It's true that high quality silver-based B&W film, when properly exposed and developed, has a higher dynamic range than chromogenic B&W. It's also true that it is not a classic "wet darkroom" film, since it's normally developed by a one-hour type color lab. However, based on my experience with a "consumer" film scanner, low priced scanners don't have the dynamic range to handle the range of density that good B&W negatives can produce, so this may be a moot point. The chromogenic films are certainly convenient, especially for the darkroom challenged, but I don't think that there's one out there with all the speed that TMAX 3200 offers.
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