Hi list, don't miss two important books which studies contrapunct in depth: Knud Jeppesen Kontrapunkt (every aspect of the Palestrina-style) and Dieter de la Motte: Kontrapunkt (gives a surveys from Perotin to Lutoslawsky), both books have a lot of exampels); they are to acquaint from english and german languages. For a debutante they will fill surely the gap.
Ole [EMAIL PROTECTED] wrote: > Send Finale mailing list submissions to > [EMAIL PROTECTED] > > To subscribe or unsubscribe via the World Wide Web, visit > http://mail.shsu.edu/mailman/listinfo/finale > or, via email, send a message with subject or body 'help' to > [EMAIL PROTECTED] > > You can reach the person managing the list at > [EMAIL PROTECTED] > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of Finale digest..." > > Today's Topics: > > 1. Re: OT: Looking for Chorales in Fin format (Harold Owen) > 2. Re: Rests Recording (Was - when to cut off) ([EMAIL PROTECTED]) > 3. Re: Rests Recording (Was - when to cut off) (warren heck) > 4. Technical question re: grace notes (Carl Dershem) > 5. OT: Books about Counterpoint (Nico Schliemann) > 6. Re: Technical question re: grace notes (Christopher BJ Smith) > 7. Re: Rests Recording (Was - when to cut off) (Johannes Gebauer) > 8. RE: OT: Books about Counterpoint (Mark Danner) > 9. Re: OT: Books about Counterpoint (Nico Schliemann) > 10. Re: OT: Books about Counterpoint (Colin Broom) > 11. Re: Technical question re: grace notes (helgesen) > 12. Re: Technical question re: grace notes (Michael Withers) > 13. Re: Technical question re: grace notes (David H. Bailey) > 14. Re: OT: Books about Counterpoint (David H. Bailey) > 15. Re: Technical question re: grace notes (David H. Bailey) > 16. Re: Technical question re: grace notes (Darcy James Argue) > 17. Re: Technical question re: grace notes (Michael Cook) > 18. Re: OT: Books about Counterpoint (Tim Thompson) > > --__--__-- > > Message: 1 > Date: Wed, 4 Dec 2002 10:37:17 -0800 > To: [EMAIL PROTECTED] > From: Harold Owen <[EMAIL PROTECTED]> > Subject: Re: [Finale] OT: Looking for Chorales in Fin format > > >Perhaps someone knows a source for Bach chorales in Fin format on the web? > > > >Johannes > >-- > >http://www.musikmanufaktur.com > >http://www.camerata-berolinensis.de > > Dear Johannes, > > I don't know of a web site with Bach Chorales in Fin format, but > Margaret Greentree's MIDI files of all of them are available from the > HSHU ftp site: http://www.shsu.edu/~mus_heh/finale/ > > They are in four tracks so that you can easily give them 2- or > 4-staff notation with the proper clefs. Of course, you would need to > enter the texts yourself. > > Hal > > -- > Harold Owen > 2830 Emerald St., Eugene, OR 97403 > mailto:[EMAIL PROTECTED] > Visit my web site at: > http://darkwing.uoregon.edu/~hjowen > FAX: (509) 461-3608 > > --__--__-- > > Message: 2 > From: [EMAIL PROTECTED] > Date: Wed, 4 Dec 2002 14:50:38 EST > Subject: Re: [Finale] Rests Recording (Was - when to cut off) > To: [EMAIL PROTECTED] > > --part1_104.210d6cda.2b1fb68e_boundary > Content-Type: text/plain; charset="US-ASCII" > Content-Transfer-Encoding: 7bit > > In a message dated 04/12/2002 16:54:39 GMT Standard Time, [EMAIL PROTECTED] > writes: > > > On the other hand I really doubt that John Cage would have called his piece > > "rests", or that he even considered it to be anything like a long rest... > > The recording isn't called "Rests" - it's marketed undert the title, "Head > Cleaner" > > All the best, > > Lawrence > > --part1_104.210d6cda.2b1fb68e_boundary > Content-Type: text/html; charset="US-ASCII" > Content-Transfer-Encoding: 7bit > > <HTML><FONT FACE=arial,helvetica><FONT SIZE=2 FAMILY="SANSSERIF" FACE="Arial" >LANG="0">In a message dated 04/12/2002 16:54:39 GMT Standard Time, >[EMAIL PROTECTED] writes:<BR> > <BR> > <BR> > <BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; >MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">On the other hand I really doubt that John Cage >would have called his piece<BR> > "rests", or that he even considered it to be anything like a long >rest...</BLOCKQUOTE><BR> > <BR> > The recording isn't called "Rests" - it's marketed undert the title, "Head >Cleaner"<BR> > <BR> > All the best,<BR> > <BR> > Lawrence</FONT></HTML> > > --part1_104.210d6cda.2b1fb68e_boundary-- > > --__--__-- > > Message: 3 > Date: Wed, 04 Dec 2002 16:23:25 -0500 > From: warren heck <[EMAIL PROTECTED]> > To: [EMAIL PROTECTED] > CC: [EMAIL PROTECTED] > Subject: Re: [Finale] Rests Recording (Was - when to cut off) > > --------------B1DE9D569A5AC5BC387CB955 > Content-Type: text/plain; charset=koi8-r > Content-Transfer-Encoding: 7bit > > "Head Cleaner." Truly a masterpiece. The second movement Adagio moves > quietly, bring a calm to the listener. The sprightly Allegretto brings > feelings of joy and happiness... A true listening experience... > > [EMAIL PROTECTED] wrote: > > > In a message dated 04/12/2002 16:54:39 GMT Standard Time, > > [EMAIL PROTECTED] writes: > > > > > > > >> On the other hand I really doubt that John Cage would have called > >> his piece > >> "rests", or that he even considered it to be anything like a long > >> rest... > > > > The recording isn't called "Rests" - it's marketed undert the title, > > "Head Cleaner" > > > > All the best, > > > > Lawrence > > --------------B1DE9D569A5AC5BC387CB955 > Content-Type: text/html; charset=koi8-r > Content-Transfer-Encoding: 7bit > > <!doctype html public "-//w3c//dtd html 4.0 transitional//en"> > <html> > "Head Cleaner." Truly a masterpiece. The second movement Adagio > moves quietly, bring a calm to the listener. The sprightly Allegretto > brings feelings of joy and happiness... A true listening experience... > <p>[EMAIL PROTECTED] wrote: > <blockquote TYPE=CITE><font face="Arial"><font size=-1>In a message dated > 04/12/2002 16:54:39 GMT Standard Time, [EMAIL PROTECTED] writes:</font></font> > <br> > <br> > <blockquote TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; >MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"><font face="Arial"><font size=-1>On > the other hand I really doubt that John Cage would have called his >piece</font></font> > <br><font face="Arial"><font size=-1>"rests", or that he even considered > it to be anything like a long rest...</font></font></blockquote> > > <p><font face="Arial"><font size=-1>The recording isn't called "Rests" > - it's marketed undert the title, "Head Cleaner"</font></font> > <p><font face="Arial"><font size=-1>All the best,</font></font> > <p><font face="Arial"><font size=-1>Lawrence</font></font></blockquote> > </html> > > --------------B1DE9D569A5AC5BC387CB955-- > > --__--__-- > > Message: 4 > Date: Wed, 04 Dec 2002 14:38:50 -0800 > From: Carl Dershem <[EMAIL PROTECTED]> > Organization: Project Selene > To: Finale List <[EMAIL PROTECTED]> > Subject: [Finale] Technical question re: grace notes > > Two sixteenths as grace notes never show up attacehd to each other - > they appear as separate notes when I use the "grace note" button to > transform them. Is there a trick I'm missing? Ths is something used in > drum set parts a lot, and needed, but I can't find it in the manuals or OLH. > > Using Fin2k/r5 under Win98se, w/384MB of RAM. > > cd > -- > Those who do not understand history should not be permitted to make it. > > --__--__-- > > Message: 5 > Date: Thu, 05 Dec 2002 00:02:15 +0100 > From: "Nico Schliemann" <[EMAIL PROTECTED]> > To: Sibelius List <[EMAIL PROTECTED]>, > Finale List <[EMAIL PROTECTED]> > Subject: [Finale] OT: Books about Counterpoint > > Hi all, > as I know that here are many composers around, I've got a very simple > question for you: > Are there any books on counterpoint? > I ask because I want to learn morwe about classic composing techniques, as I > did not learn those in my Jazz studies. > What I'm looking for are books with facts (what is allowed, and what not, > and so on). > I'm not looking for example scores or so forth (like the 'well temered > piano' from Bach, because that will not help me much, if I have no one > explain it to me, while I want to do this by myself.) > > It doesn't matter if the books are in german or english, as I understand > both well enough. > > Thanks for any help. > > Regards Nico > > --------------------------------------- > Nico Schliemann > Gitarre & Notensatz > Auf dem Rain 5 > 78224 Singen > Tel.: 07731-947437 > Mobil: 0162-9427344 > e-mail: [EMAIL PROTECTED] > --------------------------------------- > > --__--__-- > > Message: 6 > Date: Wed, 04 Dec 2002 18:12:55 -0500 > From: Christopher BJ Smith <[EMAIL PROTECTED]> > Subject: Re: [Finale] Technical question re: grace notes > To: Carl Dershem <[EMAIL PROTECTED]>, Finale List <[EMAIL PROTECTED]> > > At 2:38 PM -0800 12/04/02, Carl Dershem wrote: > >Two sixteenths as grace notes never show up attacehd to each other - > >they appear as separate notes when I use the "grace note" button to > >transform them. Is there a trick I'm missing? Ths is something > >used in drum set parts a lot, and needed, but I can't find it in the > >manuals or OLH. > > > >Using Fin2k/r5 under Win98se, w/384MB of RAM. > > > >cd > > In Speedy Entry, placing the cursor over the SECOND sixteenth then > pressing / on the numeric keypad will create a beam to the previous > note. Hitting / again will break the beam. This is identical > behaviour to the way beams are created/broken on normal notes. > > Christopher > > --__--__-- > > Message: 7 > Date: Thu, 05 Dec 2002 00:44:28 +0100 > Subject: Re: [Finale] Rests Recording (Was - when to cut off) > From: Johannes Gebauer <[EMAIL PROTECTED]> > To: Finale 2 <[EMAIL PROTECTED]> > > On 04.12.2002 20:50 Uhr, [EMAIL PROTECTED] wrote > > > In a message dated 04/12/2002 16:54:39 GMT Standard Time, [EMAIL PROTECTED] > > writes: > > > > > > On the other hand I really doubt that John Cage would have called his piece > > "rests", or that he even considered it to be anything like a long rest... > > > > > > The recording isn't called "Rests" - it's marketed undert the title, "Head > > Cleaner" > > > (Rolling on the floor laughing...) Brilliant double meaning! > > Johannes > -- > http://www.musikmanufaktur.com > http://www.camerata-berolinensis.de > > --__--__-- > > Message: 8 > From: Mark Danner <[EMAIL PROTECTED]> > To: Finale List <[EMAIL PROTECTED]> > Subject: RE: [Finale] OT: Books about Counterpoint > Date: Wed, 4 Dec 2002 15:49:01 -0800 > > Nico, > > I came up with 187 hits (not all music, though) at Amazon. I have the Fux > book. The Kennan looks good (I have his Orchestration book)but is really > pricey. I have the Piston Harmony book, but he also wrote a Counterpoint > book. Also, walk into most any college/university book store and you'll > probably find a book or two on counterpoint. By the way, which century were > you referring to??? > > Happy studying! > > Mark > > -----Original Message----- > From: Nico Schliemann [mailto:[EMAIL PROTECTED]] > Sent: Wednesday, December 04, 2002 3:02 PM > To: Sibelius List; Finale List > Subject: [Finale] OT: Books about Counterpoint > > Hi all, > as I know that here are many composers around, I've got a very simple > question for you: > Are there any books on counterpoint? > I ask because I want to learn morwe about classic composing techniques, as I > did not learn those in my Jazz studies. > What I'm looking for are books with facts (what is allowed, and what not, > and so on). > I'm not looking for example scores or so forth (like the 'well temered > piano' from Bach, because that will not help me much, if I have no one > explain it to me, while I want to do this by myself.) > > It doesn't matter if the books are in german or english, as I understand > both well enough. > > Thanks for any help. > > Regards Nico > > --------------------------------------- > Nico Schliemann > Gitarre & Notensatz > Auf dem Rain 5 > 78224 Singen > Tel.: 07731-947437 > Mobil: 0162-9427344 > e-mail: [EMAIL PROTECTED] > --------------------------------------- > > _______________________________________________ > Finale mailing list > [EMAIL PROTECTED] > http://mail.shsu.edu/mailman/listinfo/finale > > --__--__-- > > Message: 9 > Date: Thu, 05 Dec 2002 00:49:27 +0100 > Subject: Re: [Finale] OT: Books about Counterpoint > From: "Nico Schliemann" <[EMAIL PROTECTED]> > To: Finale List <[EMAIL PROTECTED]> > > I just like to thak you all again for that quick help/book tips! > > Regards Nico > --------------------------------------- > Nico Schliemann > Gitarre & Notensatz > Auf dem Rain 5 > 78224 Singen > Tel.: 07731-947437 > Mobil: 0162-9427344 > e-mail: [EMAIL PROTECTED] > --------------------------------------- > > --__--__-- > > Message: 10 > Reply-To: "Colin Broom" <[EMAIL PROTECTED]> > From: "Colin Broom" <[EMAIL PROTECTED]> > To: "Nico Schliemann" <[EMAIL PROTECTED]>, > "Sibelius List" <[EMAIL PROTECTED]>, > "Finale List" <[EMAIL PROTECTED]> > Subject: Re: [Finale] OT: Books about Counterpoint > Date: Thu, 5 Dec 2002 00:59:27 -0000 > > ----- Original Message ----- > From: "Nico Schliemann" <[EMAIL PROTECTED]> > To: "Sibelius List" <[EMAIL PROTECTED]>; "Finale List" > <[EMAIL PROTECTED]> > Sent: Wednesday, December 04, 2002 11:02 PM > Subject: [Finale] OT: Books about Counterpoint > > > Hi all, > > as I know that here are many composers around, I've got a very simple > > question for you: > > Are there any books on counterpoint? > > The two I would recommend are Kent Kennan's 'Counterpoint' (excellent text > which has an accompanying workbook) and Markand Thakar's 'Counterpoint' > which is pretty in-depth. > > C. > > --__--__-- > > Message: 11 > From: "helgesen" <[EMAIL PROTECTED]> > To: "Christopher BJ Smith" <[EMAIL PROTECTED]>, > "Carl Dershem" <[EMAIL PROTECTED]>, "Finale List" <[EMAIL PROTECTED]> > Subject: Re: [Finale] Technical question re: grace notes > Date: Thu, 5 Dec 2002 13:59:23 +1100 > > I'm think I hit Reply instead of Reply All!! Here we go again! I'll resend > this to be sure! > > OK Christopher, I know that one. What I think Carl is after- (I certainly > am!) is a way to pre set Finale to enter two or more grace notes already > linked, as opposed to linking after entry. > I'm on WinFin 2001. > Cheers, Keith in OZ > > ----- Original Message ----- > From: Christopher BJ Smith <[EMAIL PROTECTED]> > > >Two sixteenths as grace notes never show up attacehd to each other - > > >they appear as separate notes when I use the "grace note" button to > > >transform them. > > > In Speedy Entry, placing the cursor over the SECOND sixteenth then > > pressing / on the numeric keypad will create a beam to the previous etc. > > Christopher > > > > _______________________________________________ > > Finale mailing list > > [EMAIL PROTECTED] > > http://mail.shsu.edu/mailman/listinfo/finale > > > > --__--__-- > > Message: 12 > To: [EMAIL PROTECTED] > Subject: Re: [Finale] Technical question re: grace notes > Reply-To: [EMAIL PROTECTED] > From: "Michael Withers" <[EMAIL PROTECTED]> > Cc: > Date: Thu, 5 Dec 2002 05:03:38 -0500 (EST) > > Apologies if this has already been suggested: > > There's a slightly quicker way in the order you convert to grace notes. > > Let's say you're trying to input a pair of 16th note grace notes and you want them >beamed. > > Try putting the two notes in using Speedy. If you then convert them to grace notes >(I use the ';' key), but convert them 'backwards', ie convert the *second* note then >the first, you should find that they beam correctly. If you convert the *first* >followed by the second they do not beam. > > Don't know if that one's documented or not! > > Michael Withers > > On Wed 12/04, Christopher BJ Smith wrote: > >In Speedy Entry, placing the cursor over the SECOND sixteenth then > >pressing / on the numeric keypad will create a beam to the previous > >note. Hitting / again will break the beam. This is identical > >behaviour to the way beams are created/broken on normal notes. > > _______________________________________________ > Join Excite! - http://www.excite.com > The most personalized portal on the Web! > > --__--__-- > > Message: 13 > Date: Thu, 05 Dec 2002 06:08:47 -0500 > From: "David H. Bailey" <[EMAIL PROTECTED]> > To: Carl Dershem <[EMAIL PROTECTED]> > CC: Finale List <[EMAIL PROTECTED]> > Subject: Re: [Finale] Technical question re: grace notes > > Put the cursor on the second grace note and hit the / key (the > make/break beam key) and they will be beamed together. > > Carl Dershem wrote: > > Two sixteenths as grace notes never show up attacehd to each other - > > they appear as separate notes when I use the "grace note" button to > > transform them. Is there a trick I'm missing? Ths is something used in > > drum set parts a lot, and needed, but I can't find it in the manuals or > > OLH. > > > > Using Fin2k/r5 under Win98se, w/384MB of RAM. > > > > cd > > -- > David H. Bailey > [EMAIL PROTECTED] > > --__--__-- > > Message: 14 > Date: Thu, 05 Dec 2002 06:12:05 -0500 > From: "David H. Bailey" <[EMAIL PROTECTED]> > To: Nico Schliemann <[EMAIL PROTECTED]> > CC: Finale List <[EMAIL PROTECTED]> > Subject: Re: [Finale] OT: Books about Counterpoint > > Our very own Hal Owen has a fine book called, appropriately enough, > Modal and Tonal Counterpoint, published by Schirmer Books. His official > name as author of the book is Harold Owen. It is very well written with > good examples and good explanations and exercises. > > Then there is always the good old Fux Study of Counterpoint, edited by > Mann, published by Norton. > > Between the two, for today's composers looking into counterpoint, I > would recommend Hal Owen's book as more complete and helpful. > > Nico Schliemann wrote: > > Hi all, > > as I know that here are many composers around, I've got a very simple > > question for you: > > Are there any books on counterpoint? > > I ask because I want to learn morwe about classic composing techniques, as I > > did not learn those in my Jazz studies. > > What I'm looking for are books with facts (what is allowed, and what not, > > and so on). > > I'm not looking for example scores or so forth (like the 'well temered > > piano' from Bach, because that will not help me much, if I have no one > > explain it to me, while I want to do this by myself.) > > > > It doesn't matter if the books are in german or english, as I understand > > both well enough. > > > > Thanks for any help. > > > > Regards Nico > > > > --------------------------------------- > > Nico Schliemann > > Gitarre & Notensatz > > Auf dem Rain 5 > > 78224 Singen > > Tel.: 07731-947437 > > Mobil: 0162-9427344 > > e-mail: [EMAIL PROTECTED] > > --------------------------------------- > > > > _______________________________________________ > > Finale mailing list > > [EMAIL PROTECTED] > > http://mail.shsu.edu/mailman/listinfo/finale > > > > -- > David H. Bailey > [EMAIL PROTECTED] > > --__--__-- > > Message: 15 > Date: Thu, 05 Dec 2002 06:15:37 -0500 > From: "David H. Bailey" <[EMAIL PROTECTED]> > To: Finale List <[EMAIL PROTECTED]> > Subject: Re: [Finale] Technical question re: grace notes > > There is no way to do it automatically. > > helgesen wrote: > > I'm think I hit Reply instead of Reply All!! Here we go again! I'll resend > > this to be sure! > > > > OK Christopher, I know that one. What I think Carl is after- (I certainly > > am!) is a way to pre set Finale to enter two or more grace notes already > > linked, as opposed to linking after entry. > > I'm on WinFin 2001. > > Cheers, Keith in OZ > > > > > > > > ----- Original Message ----- > > From: Christopher BJ Smith <[EMAIL PROTECTED]> > > > >>>Two sixteenths as grace notes never show up attacehd to each other - > >>>they appear as separate notes when I use the "grace note" button to > >>>transform them. > > >> > >>In Speedy Entry, placing the cursor over the SECOND sixteenth then > >>pressing / on the numeric keypad will create a beam to the previous etc. > >>Christopher > >> > >>_______________________________________________ > >>Finale mailing list > >>[EMAIL PROTECTED] > >>http://mail.shsu.edu/mailman/listinfo/finale > >> > > > > > > _______________________________________________ > > Finale mailing list > > [EMAIL PROTECTED] > > http://mail.shsu.edu/mailman/listinfo/finale > > > > -- > David H. Bailey > [EMAIL PROTECTED] > > --__--__-- > > Message: 16 > Date: Thu, 5 Dec 2002 07:26:39 -0500 > Subject: Re: [Finale] Technical question re: grace notes > From: Darcy James Argue <[EMAIL PROTECTED]> > To: Finale List <[EMAIL PROTECTED]> > > On Thursday, December 5, 2002, at 06:15 AM, David H. Bailey wrote: > > > There is no way to do it automatically. > > Not true! Michael Withers already posted the correct method, but in > the face of disinformation this is worth repeating -- if you want your > grace notes beamed together, first enter all the notes, then convert > them to grace notes *starting with the note closest to the "real" > (non-grace) note and working backwards.* If you follow this method, > the grace notes will be beamed together automatically, without having > to go through any extra steps. > > - Darcy > > ----- > [EMAIL PROTECTED] > Boston MA > > --__--__-- > > Message: 17 > Date: Thu, 5 Dec 2002 15:07:12 +0100 > To: Finale List <[EMAIL PROTECTED]> > From: Michael Cook <[EMAIL PROTECTED]> > Subject: Re: [Finale] Technical question re: grace notes > > And don't forget Simple entry: using this entry method, you can enter > a grace note directly with a single click. Make sure that the > sixteenth note and grace note tools are both selected, then click in > the score. If you enter two (or more) consecutive grace notes in > Simple entry, they will be beamed together. > > Michael Cook > > At 7:26 -0500 5/12/2002, Darcy James Argue wrote: > >On Thursday, December 5, 2002, at 06:15 AM, David H. Bailey wrote: > > > >>There is no way to do it automatically. > > > >Not true! Michael Withers already posted the correct method, but in > >the face of disinformation this is worth repeating -- if you want > >your grace notes beamed together, first enter all the notes, then > >convert them to grace notes *starting with the note closest to the > >"real" (non-grace) note and working backwards.* If you follow this > >method, the grace notes will be beamed together automatically, > >without having to go through any extra steps. > > > >- Darcy > > > >----- > >[EMAIL PROTECTED] > >Boston MA > > > >_______________________________________________ > >Finale mailing list > >[EMAIL PROTECTED] > >http://mail.shsu.edu/mailman/listinfo/finale > > --__--__-- > > Message: 18 > Date: Thu, 05 Dec 2002 09:29:25 -0500 > Subject: Re: [Finale] OT: Books about Counterpoint > From: Tim Thompson <[EMAIL PROTECTED]> > To: Nico Schliemann <[EMAIL PROTECTED]>, > Sibelius List <[EMAIL PROTECTED]>, > Finale List <[EMAIL PROTECTED]> > > I'll echo David's remarks: Hal Owen's book is great! Use it for 16th, or > 18th, or a general survey. It covers everything inbetween and up to the > 20th century as well. A really good textbook for college level, good for > undergrad. > > I just finished my second semester teaching from it, and have enjoyed using > it. > > Tim Thompson > > On 12/4/02 6:02 PM, "Nico Schliemann" <[EMAIL PROTECTED]> wrote: > > > Hi all, > > as I know that here are many composers around, I've got a very simple > > question for you: > > Are there any books on counterpoint? > > I ask because I want to learn morwe about classic composing techniques, as I > > did not learn those in my Jazz studies. > > What I'm looking for are books with facts (what is allowed, and what not, > > and so on). > > I'm not looking for example scores or so forth (like the 'well temered > > piano' from Bach, because that will not help me much, if I have no one > > explain it to me, while I want to do this by myself.) > > > > It doesn't matter if the books are in german or english, as I understand > > both well enough. > > > > Thanks for any help. > > > > Regards Nico > > > > --------------------------------------- > > Nico Schliemann > > Gitarre & Notensatz > > Auf dem Rain 5 > > 78224 Singen > > Tel.: 07731-947437 > > Mobil: 0162-9427344 > > e-mail: [EMAIL PROTECTED] > > --------------------------------------- > > > > _______________________________________________ > > Finale mailing list > > [EMAIL PROTECTED] > > http://mail.shsu.edu/mailman/listinfo/finale > > > > --__--__-- > > _______________________________________________ > Finale mailing list > [EMAIL PROTECTED] > http://mail.shsu.edu/mailman/listinfo/finale > > End of Finale Digest _______________________________________________ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale
