In message <[EMAIL PROTECTED]> Darcy James Argue <[EMAIL PROTECTED]> writes:
>On 14 Oct 2004, at 07:48 PM, dhbailey wrote: >> >> In the series on C, don't the overtones go C, C, G, C, E, G ? > >Yeah, but it doesn't stop there. > >Continuing from where you left off: Bb, C, D, E, F#. > >The Bb and F# are out of tune (by equal-tempered tuning standards). > >- Darcy and in several other tuning systems. Kirnberger suggested c.1790 calling the interval from the 4th to the 7th harmonic the "harmonic seventh". I think of the flat F# as "bagpipe tuning", because the Scottish great pipes use it. -- Ken Moore [EMAIL PROTECTED] Web site: http://www.mooremusic.org.uk/ I reject emails > 100k automatically: warn me beforehand if you want to send one _______________________________________________ Finale mailing list [EMAIL PROTECTED] http://lists.shsu.edu/mailman/listinfo/finale
