John.Howell: The Weimar cantatas like No. 106 are a problem all their own because of the the difference in pitch standards between the court organ and the court's woodwinds.
When I performed this, I transposed it a whole step higher, from Eb to F, and used recorders.
Andrew Stiller:
When I played it, we used tenor recorders, and it sounded very nice.
Interesting! When I played it for the Oregon Bach Festival, we used tenors and altos and even bass at one place. It sounded fine to us and to Helmuth Rilling, who was conducting.
Hal -- Harold Owen 2830 Emerald St., Eugene, OR 97403 mailto:[EMAIL PROTECTED] Visit my web site at: http://darkwing.uoregon.edu/~hjowen FAX: (509) 461-3608 _______________________________________________ Finale mailing list [EMAIL PROTECTED] http://lists.shsu.edu/mailman/listinfo/finale
