At 6:58 AM -0400 8/17/06, dhbailey wrote:

I think that this is the dichotomy between "classical" (or Dennis's "non-pop") music and pop/jazz music.

In a string quartet or a recorder consort or a brass quintet or orchestra, I agree with Johannes that it would lead to confusion.

Case in point: Some years back I was coaching a student recorder consort (and playing tenor with them). I didn't realize how well I had coached them to adjust their intonation to pure intervals until we decided to try a 20th century trio, and nothing worked! The music required equal temperament, and we had to make a real effort to adjust our pitches. Good lesson for us all.

John


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