes all three latches simultaneously. 

 

The aircraft starts in typical Rotax 912 fashion - that is to say without difficulty and with just a twist of the key.   As we taxied, I really liked the direct nose wheel steering.  Nice direct response, but not easily over controlled.   This plane will make a first time student look good at taxiing.    The rudder pedals are a metal bar affair, with separate toe brakes above.  I like the separation of the pedals into distinct brake versus rudder.  I've had students in another S-LSA, one equipped with toe brakes and rudders in a single pedal assembly, who find it all too easy to accidentally apply the brakes at a bad moment.    

 

The throttle, carb heat, and choke are placed in a lever-style throttle quadrant with a large knurled knob friction lock on the right side.   This is probably just me being picky, but all the lever handles were yellow and I would have liked to have seen color-coded handles.  I should also mention that I learned in push-pull knob airplanes, so I've always had an unjustified prejudice against the lever style throttles.   

 

It was a cool day in the upper fifties or lower sixties, so with the 100hp Rotax at full throttle we were off the ground in short order, climbing at about 700fpm at gross weight.  The visibility was very good in all directions except for straight back, and down through each wing.   The Festival doesn't have the fighter-pilot visibility of the Sting or the Evektor SportStar with their full bubble canopies, but it beats the pants off of a typical Cessna or Piper.    If you flight instruct in this thing, bring a hat and some sunscreen or you'll be crisp after a full day at work.

 

We did a couple steep turns, some slow flight and a stall series.  It was a bumpy day with frequent jolts of turbulence, and the Festival handled the gusts and bumps like a trooper.   It's very stable and feels far more substantial than other LSA's that I've flown.   It requires a bootful of right rudder in a full power climb or in slow flight, but coordination in the rest of the flight regime is simple.  The rudder isn't overly powerful, but it gets the job done without a fuss.   Stick forces are pretty good in pitch, but felt significantly heavy to me in roll.   In the Evektor Sportstar I fly regularly, you merely have to *think* pitch or roll, and you're doing it.   It's great fun to fly on a nice day, but cross countries are work and beginning students find it easy to over control.    In the Festival, you have to be pretty darned firm when you want the plane to turn.  The good news is that students shouldn't have much trouble with over controlling, and the plane is probably a very good platform for cross countries.   The bad news is that you'll be able to tell Festival pilots by their Popeye-esque forearms.    One thing that really impressed me about Rick's deal with the factory is that he is *required* in his contract to solicit feedback from students, pilots and others regarding the airplane, and provide that feedback to the factory for design improvement.   In my book, that's good customer service and good business.   So if other folks agree with me that the roll forces are excessive, the engineers back at the factory are likely to do something about it.  

 

Tooling along in no great hurry at 4900-5000 rpm, we were doing about 95mph.   Rick mentions that if you want to go faster, 5200-5300rpm will get you about 105-110mph.   The next airplanes out of the factory with their flush riveted wings might help notch that speed up a little bit as well.   But as Rick and I discussed, the market for this airplane is flight schools, not hotrodders.   It's designed and built to be a trainer and time builder.   Folks who buy this airplane aren't really needing it to go fast - they are needing it to go *solid* - and that it does extremely well.

 

Back to the patch we head, and the pattern is a bit of an adventure.   We had a couple aircraft call in ahead of us on the radio, a Cessna on a right downwind (Sikeston is left traffic), and another aircraft who says he's on a two-mile straight-in.   We enter the pattern by flying a traditional 45 degree entry to the downwind.  I pull the Rotax back to 3,500 rpm, slow the plane down, get one notch of flaps out, and we're just getting ready to turn base when I finally see the Cessna that was flying right traffic.   It's been at least a minute since we hear their radio calls, so we figure the other guy that was on a two-mile straight-in would be well down to short final by this time  - but we sure can't see him.       I've just added the second notch of flaps and I'm about to turn final when he calls to say that he's on a 1/2-mile final.   I take a quick look around and can't see him at all.   Well, that does it for me - we pour the coal to it - milk the flaps out, and turn to the right off of our base and head back to re-enter the downwind.   We finally see him on short final, and the rest of the pattern is uneventful.   All the while, while I'm trying to figure our the situation and I'm busy looking for other traffic, and the bumps are ongoing, the Festival just glides along and makes the flying part of the job easy.   After all that, I figure it's probably going to be easy to land too, and I'm not disappointed.  Even a couple last minute gusts on short final and during round out don't shake it.   I put it down relatively well - not great - but good enough for a first timer on a windy day.   If I can do a decent landing in it with no practice on a windy day, then on a calm day, you could probably train the water buffalo in the back seat to land it.   Even if he screws up, the burly spring-style main gear and trailing link nosewheel sure look like they can take a serious beating to me.   

 

All in all, I was extremely impressed with the airplane as a flight school trainer.   I think you could hit it with a sledgehammer and you'd have to check the sledge for damage.   It has a few spots where it could be improved - mostly in the finish detail department - and I wish it could make better use of that cavernous cargo space with some more useful load.   On top of all that, it isn't the sexiest nor the fastest of the S-LSA's.   In fact, I told Rick that if I was going to buy myself a *personal* LSA, I would get a StingSport.    Of course I wouldn't let students beat it up, and I would keep it lovingly stored in a hanger instead of baking in the midwest summer sun.  

 

But for a flight school - I'd pay more for a Festival as a trainer than I would a Sting.   To use a car analogy, the Sting is a Ferrari.  The Festival is a Volvo.

Which would you feel better about turning a green student loose in?   Which is going to cost less in parts and maintenance?   And which is going to better handle a few thousand ham-fisted student landings?  The Festival is one of the the most reasonably priced, and is arguably THE most comfortable, most purpose-built, and most well-thought-out of the S-LSAs when it comes to training.   A flight school with a fleet of Festivals is going to have a low, low maintenance bill.   I haven't checked on insurance yet, but if the insurance companies realize the safety aspects of the aircraft and it's overbuilt structure, it's likely to have the lowest insurance premiums as well.  In my opinion, this airplane is well positioned as a trainer and is a real bargain at it's price level. Especially with the special that Rick is running on the first 10 airplanes.  

 

Andy

 

Andrew Mueller

St. Louis Sport Aviation, LLC

www.flystl.com

(314) 779-7197



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