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If I have some horn parts on separate staffs, and I have painstakingly
placed CODAS, Dal Segnos, and expressions on the staffs exactly where I want
them, why does it put them in completely wrong places in the
extracted parts?
After I have extracted the parts, I have to do a lengthy
re-edit of them to put the repeat items and expressions BACK to where
they should go. It usually puts those in the MIDDLE of the staff, which would
never occur in a practical score.
It also does weird stuff with articulation marks and smart shapes, such
that those also have to be re-edited. Sometimes the articulations are so far
away from the original note, I can't figure out where it went to start
with.
Is there a way to avoid that? You would think everything is RELATIVE to the
staff. Obviously, you could have situations where the transposed NOTES might
clash. But there are many cases where that does not occur, and
it still does weird stuff.
Thanks; Bill S.
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