I always learn something new from someone on the list every day and I value and 
store everyone's feed back on everything!

Thanks,
Michael
 
mmathew_musicp...@yahoo.com
http://www.musicengravers.com/cgi-bin/engravers.pl
http://oregonmts.com/mathew/


>________________________________
>From: Kim Richmond <jazz...@kimrichmond.com>
>To: finale@shsu.edu
>Sent: Friday, April 15, 2011 3:23 PM
>Subject: [Finale] Re: BAR NUMBERS differing in different parts?
>
>Thanks Christopher. You guessed correctly at my meaning although all my 
>question's words didn't come out in the e-mail. Thanks for your solutions.
>All the best,
>KIM R
>
>On Apr 15, 2011, at 10:02 AM, <finale-requ...@shsu.edu> 
><finale-requ...@shsu.edu> wrote:
>
>> Date: Fri, 15 Apr 2011 08:36:38 -0400
>> From: Christopher Smith <christopher.sm...@videotron.ca>
>> Subject: Re: [Finale] BAR NUMBERS differing in parts
>> To: <finale@shsu.edu>
>> Message-ID: <96e49930-4f2a-467c-b692-b81d1b9ba...@videotron.ca>
>> Content-Type: text/plain; charset="us-ascii"
>> 
>> I don't think that's what he means. He wants two different PARTS to have 
>> different measure number settings.
>> 
>> I think the easiest way to achieve this is to extract the one part with 
>> different number settings (the vocal part) and change them once extracted. 
>> You won't have the part linked any more, but that isn't as much of a pain in 
>> the neck as I expected it to be on the occasions I've done it.
>> 
>> An alternative is to set up two different regions, then number one of them 
>> to start at measure 999 while you print the other parts, then switch it to 
>> start at measure 1 and the OTHER region at measure 999 while you print the 
>> vocal part. You will have to remember to make that change every time you 
>> print parts, though. That's why I think the extracted part is a better 
>> solution.
>> 
>> I think I remember jef chippewa coming up with this scheme before we had 
>> separate layout for score and parts.
>> 
>> Kim, I think another solution to your problem (which is probably that 
>> measure numbers collide with the lyrics, right?) is just to have the normal 
>> linked part, then in page view in the vocal part, select the measure tool, 
>> hit command-A to select all (which will select the measure numbers) then 
>> drag them to above the staff all at once. You might have to do this once for 
>> each page, but it is very easy to do and prevents measure number collisions. 
>> Just make sure they are close enough to the staff that the singer associates 
>> them with the proper measure, NOT the measure above!
>> 
>> Christopher
>> 
>> 
>> On Fri Apr 15, at FridayApr 15 3:41 AM, Michael Mathew wrote:
>> 
>>> I think that works through the measure number dialogue box: one set of 
>>> numbers and positions for the score and another for the linked parts.
>>> 
>>> There are several different settings for each in the lower two thirds of 
>>> the dialogue box that should accomplish that.
>>> 
>>> Is that what you need?
>>> 
>>> Michael
>>> 
>>> mmathew_musicp...@yahoo.com
>>> http://www.musicengravers.com/cgi-bin/engravers.pl
>>> http://oregonmts.com/mathew/
>>> 
>>> 
>>>> ________________________________
>>>> From: "jazz...@kimrichmond.com" <jazz...@kimrichmond.com>
>>>> To: Finale Finale <finale@shsu.edu>
>>>> Sent: Thursday, April 14, 2011 11:21 PM
>>>> Subject: [Finale] BAR NUMBERS differing in parts
>>>> 
>>>> 
>>>>   Question:
>>>> 
>>>>       In MacFin2011 can we have = the bar numbers formatted differently in
>>>>   different parts?
>>>> 
>>>>    &= nbsp;  For instance, in the vocal part I want the bar number to 
>>>>appear   only at the beginning of each system on top of the staff. In the 
>>>>instrumen   tal parts I want the bars numbers to appear in each bar below 
>>>>the staff.
>>>>   All the best,
>>>>   KIM R
>>>> _______________________________
>
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