Nice review Barry. I am on episode 10, seeing 2 each evening. What a terrific series. I hear 2 more seasons have been signed. I always admired Spacey but after this he is near the top of the list. Just an amazing look at politics, power, greed, the media, ambition, and socio psychopathology
--- In FairfieldLife@yahoogroups.com, turquoiseb wrote: > > I haven't seen the original 1990 BBC series that this is a remake of, > but have heard good things about it. That said, it is difficult for me > to imagine it being better than this Netflix production helmed by David > Fincher ("Fight Club," "The Curious Case of Benjamin Button," "The > Social Network," and the remake of "The Girl with the Dragon Tattoo"), > James Foley ("Glengarry Glen Ross"), and others. It is taut, fascinating > from Moment One, and presents an incredible look at the dark underbelly > of politics. > > As has been mentioned by critics, much of the credit for this series' > success can be laid at the feet of the actors. There are almost certain > Emmy and Golden Globe nominations in the future for Kevin Spacey, Robin > Wright, and Kate Mara, and a few of the supporting players like Corey > Stoll and Sandrine Holt may get noticed as well. > > Spacey is a force majeure in this series. He plays the Majority Whip of > Congress, and in the opener gets shafted by the President in his bid to > become Secretary of State. Bahd idea. He vows vengeance, and the rest of > the series (so far...I'm on episode 7 of 13) is pretty much about how he > gets it. He's the kind of psychopath that no one can tell is a > psychopath, and it's chilling to see how efficiently, soullessly and > cold-bloodedly he does the things he does. He is incredibly well-matched > in this by his wife, played by Robin Wright, as a beautiful woman who is > almost as calculating as he is, who married him originally because he > promised her a life that would never be boring, and who is with him > pretty much every step of the way in his machinations. Kate Mara plays a > young, ambitious reporter whom Spacey's character lures into his web, > and into his bed. To give you an idea of the dynamics between Spacey and > his wife Claire (Wright), she knows right from the beginning that he's > having a fling with her, just as he knows about her occasional lovers, > and both are fine with this, because it doesn't effect the relationship > they have with each other in any way. > > One of the most effective techniques in the series is found in the > moments when Kevin Spacey turns and speaks directly to the camera -- to > us, in the audience. It is used for remarkable effect at times, such as > the moment when Congressman Frank Underwood (Spacey) is addressing a > congregation in a church, from the pulpit, hoping to sway them not to > make a big political mess out of one of his fuckups. He starts talking > about his father, and how close he was to him, and how angry he was at > God for taking him. Then, in the middle of this speech, he turns to us > in the audience and tells us the real story, which is that he hardly > knew the guy, and didn't miss him at all when he died. Then the "aside" > ends and he turns back to the congregation and continues his emotional > propaganda sermon...which works, of course. The "aside" didn't really > happen for them, but it *does* for us, and lets us into the workings of > his intelligent and charming -- but psychopathically charming -- mind. > > It's a very good series. Kudos to Netflix for taking a chance and > producing it, and for releasing it all at once, so that binge TV addicts > like myself can watch it straight through, without having to wait a week > between episodes. >