--- In FairfieldLife@yahoogroups.com, "John" <[EMAIL PROTECTED]> wrote:
>
> I was there in Paris four years ago, passed by the University of 
> Paris, Sorbonne and bought a tshirt, then took some pictures of 
> Jardin de Luxombourg.  These were all in the Latin Quarter, I 
> believe.  I wish I knew more French words though.

When in doubt, again Google is your friend:

http://www.google.fr/language_tools?hl=fr


> --- In FairfieldLife@yahoogroups.com, TurquoiseB <no_reply@> wrote:
> >
> > So where did I wind up on a Friday night in Paris? Sitting
> > at a really bad Mexican restaurant in the Latin Quarter,
> > eating one of the worst tostadas I've ever had, drinking
> > one of the worst margaritas I've ever had, but chasing it
> > down with a not-half-bad Reposado.
> > 
> > So why here? Simple. It has a window table, where I can
> > sit and watch the people walking by. Even better, this
> > table has an electical outlet next to it. Power plugs 
> > near the tables are scarcer in France than hen's teeth.
> > And, to top it off, the restaurant has a not-half-bad
> > mariachi band. The guys in the band know me, because I 
> > used to sit and write here when I lived in Paris, and 
> > whenever I come in they come to my table and sing me 
> > songs from the soundtrack of the film "Desperado."
> > 
> > It's one of my favorite films, the second by that enfant
> > térrible of the cinema from Austin, Texas, Rodriguez. 
> > He's one of my favorite directors because of his ability 
> > to juxtapose seemingly incompatible elements in his films. 
> > Action and romance. Fear and side-splitting humor. His DVDs 
> > reveal his True Inner Nature, because on each of them
> > he includes one of his Ten Minute Film School clips, with
> > the clear intent of inspiring young filmmakers around the
> > world to do what he did, and turn their cheap HD video-
> > cams and computers into full-fledged film careers.
> > 
> > "Desperado" was the bigger-budget sequel to Rodriguez's
> > first film, "El Mariachi." That first film was made on
> > a budget of -- no shit -- 7000 dollars. He planned to 
> > shoot it and move it direct to video in Mexico to raise
> > money for a "real" movie. Instead, someone entered it at
> > the Sundance Film Festival, and history was made. I think
> > it won the Audience Prize, and some studio offered him
> > the chance to make a sequel. He did, in "Desperado," 
> > cementing his career as a bankable director, and taking
> > along with him on the road to stardom Antonio Banderas 
> > and Salma Hayek, both of whom were relatively unknown in 
> > the US until then. To this day, both of these now major 
> > stars will go out of their way to do bit parts in 
> > Rodriguez's films -- partly because they feel they owe 
> > him a Big One, but also because people have FUN working 
> > on his movies.
> > 
> > He's lighthearted, and creative, and open to feedback 
> > from and improvisation by his actors. He shoots in HD,
> > on video, so the cost of film stock is not a concern
> > for him. Between takes, as he steps out from behind the
> > camera to interact with his actors, he keeps the camera
> > rolling. And some of the best moments in his films have
> > been caught before he got back to the camera, with the
> > actors just bouncing off of one another, thinking they
> > were "off camera."
> > 
> > This restaurant is not terrribly Rodriguez-like. If it
> > were, Bad Guys would have whipped out submachine guns
> > and knives and done in most of the crowd by now. The whole
> > restaurant would be awash with blood and gore. Only the
> > bartender and I would have survived. (You'll get this
> > in-joke only if you're also a fan of his movies.) But
> > it's still pretty neat being here tonight, recharging
> > my batteries (both computer and mental) before venturing
> > forth to new adventures. 
> > 
> > In "Desperado," the hero's guitar case is really full
> > of guns, with which he does his real "performing." Mine 
> > contains a laptop, on which I write shit like this at
> > cafes and restaurants like this. Both of us are pretty 
> > weird by society's standards, but damned if we don't 
> > seem to be having more more FUN with life than many of 
> > the people around us who are carrying Gucci and Chanel 
> > bags and believing that others should be impressed by 
> > them.



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