Today: "Spiritual Mom" by Paul Hostovsky

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*Friday,
Dec. 4, 2015* [image: Facebook]
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*Spiritual Mom*
by Paul Hostovsky
<http://writersalmanac.org/poem_author/paul-hostovsky/?elq=0e06a241f739428e8b02f74579cf3731&elqCampaignId=16412&elqaid=19111&elqat=1&elqTrackId=3c5df46ad6e44803b560c8417b2330d7>

Listen Online
<http://writersalmanac.org/episodes/20151204/?elq=0e06a241f739428e8b02f74579cf3731&elqCampaignId=16412&elqaid=19111&elqat=1&elqTrackId=58316406312d4f92b881b313eb4ef7bd>

Mom got spiritual in her late fifties,
and we really had no patience for all
the forgiveness. It was disconcerting
the way she’d kneel down on the floor
in the middle of the conversation
and hug the dog, whispering affirmations
into its long ear, stroking and folding it
inside out like a pocket. When she emptied
her bank account and gave all the money
to whoever asked, wandering around downtown,
reaching into her purse to offer whatever
her fingers touched first, it was the last
straw. We did an intervention, as they call it
in the field of addiction. We sat her down
and confronted her on her spiritual habit.
The room grew quiet as Mom wept softly,
her eyes searching the floor for what to say.
The silence was terrible—even the dog
cocked its head in that doglike listening way
for some kind of affirmation that Mom
had heard us, and understood, and would cease
her spiritual ways, or at least be in the world
a little more and no longer walking around like
she didn’t have a colon, with one foot in Heaven
and an ear to the hot little mouth of God.

"Spiritual Mom" by Paul Hostovsky from *The Bad Guys*. © Future Cycle
Press, 2015. Reprinted with permission. (buy now
<http://www.amazon.com/s/ref=as_li_ss_tl?_encoding=UTF8&camp=1789&creative=390957&field-keywords=Paul%20Hostovsky&linkCode=ur2&tag=writal-20&url=search-alias%3Dstripbooks&linkId=S7MRHP4HEW4T4TUU&elq=0e06a241f739428e8b02f74579cf3731&elqCampaignId=16412&elqaid=19111&elqat=1&elqTrackId=e5e93e781c9f4bd6950b17c8359ac42d>)

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*It was on this date in 1674* *that **Father Jacques Marquette*
<http://www.pbs.org/wgbh/amex/chicago/peopleevents/p_mandj.html?elq=0e06a241f739428e8b02f74579cf3731&elqCampaignId=16412&elqaid=19111&elqat=1&elqTrackId=78edc922f1d14cc08b8d1e1f41fc31a2>*
built a log cabin on the shore of Lake Michigan, near the mouth of the
Chicago River*. The French Jesuit had explored the area the year before,
with explorer Louis Jolliet, and he returned with the intent of
establishing a mission there. His journey had been going fairly smoothly,
and hunting was good, but a snowstorm dumped a foot of snow overnight, and
Marquette also suffered a recurrence of the dysentery that had plagued him
on his previous journey. He and his companions built a crude cabin,
intending to pass the winter there. It was an advantageous location; it was
possible to move between the Great Lakes and the Chicago River (which
eventually connected with the Illinois River, and thence to the
Mississippi) by way of a short overland portage. For this reason, the
Jesuits chose the site of Marquette's little cabin to build the Mission of
the Guardian Angel in 1696. The mission was largely abandoned in 1720 after
repeated Native American raids, but in the 1780s, a man of African descent
named Jean Baptiste Point du Sable built a farm there. He was the first
permanent resident of Chicago.

>From Marquette's journal entry of December 4:

We started well to reach Portage River, which was frozen half a foot thick.
There was more snow there than anywhere else, and also more tracks of
animals and turkeys. The navigation of the lake from one portage to the
other is quite is fine, there being no traverse to make, and landing being
quite feasible all along, providing you do not obstinately persist in
traveling in the breakers and high winds. The land along the shore is good
for nothing, except on the prairies. You meet eight or ten pretty fine
rivers. Deer hunting is pretty good as you get away from the Pottawatomies.

*Today is the birthday* of *Rainer Maria Rilke*
<http://www.poetryfoundation.org/bio/rainer-maria-rilke?elq=0e06a241f739428e8b02f74579cf3731&elqCampaignId=16412&elqaid=19111&elqat=1&elqTrackId=842407740389498784372fb6f2e2d540>
 (books by this author
<http://www.amazon.com/gp/search?ie=UTF8&keywords=Rainer%20Maria%20Rilke&tag=writal-20&index=blended&linkCode=ur2&camp=1789&creative=9325&elq=0e06a241f739428e8b02f74579cf3731&elqCampaignId=16412&elqaid=19111&elqat=1&elqTrackId=4a5b2accd7634e30ab03896691b8aedf>),
born in Prague (1875). The year before he was born, his mother had given
birth to a girl who died after a week, and she wanted her son to fill that
place. Rainer's given name was René, and his mother dressed him in dresses,
braided his hair, and treated him like a girl. Later, he wrote, "I think my
mother played with me as though I were a big doll."

He financed his career as a poet by seducing a series of rich noblewomen
who would support him while he wrote his books. One princess let him live
for a while in her Castle Duino near Trieste, a medieval castle with
fortified walls and an ancient square tower. It was during the winter of
1912, alone in the castle, that Rilke later said he heard the voice of an
angel speaking to him about the meaning of life and death. Rilke wrote two
poems about angels in almost a single sitting, and he knew that he had
begun his most important work, but then he got stuck. Finally, in February
of 1922, he managed to finish in a single month what he'd started a decade
before. The result was a cycle of 10 long poems that he called *The Duino
Elegies*, about the difference between angels and people, and the meaning
of death, and his idea that human beings are put on earth in order to
experience the beauty of ordinary things.

*It's the birthday* of the British essayist, philosopher, and historian *Thomas
Carlyle*
<http://www.poetryfoundation.org/bio/thomas-carlyle?elq=0e06a241f739428e8b02f74579cf3731&elqCampaignId=16412&elqaid=19111&elqat=1&elqTrackId=19539c73c43641ddb6c628b1b8e81fef>
 (books by this author
<http://www.amazon.com/gp/search?ie=UTF8&keywords=Thomas%20Carlyle&tag=writal-20&index=blended&linkCode=ur2&camp=1789&creative=9325&elq=0e06a241f739428e8b02f74579cf3731&elqCampaignId=16412&elqaid=19111&elqat=1&elqTrackId=3cdcc32e65bc4df1905ae70b95f47790>),
born in Ecclefechan, Scotland (1795). Carlyle moved to London with his wife
in 1834, and began work on an ambitious project about the French
Revolution. He spent months of hard work on the book, living in poverty and
devoting every resource to the project, but when he lent the manuscript to
philosopher John Stuart Mill, Mill's maid accidentally threw it in the
fire. Even though he wasn't normally a cheerful person, Carlyle refused to
let the loss get him down, and he began rewriting it immediately. *The
French Revolution* (1837) became one of his most respected works, and would
later serve as Dickens' primary reference when he was writing *A Tale of
Two Cities* (1859).

*It was on this date in 1867* *that* *Oliver Hudson Kelley* *founded
the **Order
of the Patrons of Husbandry*
<http://www.nationalgrange.org/about-us/?elq=0e06a241f739428e8b02f74579cf3731&elqCampaignId=16412&elqaid=19111&elqat=1&elqTrackId=bf7dd89db45341b681b7e2588f43f4c8>*,
also known as The Grange*. It's the oldest national agricultural advocacy
organization. Kelley was born in Boston in 1826, and moved to Itasca,
Minnesota, to become a farmer when he was 23. After the Civil War,
President Andrew Johnson sent him to the Southern states to report back on
the condition of the farms there. It was during this trip that Kelley began
to think about a fraternal organization, similar to the Freemasons, which
would work to improve conditions for farmers and bring the North and South
back together in a common cause. So he formed the Order of the Patrons of
Husbandry for this purpose, and his organization was unusual for the time:
it encouraged women and teenagers to participate. In fact, the charter
required that four of the elected positions must be held by women. The
Grange represented the interests of farmers in disputes with the railroads,
it established free rural mail delivery, and helped farmers improve their
lives through research-based education. It also championed non-agricultural
causes like temperance and women's suffrage.

*It's the birthday* of mystery writer *Cornell Woolrich*
<https://en.wikipedia.org/wiki/Cornell_Woolrich?elq=0e06a241f739428e8b02f74579cf3731&elqCampaignId=16412&elqaid=19111&elqat=1&elqTrackId=81b01e8d8449497885873c9e6f2240b9>
 (books by this author
<http://www.amazon.com/gp/search?ie=UTF8&keywords=Cornell%20Woolrich&tag=writal-20&index=blended&linkCode=ur2&camp=1789&creative=9325&elq=0e06a241f739428e8b02f74579cf3731&elqCampaignId=16412&elqaid=19111&elqat=1&elqTrackId=3c02c7455fe34b44985f8e83d7cd830c>),
born in New York City (1903). His first six books weren't crime fiction at
all, but were Jazz Age novels inspired by the work of F. Scott Fitzgerald.
He first started writing detective stories under pseudonyms like William
Irish and George Hopley. He was a contemporary of other, more famous crime
writers like Erle Stanley Gardner, Dashiell Hammett, and Raymond Chandler,
and his stories and novels were adapted for radio and film noir, including *The
Bride Wore Black* (novel: 1940; film: 1968) and * Night Has a Thousand
Eyes* (novel:
1945; film: 1948).

*Be well, do good work, and keep in touch.®*



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*Bookshelf*
*Read highlighted interviews of poets heard on the show*.

*Jane Hirshfield*
<http://writersalmanac.org/bookshelf/jane-hirshfield/?elq=0e06a241f739428e8b02f74579cf3731&elqCampaignId=16412&elqaid=19111&elqat=1&elqTrackId=226f117b754d43d286f70ce8b392d6c9>
Jane Hirshfield's two newest books are *The Beauty* and *Ten Windows: How
Great Poems Transform the World*, both Knopf 2015. Her honors include
fellowships from the Guggenheim and Rockefeller foundations, NEA, and
Academy of American Poets; the Donald Hall-Jane Kenyon Prize in American
Poetry; the Poetry Center Book Award; finalist selection for the National
Book Critics Circle Award and England's T.S. Eliot Award; and eight
selections in *The Best American Poetry*. A current chancellor of The
Academy of American Poets, Hirshfield's work appears in *The New Yorker*, *The
Atlantic*, *The New Republic*, *Harper's*, *The Paris Review*, and *Poetry*.
Read more
<http://writersalmanac.org/bookshelf/jane-hirshfield/?elq=0e06a241f739428e8b02f74579cf3731&elqCampaignId=16412&elqaid=19111&elqat=1&elqTrackId=78b2f53815aa4121959c22f82a29e412>

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*Shop*

Although he has edited several anthologies of his favorite poems, O, What a
Luxury: Verses Lyrical, Vulgar, Pathetic & Profound forges a new path for
Garrison Keillor, as a poet of light verse. Purchase O, What a Luxury
<http://prairiehome.publicradio.org/features/books/o_what_a_luxury/?elq=0e06a241f739428e8b02f74579cf3731&elqCampaignId=16412&elqaid=19111&elqat=1&elqTrackId=5b286122796745e0bcec872ba1a4357d>

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