On 21.01.2006 Brad Beyenhof wrote:
Yes, I'll admit that that was a silly example, since it can easily be
adapted to make either signature clear. What about a dotted half?


In what way would a dotted half be performed differently in 6/8 and 3/4?

Reminds me of Gerald Hoffnung (the GP in 3/4, which typical the typical Viennese swing to it).

Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de

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