Stephane, I just saw the additions, thank you so much for the contributions, what a honor! When I initially saw the screenshot, I had assumed the widgets were out-of-date, but I can see now you had pushed updates.
I only apologize that I hadn't gotten around to review your PR sooner. Thanks again! Aaron Krister Johnson Music, etc.: https://soundcloud.com/aaron-krister-johnson https://soundcloud.com/filtercreed https://www.youtube.com/channel/UC_utjGYbSizWE0dNyr0Vdmg https://aaronkristerjohnson.bandcamp.com/ http://www.untwelve.org Code: https://github.com/akjmicro <http://www.untwelve.org> On Mon, Mar 24, 2025 at 3:29 PM Stéphane Letz <l...@grame.fr> wrote: > Wonderfull ! I like this exact piece very much ! > > Just updated my Superclav fork, which uses the faust-web-component ( > https://github.com/grame-cncm/faust-web-component) to setup a > self-contained HTML page: > > https://github.com/sletz/superclav_code and > https://github.com/sletz/superclav_code/blob/main/index.html > > which is then deployed and allows to directly test Superclav Web version > here : https://sletz.github.io/superclav_code/ > > Stéphane > > > Le 24 mars 2025 à 20:41, Aaron Krister Johnson <akjmi...@gmail.com> a > écrit : > > > > Hi Faustian-folk, > > > > I wish to announce the latest video in my series showcasing the fruit of > our wonderful DSP software: > > > > Bach, WTC Bk II, #3 in C-sharp major, BWV 872. Super-sunny and > joyous/optimistic piece, a standout for me in the collection. > > The prelude has a joyous serenity followed by a burst of energy in a new > tempo near the end, and the fugue is a combination > > of humor and nobility simultaneously as only Bach can do. > > > > https://youtu.be/KyiaagcLhZg?si=k_-UOwX0N8mk-Dg- > > > > You can peruse the superclav faust code here, if interested: > https://github.com/akjmicro/superclav_code/ > > > > I've made some changes since the last iteration: > > * removed any oscillator (saw) driving signal > > * implemented a simple lowpass in the feedback chain, and removed the > "outer" filter/env. The result has a better naturalistic decay, I think > > * pink noise is the raw excitation > > * vastly reduced the number of controls and hard-coded values I found > to be nice..."set and forget" > > * corrected the temperament data values to be the actual ones I > wanted/thought they were all along. I hadn't realized I had old values for > > Niedhardt III temperament in there, and the comment implied it was my > own (and the late Geoarge Secor's) temperament. Now, it is that temperment, > > which takes advantage of the nice rational but wide (noo too wide, > but wide enough to be within the authentic 18th century bounds) 24/19 > interval. > > (A pure JI major third being 5/4). > > > > In the process I learned the real reason for a subtraction of N samples > delay inside the delay-line expression, and its effect on tuning. This gave > me > > knowledge and confidence on how to fix tuning issues in any > string-model-based-on-delay in any code anywhere. A nice lesson. > > > > Thanks again to the wonderful devs for bringing Faust DSP our way! > > > > If anyone has any questions at all about this project, including the DSP > code, the music, the tuning, let me know, I'd love to discuss and answer > them. Comments also welcome. > > > > Aaron Krister Johnson > > Music, etc.: > > https://soundcloud.com/aaron-krister-johnson > > https://soundcloud.com/filtercreed > > https://www.youtube.com/channel/UC_utjGYbSizWE0dNyr0Vdmg > > https://aaronkristerjohnson.bandcamp.com/ > > http://www.untwelve.org > > Code: > > https://github.com/akjmicro > > _______________________________________________ > > Faudiostream-users mailing list > > Faudiostream-users@lists.sourceforge.net > > https://lists.sourceforge.net/lists/listinfo/faudiostream-users > >
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