--- In FairfieldLife@yahoogroups.com, Bhairitu <[EMAIL PROTECTED]> wrote:
>
> Yesterday I attended an opening day showing of "Babylon AD" at the 
local 
> theater.  I thought the film seemed a little truncated and doing 
some 
> searches after I got home turns out the scummy 20th Century Fox 
made the 
> director cut 70 minutes of footage from the film apparently to make 
it 
> PG-13 and the made 90 minute number for dumbed down Americans.  
This 
> scuttled the intent of the film which is based on a French novel 
> /Babylon Babies/ by Maurice Georges Dantec.  The film was a French 
> Studio Canal production in English starring Vin Diesel, Michelle 
Yeoh, 
> Melanie Thierry, Gerard Depardieu and Charlotte Rampling.  The 
intent of 
> the movie was to focus on the importance of education of our 
children 
> but after 20th Century whacked it winds up like a mindless episode 
of 
> "24."  I guess Rupert didn't want the masses to get any such 
ideas.  So 
> if you want to see the Readers Digest version it should be at one 
of 
> your local theaters.  I hope we get a director's cut on BluRay.  
I'm 
> getting tired of these corporate monsters destroying the arts.
> 
> Interview with the director about what happened to the film:
> http://blogs.amctv.com/scifi-scanner/2008/08/babylon-ad-mathieu-
kassovitz.php
>


Without the so-called "corporate monsters" you wouldn't have had the 
product in the first place.

Look, I'm with you; I want the director's cut, too...and we'll get it 
in the secondary market when the DVD comes out.

But don't badmouth the people who are putting up the money 'cause 
without them you wouldn't have the product in the first place.  
Indeed, if the director wanted ONLY his version to be shown, he could 
have financed it himself, just like Mel Gibson did with "Passion" (a 
film I've never seen and don't intend to).

Think what you will about Mel, he never compromised on his artistic 
integrity...but it cost him to do it.  He was willing to put up 10s 
of millions of his own money and, in his case, it paid off (he made 
over $200 million on it).  No studio wanted to touch a film that was 
100% in Aramaic. But Mel said "the hell with you" and mortgaged the 
house to do it.  

More power to him!

Apparently, your Babylon guy wasn't able or willing to do what Mel 
did.  Tough shit for him...and you.

This reminds me of about 20 years ago when Martin Scorcese and Woody 
Allen were yapping about artistic integrity because studios were 
considering colorizing black and white films that were on video.  
They yelled and screamed about it and even appeared before a 
congressional committee about it.

But whomever did the original Black and White version of films at 
some point sold their rights to the studios.  So the studios could 
bloody well do what they wanted to them.

And it was all a silly debate anyway.  No technology existed then and 
to this day it doesn't exist to colorize films; only a technology to 
colorize VIDEOS of films existed, an entirely different medium from 
the original films anyway.

And, Bhairitu, who are you to say that Rupert Murdoch, being the 
owner of the rights of a film, isn't any LESS creative and LESS 
artistic if it is his choice -- from even a purely commerical 
consideration -- to cut a film?  Just because he sits in some 
executive office somewhere makes him LESS of an artist than, say, 
Bernardo Bertulucci?

That's YOUR subjective call.  Probably one I agree with you on but he 
owns it, he can do what he wants to to the film.

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