Hi, I am glad you were able to provide a solution for this problem. Is using the expressions for pizz., arco, etc. provided by Finale an example of the use of HP? Thanks, Michael Mathew mmathew_musicp...@yahoo.com http://www.musicengravers.com/cgi-bin/engravers.pl http://oregonmts.com/mathew/
On Sunday, February 9, 2014 8:44 AM, David Froom <dfr...@smcm.edu> wrote: Hi Gerald, I've done this when, for one reason or another, HP frustrates me, or controls don't work exactly as planned. For example, for violin harmonics, I like to use a non-vibrato piccolo. The easiest way to do it is to set up the different sounds you want on different tracks. You can put an invisible expression in (either blank, or with a name that you hide). When you make the expression, under playback, you set it change the channel. Finale/Garritan can have four banks of 16 channels each, numbered (under playback channels in the the expression playback section) 1-16, 17-32, 33-48, 49-60. So you set up the Aria player with exactly the sound you want on separate channels, then create the channel-changing expressions, then pop them in. And don't forget to create an expression to change back to the primary sound! David Froom On 8 Feb 2014, at 1:00 PM, GERALD BERG <gj.b...@rogers.com> wrote: > Hi all > This may be really old news to you all but I am flummoxed.? > > Is there a way to create an expression tool keyswitch for the Garrison > instruments -- violin arco to pizz. (for example) --- without relying on the > human playback function to recognize it? ? > > HP is a end result product I'd rather avoid while composing. ? > > I have a bad feeling this is only solvable via layers. ?True? > > ?TIA > > GJB _______________________________________________ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale _______________________________________________ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
