Today: "Catholicism" by Billy Collins

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*Catholicism*
by Billy Collins
<http://writersalmanac.org/poem_author/billy-collins/?elq=6405877ee0dd4056abb40587d02a3005&elqCampaignId=16212&elqaid=18903&elqat=1&elqTrackId=14bab2688a854e599a6e931cedf82208>

Listen Online
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There’s a possum who appears here at odd times,
often walking up the path to the house
in the middle of the day like a little ghost
with a long tail and a blank expression on his face.

He likes to slip behind the woodpile,
but sometimes he gets so close to the window
where I am standing with a glass in my hand
that I start to review my sins, systematically

going from one commandment to the next.
What is it about him that causes me
to begin an examination of conscience,
calling to mind my failings in this time of reflection?

It could just be the twitching of the tail
and that white face, but his slow priestly pace
also makes a contribution, as do the tiny paws,
more like hands, really, with opposable thumbs

able to carry a nut or dig a hole in the earth
or lift a chalice above his head
or even deliver a document,
I am thinking as he nears the back door,

not merely a subpoena but an order
of excommunication with my name and a date
written in fine Italian ink
and signed with a flourish of the papal sash.

"Catholicism" by Billy Collins from *Aimless Love*. © Random House, 2013.
Reprinted with permission. (buy now
<http://www.amazon.com/s/ref=as_li_ss_tl?_encoding=UTF8&camp=1789&creative=390957&field-keywords=Billy%20Collins&linkCode=ur2&tag=writal-20&url=search-alias%3Dstripbooks&linkId=LDDA6FXTCAP6S2QX&elq=6405877ee0dd4056abb40587d02a3005&elqCampaignId=16212&elqaid=18903&elqat=1&elqTrackId=fad02a84f6b94e499eb0dda53e48aff5>)

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*The Mayflower Compact
<https://en.wikipedia.org/wiki/Mayflower_Compact?elq=6405877ee0dd4056abb40587d02a3005&elqCampaignId=16212&elqaid=18903&elqat=1&elqTrackId=7773ffce0983439297491858c7213e32>
was signed on this date in 1620 (November 11 in the Old Style calendar)*.
The *Mayflower *had set sail from Plymouth, England, on September 16, with
just over 100 people aboard; about half of them were religious separatists
- known as Saints or, later, Puritans - who had broken away from the Church
of England. They were originally bound for a tract of land set aside for
them in the colony of Virginia, which at that time was much larger than our
current state; the *Mayflower*'s tract was along the Hudson River in what
is now New York. But they were blown off course by bad storms en route, so
they ended up arriving off of Cape Cod instead. Because they had failed to
arrive within the bounds of the Virginia Colony, they were not bound by
their original charter with King James. They felt the need to establish a
provisional system of government while they waited for a new royal charter
from England.

Pilgrim leaders, including William Bradford and William Brewster, drafted
the compact in part to ease tensions between the Puritan Separatists and
the other passengers. They felt it was important to do so before anyone
went ashore. So, while the ship was still anchored in Provincetown Harbor,
they wrote up a brief, 200-word document based loosely on a Puritan church
covenant. The Mayflower Compact created a civil body politic "to enact,
constitute, and frame such just and equal laws, ordinances, acts,
constitutions, offices from time to time, as shall be thought most meet and
convenient for the general good of the colony." Every adult male passenger
had to sign the compact before going ashore.

The compact was the first attempt at forming a democratic government in
what would become the United States of America, and it remained in use
until the Massachusetts Bay Colony absorbed the Plymouth Colony in 1691.

*It's the birthday* of French satirist, philosopher, and social
revolutionary François-Marie Arouet, better known as *Voltaire
<http://plato.stanford.edu/entries/voltaire/?elq=6405877ee0dd4056abb40587d02a3005&elqCampaignId=16212&elqaid=18903&elqat=1&elqTrackId=dbc7ca856eaa4a66bd81cbdb27d01981>*
(books by this author
<http://www.amazon.com/gp/search?ie=UTF8&keywords=Voltaire&tag=writal-20&index=blended&linkCode=ur2&camp=1789&creative=9325&elq=6405877ee0dd4056abb40587d02a3005&elqCampaignId=16212&elqaid=18903&elqat=1&elqTrackId=1c48210ef5d14c0b8c8667aa408a5ae7>),
born in Paris (1694). The son of an influential lawyer, Voltaire showed
little interest in towing the line or respecting authority from an early
age. His father's attempts to remove him from the bad influence of
freethinkers and libertines - periodically sending him abroad and promising
that the next trip would be to prison - had little effect.

In fact, his father hadn't needed to threaten jail time; others followed
through on the idea soon enough. Voltaire was just 21 when he was expelled
from Paris for writing a satirical poem about the decadence at Versailles;
within months of his return he offended another member of the royal family,
which landed Voltaire in the Bastille. He was reportedly delighted, having
visited a friend there many times, and hoped he would not be set free
before completing some work. His wish was granted, and he wrote his first
play, *Oedipe*, behind bars.

The tragedy was a great success, and helped establish his career in the
theater. It was there, several years later, where his biting wit got
Voltaire into trouble yet again with a nobleman. This time his cleverness
was repaid with a beating and a direct order from the king to be thrown
back in the Bastille. Voltaire secured his release by promising to leave
the country altogether. He fled to England, where his involvement with the
country's leading intellectuals helped shape his future philosophy. Upon
his return to France in 1733, Voltaire wrote *Letters Concerning the
English Nation*, an ironic criticism of the French religious and political
establishment. This time the book's *publisher* was sent to the Bastille,
and Voltaire hightailed it to Lorraine, where he lived and wrote for the
next 15 years, until the death of his mistress, when he began yet another
cycle of relocating, offending someone in power, and fleeing. He returned
to his hometown of Paris only months before he died, in 1778, a hero among
the common people.

Voltaire was not as logical or systematic a philosopher as most in the Age
of Reason, which is in part what made his writing the most influential. His
were not the standard philosophical treatise, but instead relied heavily on
satire and humor to make his case, and used forms like fiction, poetry, and
plays to reach a broad audience, despite being widely censored and banned.
Voltaire's views on religion, for example - that Judaism and Christianity
were essentially corrupt and superstitious, and that any cosmic Designer or
Creator was very possibly amoral - were radically polarizing, but he
expressed them with such wit and irony that his writing was immensely
popular. (Some consider Voltaire the founder of modern anti-Semitism
because of his arguments against Judaism, which were cited to prevent Jews
from becoming citizens during the French Revolution.)

The novel *Candide*, Voltaire's most famous work, argues against the
prevailing philosophy of the time: that this is the best of all possible
worlds, and that everything that happens is ultimately for the best. The
book's laughably naïve protagonist, Candide, trusts his corrupt and
insufferable teacher despite every imaginable evil, believing that it must
all be for the best despite all appearances, until at last he retreats to
spend the rest of his life tending his garden. Looking on the bright side
was simply an excuse for those in power to remain in power, Voltaire
argued, a way to ignore injustice and shirk responsibility.

He has been called the conscience of Europe for his call for social reform,
and the Genius of Mockery for his blistering ridicule of anyone who opposed
him.

Voltaire said, "If God did not exist, man would have to invent him."

And he said, "As long as people believe in *absurdities,* they will
continue to commit atrocities."

*It's the birthday* of jazz saxophonist and pioneer *Coleman Hawkins
<http://www.pbs.org/jazz/biography/artist_id_hawkins_coleman.htm?elq=6405877ee0dd4056abb40587d02a3005&elqCampaignId=16212&elqaid=18903&elqat=1&elqTrackId=1366c5d842824f2aadf68a26fe0b3b96>*,
born in St. Joseph, Missouri (1904). His musical education began when he
was a lad of five years old. His mother, who played the organ, taught him
the piano. Then he learned the cello, and - for his ninth birthday - he
asked for a tenor sax. By 12, he was playing sax for school dances. He
studied harmony and composition in college, and had his first professional
gig in 1921, when he was 16. He was hired by Mamie Smith and her band, the
Jazz Hounds, the following year and toured all over the country. He was the
first tenor sax player to make it big as a jazz musician, and he was so
versatile that he took over for an injured trumpet player on a moment's
notice, playing the first trumpet part on his sax. By 1934, he had made a
big enough name for himself that he could strike out on his own.

In 1939, he made his most famous record: "Body and Soul." He later said: "I
never thought of 'Body and Soul' seriously as being anything big for me.
I'd used it occasionally as an encore, something to get off the stage with.
[...] Sometimes at night, after a couple of quarts of scotch, very late,
I'd sit down and kill time and play about 10 choruses on it, and then the
boys would come in and play harmony notes in the background while I
finished it up. That's all there was to it." He recorded it as a favor to
his producer, and it became such a hit that he had to play it at every gig
for the next 15 years. The recording consisted of a brief intro, followed
by a three-minute solo, during which Hawkins didn't actually play any of
the standard melody of the 1930 classic. His recording represented a great
leap forward in the evolution of jazz, and his improvisational style helped
pave the way for the development of the bebop style of Dizzy Gillespie and
Charlie Parker. The record entered the Library of Congress's National
Recording Registry in 2004.

*Be well, do good work, and keep in touch.®*



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*Bookshelf*
*Read highlighted interviews of poets heard on the show*.

*Jane Hirshfield*
<http://writersalmanac.org/bookshelf/jane-hirshfield/?elq=6405877ee0dd4056abb40587d02a3005&elqCampaignId=16212&elqaid=18903&elqat=1&elqTrackId=3099f0f1df82469d9f5ffd1f038fa6dd>
Jane Hirshfield's two newest books are *The Beauty* and *Ten Windows: How
Great Poems Transform the World*, both Knopf 2015. Her honors include
fellowships from the Guggenheim and Rockefeller foundations, NEA, and
Academy of American Poets; the Donald Hall-Jane Kenyon Prize in American
Poetry; the Poetry Center Book Award; finalist selection for the National
Book Critics Circle Award and England's T.S. Eliot Award; and eight
selections in *The Best American Poetry*. A current chancellor of The
Academy of American Poets, Hirshfield's work appears in *The New Yorker*, *The
Atlantic*, *The New Republic*, *Harper's*, *The Paris Review*, and *Poetry*.
Read more
<http://writersalmanac.org/bookshelf/jane-hirshfield/?elq=6405877ee0dd4056abb40587d02a3005&elqCampaignId=16212&elqaid=18903&elqat=1&elqTrackId=34166665ebaa44419133587b6142e79e>

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