On 3 Feb 2005 at 12:07, Andrew Stiller wrote:

> In any event, "emancipation of the dissonance" certainly does not
> imply elimination of the consonant. I recently had a conversation with
> a couple of young composers, one of whom had never heard the term. The
> other one helpfully said, "it means you don't have to resolve them." I
> don't think anyone could possibly define it better.

How do you tell the difference between the consonance and the 
dissonance, then? 

Without reference to other music or a system of rules not reflected 
in the musical text where the dissonance is never resolved, the two 
terms are simply meaningless.

At least, so it seems to *me*.

-- 
David W. Fenton                        http://www.bway.net/~dfenton
David Fenton Associates                http://www.bway.net/~dfassoc

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