Many thanks to David H. Bailey, I went for the Sibelius crossgrade offer and 
also subscribed to the Yahoo list you mentioned!

Giovanni


--------

Giovanni Andreani

www.giovanniandreani.com

>Thanks David,
>
>You just wrote a couple of precious things I was right now asking myself!
>
>
>--------
>
>Giovanni Andreani
>
>www.giovanniandreani.com
>
>>On 11/16/2014 1:40 AM, Giovanni Andreani wrote:
>>> Thank you Christopher, I am 2014: I inadvertently wrote 2012 after
>>reading about the same issue occurred to many 2012 users on the web.
>>> I also have the felling that something local is setting a threshold:
>>I'm no longer able to permanently authorize finale and have to go over
>>and over with this annoying process every time it launches. This
>>happened, as I casually noticed, after repairing permissions via Disk
>>Utility: maybe things like this trigger these weird behaviours.
>>> While I really don't know what else to do, I'm silently training on
>>Sibelius.
>>>
>>
>>There is a very helpful Sibelius group at yahoogroups, very much like 
>>this group for Finale, filled with Sibelius users of all backgrounds and 
>>skill levels, in case you want to learn more.
>>
>>I started with Sibelius way back in version 2.11 when they first offered 
>>a competitive cross-grade deal for Finale users but it wasn't until 
>>version 5 that I really made the push to learn the program from the 
>>ground up instead of constantly complaining about how things were 
>>difficult compared to Finale.  I stopped trying to make it "Finale-East" 
>>and learned it as a brand new program and rapidly found it to be a whole 
>>lot easier for the bulk of the composing/arranging/engraving projects 
>>that I do.
>>
>>I have kept up with Finale (currently have 2014 installed) mainly in the 
>>hopes that with all the changes in ownership of MakeMusic over the past 
>>several years that the development team would finally be allowed to 
>>clean up Finale and let it become the industry leader it used to be. 
>>That hope hasn't died in me yet, but it's flickering.
>>
>>What I've learned over the years that I've used both fluently is that 
>>each has its strengths and its weaknesses so I dearly hope that Finale's 
>>latest shift to Colorado and the gutting of what used to be MakeMusic 
>>won't be the death-knell for the program.
>>
>>Of course with Avid being on equally but different shaky ground, there's 
>>no guarantee about the future for either product and with Steinberg's 
>>new notation program still a long long way from being brought to market 
>>all we can do is to cover our butts by learning both Sibelius and Finale 
>>and hoping that both companies survive their current turmoils.
>>
>>
>>
>>-- 
>>David H. Bailey
>>dhbai...@davidbaileymusicstudio.com
>>http://www.davidbaileymusicstudio.com
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>
>
>
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