At 12:43 PM 9/18/03 -0400, Daniel Dorff wrote:
>Also, I agree with Andrew's point that their prices are high.  

I'm not sure who actually receives these high commission amounts in the
U.S. It may go hand-in-hand with fame. My largest US commission was $2,500
for a 25-minute orchestral work. There have been several for performance
only, but I tend to receive $250-$1000 for chamber works from US groups,
plus a recording with full rights and all the ASCAP royalties I can muster.

Dennis



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