I've never heard his music.

But back in the late '60s, he used to play occasionally at my high 
school (I grew up in Montreal, which is a two-hour drive from 
Ottawa).  Cockburn was known as one of the local up and comers.  Who 
knew he'd make it big outside Canada?



--- In FairfieldLife@yahoogroups.com, "geezerfreak" <geezerfr...@...> 
wrote:
>
> Barry's recent posts about his long time musical love for the music 
of Bruce Cockburn 
> really got me rollin'. First I pulled out all of my treasured 
Cockburn LPs that I (sadly) had 
> neglected for many years. Getting reacquainted with the absolute 
genius that is Cockburn 
> provided me with several weeks of pure pleasure. (Thanks 
Barry.....both for reminding me 
> and for turning me on to Bruce all those years ago.) Cockburn is 
again a regular part of 
> my playlist.
> 
> For those of you who have still not come under the spell of his 
music, take your earliest 
> opportunity and make your move. I'll let Barry report his picks 
on "Bruce Cockburn for 
> beginners" but I can tell you that you are about to embark on a 
musical journey you will 
> not regret. Personally, I've always been partial to his late 70's 
albums like  Dancin' In The 
> Dragon's Jaws, not only because they are unmitigated brilliance but 
also because they were 
> my first exposure to the man.
> 
> The second thing that happened was that I began to pull out my two 
Judee Sill records. 
> Those who know me, know that I am a  jazz fan through and 
through.....jazz meaning the 
> likes of Miles, 'Trane, Bill Evans, Mingus, Grant Green, Wes...on 
and on. I'm hopelessly 
> addicted to the music, going back to the late 60s when the 
Greenwich Village  jazz mecca 
> called Slugs (seating capacity maybe 60) finally broke Fillmore 
East's hold on me. I recall 
> watching the latest British wannabe act play for 50 minutes at the 
Fillmore, prancing and 
> preening with all the moves of the day...and making very little 
memorable music in the 
> process. I left, grabbed a cab down to the Village and watched 
McCoy Tyner's group blow 
> the roof off of that little joint until 4 in the morning. I was 
hooked for good.
> 
> Getting back to Judee Sill...Judee made two albums for the then 
fledgling Asylum label (in 
> fact she was Asylum's first signing) in the early 70s. Today she is 
little known. Judee led 
> what can charitably called a VERY troubled life. She had serious 
drug problems, primarily 
> heroin.
> 
> But folks, this woman was one of the most inspired and brilliant 
artists I have ever heard 
> in any genre. She was gifted in so many areas....singer, songwriter 
and arranger. I believe 
> that David Crosby and Graham Nash were the first to bring Judee to 
the attention of music 
> biz honchos.
> 
> Judee wrote (and sang) amazingly complex and beautiful harmonies 
that will take your 
> breath away. Judee was also able to do her own arranging for her 
music. Amazing when 
> you consider that her albums (especially the second) feature lush 
and complex orchestral 
> backing. For those unfamiliar with arranging and orchestration, it 
means that you write 
> out the entire score for each instrument. On her second album she 
is shown in the liners 
> conducting the orchestra. No big deal I suppose to some, but her 
orchestrations are 
> freakin' brilliant by any measure.
> 
> It has been noted that she learned her gospel inspired piano style 
while in reform school 
> for writing bad checks.
> 
> Judee's first album was simply called Judee Sill. She had a minor 
hit with a song from the 
> album called "Jesus Was Crossmaker". (Religion and spirituality are 
recurring themes in 
> Sill's music.) She did some touring to support the album but her 
personal life always got in 
> the way of any real success.
> 
> Judee's second album is called Heart Food. It is simply non-stop 
brilliance from start to 
> finish. Listen to the second song (The Kiss) and tell that it isn't 
one of the most perfectly 
> crafted tunes ever created. If I had to pick one LP over the other 
(which I would not want to 
> do) I would pick Heart Food. Over the many years I've been working 
with musicians 
> (mostly jazz and blues) I've been surprised by the number of times 
Judee Sill's name has 
> come up as an example of now forgotten artists whose brilliance 
continues to amaze those 
> who come into contact with the music. (Most recently, jazz guitar 
great Anthony Wilson, 
> whose regular gig is with Diana Krall, told me of being completely 
blown away by Sill's 
> music.)
> 
> When Heart Food failed to sell, Judee disappeared from the scene. 
There were many death 
> rumors. Her life spiraled back into various addictions and she 
finally died in 1979 of 
> (predictably) a drug overdose.
> 
> I believe both albums are still available on CD through Rhino 
music. If not, they surely are 
> available via MP3.
> 
> If you love musical surprises as much as I do check out Judee 
Sills. You will not be 
> disappointed and you may well find that you are utterly enchanted 
and amazed.
>


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