And sample with a new name.
On Sun, Aug 9, 2015 at 9:39 PM, Yayoi <yayoi.u...@gmail.com> wrote: > and decoder > --- > tests/fate/subtitles.mak | 3 ++ > tests/ref/fate/sub-sami2 | 91 > ++++++++++++++++++++++++++++++++++++++++++++++++ > 2 files changed, 94 insertions(+) > create mode 100644 tests/ref/fate/sub-sami2 > > diff --git a/tests/fate/subtitles.mak b/tests/fate/subtitles.mak > index d8b2034..f5270ea 100644 > --- a/tests/fate/subtitles.mak > +++ b/tests/fate/subtitles.mak > @@ -46,6 +46,9 @@ fate-sub-realtext: CMD = fmtstdout ass -i > $(TARGET_SAMPLES)/sub/RealText_capabil > FATE_SUBTITLES_ASS-$(call DEMDEC, SAMI, SAMI) += fate-sub-sami > fate-sub-sami: CMD = fmtstdout ass -i > $(TARGET_SAMPLES)/sub/SAMI_capability_tester.smi > > +FATE_SUBTITLES_ASS-$(call DEMDEC, SAMI, SAMI) += fate-sub-sami2 > +fate-sub-sami2: CMD = fmtstdout ass -i > $(TARGET_SAMPLES)/sub/SAMI_multilang_tweak_tester.smi > + > FATE_SUBTITLES_ASS-$(call DEMDEC, SRT, SUBRIP) += fate-sub-srt > fate-sub-srt: CMD = fmtstdout ass -i > $(TARGET_SAMPLES)/sub/SubRip_capability_tester.srt > > diff --git a/tests/ref/fate/sub-sami2 b/tests/ref/fate/sub-sami2 > new file mode 100644 > index 0000000..5703652 > --- /dev/null > +++ b/tests/ref/fate/sub-sami2 > @@ -0,0 +1,91 @@ > +[Script Info] > +; Script generated by FFmpeg/Lavc > +ScriptType: v4.00+ > +PlayResX: 384 > +PlayResY: 288 > + > +[V4+ Styles] > +Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, > OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, > ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, > MarginR, MarginV, Encoding > +Style: > Default,Arial,16,&Hffffff,&Hffffff,&H0,&H0,0,0,0,0,100,100,0,0,1,1,0,2,10,10,10,0 > + > +[Events] > +Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, > Text > +Dialogue: 0,0:00:01.51,0:00:01.51,Default,,0,0,0,,by Psyence > Fictionist\npsyencefiction...@gmail.com > +Dialogue: 0,0:00:01.51,0:00:08.61,Default,,0,0,0,,Sync by: honeybunny and > Kerensky\Nwww.Addic7ed.com > +Dialogue: 0,0:00:10.11,0:00:10.11,Default,,0,0,0,,\N{\b1}사랑과 배신\N탐욕과 살육의 > 이야기죠{\b0} > +Dialogue: > 0,0:00:10.11,0:00:13.98,Default,,0,0,0,,\N{\c&H800080&}The{\c}{\c&HCBC0FF&}re{\c} > {\c&HFF&}is{\c} {\c&HA5FF&}lo{\c}{\c&HFFFF&}ve{\c} > {\c&H8000&}and{\c}{\c&HFFFF00&} > bet{\c}{\c&HFF0000&}rayal{\c},\N{\b1}{\c&H808080&}g{\c}r{\c&H808080&}e{\c}e{\c&H808080&}d{\c} > and {\c&HFF&}m{\c}{\c&H808080&}u{\c}{\c&HFF&}rder{\c}{\b0}. > +Dialogue: 0,0:00:17.67,0:00:17.67,Default,,0,0,0,,\N{\c&HFFFF&}선악의 정의에 > 대해서\N대립하는 가치관을 가진{\c} > +Dialogue: > 0,0:00:17.67,0:00:21.72,Default,,0,0,0,,\N{\c&HCBC0FF&}{\fs6}It's{\fs} > {\fs8}set{\fs}{\fs10} in {\fs}{\fs12}this{\fs}{\fs14} > intere{\fs}{\fs14}sting{\fs}\N{\fs16} world{\fs}{\fs18} of{\fs} > {\fs20}cont{\fs}{\fs22}rasting{\fs}{\fs24} ideology{\fs}{\c} > +Dialogue: 0,0:00:21.84,0:00:21.84,Default,,0,0,0,,\N{\u1}매력적인 세계에서\N이 모든 것이 > 펼쳐집니다{\u1} > +Dialogue: > 0,0:00:21.84,0:00:23.58,Default,,0,0,0,,\N{\i1}{\c&H9966CC&}of{\c}{\c&HC2A3E0&} > what's{\c} {\c&HE0D1F0&}right{\c} {\c&HFCFAFE&}and{\c} wrong.{\i0} > +Dialogue: 0,0:00:23.69,0:00:23.69,Default,,0,0,0,,\N{\i1}이 주제를 심오한 > 철학으로\N담아내고 있어요{\i0} > +Dialogue: > 0,0:00:23.69,0:00:25.67,Default,,0,0,0,,\N{\fs20}{\c&HFF0000&}{\s1}It{\s0}{\c}{\fs} > has {\fs15}{\c&HFFFF00&}a{\c}{\fs} great > {\fs16}{\c&HFFCC00&}philosophy{\c}{\fs} about it. > +Dialogue: 0,0:00:40.22,0:00:40.22,Default,,0,0,0,,\N{\s1}"왕좌의 게임"은 웨스테로스라는 > 가상왕국의\N권력 분쟁 이야기입니다{\s0} > +Dialogue: 0,0:00:40.22,0:00:47.94,Default,,0,0,0,,\N{\c&HA5FF&}{\fs26}"Game > of Thrones"{\fs}{\c} {\c&H2A2AA5&}{\b1}is{\b0}{\c}{\c&HFFFF&}{\fs24}{\i1} > about{\i0}{\fs}{\c} {\c&H336699&}{\fs14}power{\fs}{\c}{\c&HFF&} > struggles{\c}\N{\c&HA5FF&}{\fs8}in a fantasy{\fs}{\c&HCBC0FF&} > kingdom{\c&HA5FF&}, called {\fs6}Westeros.{\fs}{\c} > +Dialogue: 0,0:00:48.06,0:00:48.06,Default,,0,0,0,,\N철의 왕좌를 둘러싼\N권력 분쟁이죠 > +Dialogue: 0,0:00:48.06,0:00:50.76,Default,,0,0,0,,\N{\c&H8000&}And it's a > power struggle\Nfor the Iron Throne,{\c} > +Dialogue: 0,0:00:50.88,0:00:50.88,Default,,0,0,0,,\N{\fs20}왕국의 권력 정점이라고\N할 수 > 있는 자리에요{\fs} > +Dialogue: 0,0:00:50.88,0:00:53.13,Default,,0,0,0,,\Nwhich is the seat of > power\Nin this kingdom. > +Dialogue: 0,0:00:53.25,0:00:53.25,Default,,0,0,0,,\N전운이 감도네, 네드 > +Dialogue: 0,0:00:53.25,0:00:55.07,Default,,0,0,0,,\NThere's a war coming, > Ned. > +Dialogue: 0,0:00:56.01,0:00:56.01,Default,,0,0,0,,\N\N언제 누구와 싸우게 될지는 몰라\N하지만 > 분명 전쟁이 일어날걸세 > +Dialogue: 0,0:00:56.01,0:01:00.09,Default,,0,0,0,,\NI don't know when, I > don't know who\Nwould be fighting, but it's coming. > +Dialogue: 0,0:01:01.10,0:01:01.10,Default,,0,0,0,,\N이야기의 핵심은 두 주요 가문의\N권력을 > 둘러싼 갈등입니다 > +Dialogue: 0,0:01:01.10,0:01:07.04,Default,,0,0,0,,\N{\i1}At the core of it > there's a conflict for\Npower between two great houses initially.{\i0} > +Dialogue: 0,0:01:07.16,0:01:07.16,Default,,0,0,0,,\N스타크 가문과 라니스터 가문이죠 > +Dialogue: 0,0:01:07.16,0:01:10.04,Default,,0,0,0,,\NHouse Stark and House > Lannister. > +Dialogue: 0,0:01:10.16,0:01:10.16,Default,,0,0,0,,\N그 외에 여러 가문이\N서로 경쟁합니다 > +Dialogue: 0,0:01:10.16,0:01:13.25,Default,,0,0,0,,\NThe other major houses > are\Nall contenders as well. > +Dialogue: 0,0:01:13.37,0:01:13.37,Default,,0,0,0,,\N흥미진진하게 정치적으로\N얽혀있는 상황이죠 > +Dialogue: 0,0:01:13.37,0:01:16.11,Default,,0,0,0,,\NIt's a suitably > complicated\Npolitical situation. > +Dialogue: 0,0:01:16.34,0:01:16.34,Default,,0,0,0,,\N옛 말에 "권력은 부패한다"라죠 > +Dialogue: 0,0:01:16.34,0:01:18.80,Default,,0,0,0,,\NThe old truth "the power > corrupts",\NI think > +Dialogue: 0,0:01:18.92,0:01:18.92,Default,,0,0,0,,\N옳은 말입니다\N이 작품에서도 드러나죠 > +Dialogue: 0,0:01:18.92,0:01:21.66,Default,,0,0,0,,\Nit's very valid and > it\Nshows in this series. > +Dialogue: 0,0:01:21.78,0:01:21.78,Default,,0,0,0,,\N권력을 얻은 등장인물들이\N어떻게 변해가는지 > 보시게 될겁니다 > +Dialogue: 0,0:01:21.78,0:01:24.59,Default,,0,0,0,,\NYou see characters come > into\Npower and how they change. > +Dialogue: 0,0:01:24.71,0:01:24.71,Default,,0,0,0,,\N그렇게 등장인물들은\N대의를 보는 시야를 > 잃어가고 > +Dialogue: 0,0:01:24.71,0:01:28.86,Default,,0,0,0,,\NIn a way it's about how > people\Nforget to see the bigger picture, > +Dialogue: 0,0:01:28.98,0:01:28.98,Default,,0,0,0,,\N사리사욕을 쫒는데 정신이 팔려\N공공의 > 위협을 외면하게 되죠 > +Dialogue: 0,0:01:28.98,0:01:33.89,Default,,0,0,0,,\N{\u1}this common threat, > that everybody\Nkind of ignores, because they're too busy{\u0} > +Dialogue: 0,0:01:34.01,0:01:35.24,Default,,0,0,0,,\Npursuing their own > interests. > +Dialogue: 0,0:01:35.36,0:01:35.36,Default,,0,0,0,,\N한편, 일곱 왕국의 밖에서는\N두 개의 > 거대한 위협이 부상합니다 > +Dialogue: 0,0:01:35.36,0:01:40.23,Default,,0,0,0,,\N{\fs30}And meanwhile, > outside the Seven\NKingdoms, two great threats arising.{\fs} > +Dialogue: 0,0:01:40.35,0:01:40.35,Default,,0,0,0,,\N<sup>하나는 바다 건너\N타가리엔 일족 > 유배자들이며</sub> > +Dialogue: 0,0:01:40.35,0:01:44.06,Default,,0,0,0,,\NOne across the sea, in > the exile\NTargaryen siblings, > +Dialogue: 0,0:01:44.17,0:01:44.17,Default,,0,0,0,,\N또 하나는 일곱 왕국의\N국경이 자리잡은 > +Dialogue: 0,0:01:44.17,0:01:47.39,Default,,0,0,0,,\Nand another far to the > north,\Nbeyond the Wall, > +Dialogue: 0,0:01:47.51,0:01:47.51,Default,,0,0,0,,\N저 멀리 북쪽 장벽 너머\N초자연적인 > 존재들이 도사리는 > +Dialogue: 0,0:01:47.51,0:01:50.07,Default,,0,0,0,,\Nwhich is the > boundary\Nof the Seven Kingdoms, > +Dialogue: 0,0:01:50.18,0:01:50.18,Default,,0,0,0,,\N춥디 추운 땅에서 일어납니다 > +Dialogue: 0,0:01:50.18,0:01:55.28,Default,,0,0,0,,\Nin lands of perpetual > ice and cold,\Nwhere supernatural threat is stirring. > +Dialogue: 0,0:01:56.45,0:01:56.45,Default,,0,0,0,,\N기존의 어떤 작품과도 다릅니다 > +Dialogue: 0,0:01:56.45,0:02:00.45,Default,,0,0,0,,\NIt's very different > from\Nanything that's been done. > +Dialogue: 0,0:02:00.58,0:02:00.58,Default,,0,0,0,,\N이 작품처럼 어두운 판타지는\N없을거라고 > 봅니다 > +Dialogue: 0,0:02:00.58,0:02:03.97,Default,,0,0,0,,\NI can't think of another > fantasy\Nwhich is as dark as this one is, > +Dialogue: 0,0:02:04.09,0:02:04.09,Default,,0,0,0,,\N아주 적나라하고 현실적이죠 > +Dialogue: 0,0:02:04.09,0:02:05.65,Default,,0,0,0,,\Nwhich is as gritty and > as real. > +Dialogue: 0,0:02:05.77,0:02:05.77,Default,,0,0,0,,\N등장인물 하나 하나가\N매우 심도깊습니다 > +Dialogue: 0,0:02:05.77,0:02:08.18,Default,,0,0,0,,\NEvery single > character\Nis incredibly complex. > +Dialogue: 0,0:02:08.30,0:02:08.30,Default,,0,0,0,,\N보여주는 모습만으로\N생기는 고정관념으로는 > +Dialogue: 0,0:02:08.30,0:02:09.33,Default,,0,0,0,,\NYou think you know them. > +Dialogue: 0,0:02:09.45,0:02:09.45,Default,,0,0,0,,\N등장인물을 제대로 이해했다고\N할 수 없습니다 > +Dialogue: 0,0:02:09.45,0:02:14.14,Default,,0,0,0,,\NYou think you got them > pegged as what\Nthey seemingly are but they really aren't. > +Dialogue: 0,0:02:14.25,0:02:14.25,Default,,0,0,0,,\N신하 중에서 전적으로\N신뢰할 수 있는 이가 > 있습니까? > +Dialogue: 0,0:02:14.25,0:02:17.66,Default,,0,0,0,,\N{\s1}whom you trust > completely? > +Dialogue: 0,0:02:17.78,0:02:17.78,Default,,0,0,0,,\N있네 > +Dialogue: 0,0:02:17.78,0:02:18.84,Default,,0,0,0,,\NYes. > +Dialogue: 0,0:02:18.96,0:02:18.96,Default,,0,0,0,,\N"없다"라고 대답하셔야\N현명하신겁니다, 전하 > +Dialogue: 0,0:02:18.96,0:02:21.27,Default,,0,0,0,,\NThe wiser answer was > "no", my lord. > +Dialogue: 0,0:02:21.53,0:02:21.53,Default,,0,0,0,,\N이분법적인 선악의\N이야기가 아닙니다 > +Dialogue: 0,0:02:21.53,0:02:23.63,Default,,0,0,0,,\NIt's not a good guys/bad > guys story. > +Dialogue: 0,0:02:23.75,0:02:23.75,Default,,0,0,0,,\N모두가 나름의 가치를\N추구하고 > +Dialogue: 0,0:02:23.75,0:02:26.40,Default,,0,0,0,,\NIt's a story where > everybody is\Npursuing their own interests > +Dialogue: 0,0:02:26.52,0:02:26.52,Default,,0,0,0,,\N나름의 규칙을 따르면서 > +Dialogue: 0,0:02:26.52,0:02:29.67,Default,,0,0,0,,\Nand everybody's > following their own\Ncode and it's about those interests > +Dialogue: 0,0:02:29.79,0:02:29.79,Default,,0,0,0,,\N서로의 가치와 윤리가\N충돌하게 되는 > 이야기입니다 > +Dialogue: 0,0:02:29.79,0:02:33.35,Default,,0,0,0,,\Nand those ethics coming > into\Nconflict with each other. > +Dialogue: 0,0:02:33.47,0:02:33.47,Default,,0,0,0,,\N영웅이 악당을 물리치는 이야기보다 > +Dialogue: 0,0:02:33.47,0:02:37.58,Default,,0,0,0,,\NAnd it provides a much > richer story\Nthan the guys in white > +Dialogue: 0,0:02:38.58,0:02:38.58,Default,,0,0,0,,\Nby Psyence > Fictionist\npsyencefiction...@gmail.com > +Dialogue: 0,0:02:38.58,0:02:39.58,Default,,0,0,0,,\NSync by: honeybunny and > Kerensky\Nwww.Addic7ed.com > -- > 1.8.5.2 (Apple Git-48) >
SAMI_multilang_tweak_tester.smi
Description: application/smil
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