--- In FairfieldLife@yahoogroups.com, cardemaister <no_reply@...> wrote: > > Just for fun, let's try to come up with a pada-paaTha (samaasa-s > analyzed) of the above > (changing the transliteration to more "HK-ish"): > > sattva-puruShayoH shuddhi-saamye kaivalyam .. vibhuuti 55.. > > vR^ittiH \-\-\- sattvapuruSau; ukta-lakShaNau ##(##2.6\, > 2.18\, 2.20##)##. tayoH shuddhi-saamye kaivalyam . sattvasya > sarva-kartRtva-abhimaana-nivRtyaa svakaaraNa-anupraveshaH shuddhiH . > puruSasya shuddhiH; upacarita-bhoga-abhaava iti dvayoH samaanaayaaM shuddhau > puruShasya kaivalyam utpadyate . mokShaH; bhavati iti; arthaH .. 55.. > tat; evam antaraN^gam; yoga-aN^ga-trayam-abhidhaaya tasya ca > saMyama-saMjñaam; kRtvaa saMyamasya > viShaya-pradarshana-artham;pariNaama-trayam upapaadya > saMyama-bala+utpadyamaanaaH puurvaanta-paraanta-madhya-bhavaaH siddhIH; > upadarshya samaadhi+abhyaasa+upapattaye ##[## pA0 > samaadhi+aashvaasa+utpattaye ##]## baahyaa bhuvanajñaana+aadi-ruupaaH; > abhyantaraaH; ca kaaya-vyuuhajñaana+aadi-ruupaaH pradarshya > samaadhi+upayogaaya+indriya-praaNa-jaya-aadi-puurvikaaH > parama-puruSa-artha-siddhaye yathaa-kramam > avasthaa-sahita-bhuuta-jaya+indriya-sattva-jaya-udbhavaaH; ca vyaakhyaaya > vivekajñaana+upapattaye taaMs taan upaayaan upanyasya taarakasya > sarva-samaadhi+avasthaa-paryanta-bhavasya svaruupam abhidhAya tatsamaapatteH > kRta-adhikaarasya citta-sattvasya svakaaraNa-anupraveshaat kaivalyam > utpadyate+iti+abhihitam iti nirNiitaH vibhuuti-paadaH; tRtiiyaH > > Sorry, if there are some mistakes above... :/ >
I might be utterly wrong, but my general impression without consulting a dictionary is that Bhoja emphasizes the importance of practicing all or most of the siddhis and then rejecting them when they have done their "job". One could come up with any number of analogies. One might be the need of a metronome when practicing to play, say, the piano, and then rejecting it when one no longer needs it...
