What do you mean by "blank" -- you mean, like just a stem and no notehead? Hmmm. I'll have to think on that.

yeah, totally clear, this is quite common and avoids clutter, and you see the angle changing (again visual cue of the resulting sound as well as the performance action), which isn't the case if you use several small gliss lines between each pair of notes.

position the line to cut across exactly where the noteheads would be.

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shirling & neueweise ... new music publishers
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
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