> > > Two decades ago I was heavily involved in a music restoration project of > live concert performances > (with the approval of the band). I used compression extensively. Most > commercial recordings are > compressed, meaning: the peaks are made uniform without clipping, so > volume is made uniform -- I'm > trying hard to not use the word "equalize" here because the word > "equalization" is so misused. > > Try compression. It's what the professionals use. > > That said, I don't know what FFmpeg means by "compression". Is it what > audio engineers mean by > "compression"? I don't know. >
Further compressing audio that's already been mastered by a professional mastering engineer is usually unwise. Typically they will have already done many things to make the audio sound as good as they could make it sound, including judicious use of compression, and have a much better trained ear than the average person. They are professional mastering engineers, after all. Throwing even more compression on just to adjust the playback volume doesn't make much sense. Chances are very good that you're only going to make it sound worse. Amplifiers have volume knobs for a reason. I'm not sure why this last statement seems to be ignored. -- Clayton Macleod If no one comes from the future to stop you from doing it, then how bad of a decision can it really be? _______________________________________________ ffmpeg-user mailing list ffmpeg-user@ffmpeg.org https://ffmpeg.org/mailman/listinfo/ffmpeg-user To unsubscribe, visit link above, or email ffmpeg-user-requ...@ffmpeg.org with subject "unsubscribe".