It's a bug. Putting slash notation in the same measure with normal notation causes smart shapes to disappear, but only when the measure STARTS with normal notation. I have the same trouble with slurs. The only thing I can suggest in this case is create a graphic expression and attach it that way. Also complain to MakeMusic about it.
Christopher Oh wait. There is a better workaround. Use the old-school method for slash notation, which is to put two quarter notes on the centre line B and change the note heads to slashes, then hide the stems. Much better, especially since it stays put and can be easily copied to other staves. On Thu Feb 12, at ThursdayFeb 12 8:38 PM, dershem wrote: > in FinWIn2010. > > Doing a big band chart, open solo section with soli fills. Fills apply > to instruments also having solo changes, so for instance, I have a bar > with a half note, followed by two slashes. The half note has a fall, > and a 'gliss' down is the composer's preferred mark. But it refuses to > be applied in measures with slashes - the half note with a fall and two > slashes just has the half note and slashes, because, apparently it > doesn't want to apply them when there's nothing to fall *to*, even > though in the other (non solo) measures with a half note and a half > rest, it stays. > > Any idea on what setting will allow this? > > Thanks. > > Carl > > --- > This email has been checked for viruses by Avast antivirus software. > http://www.avast.com > > _______________________________________________ > Finale mailing list > Finale@shsu.edu > https://lists.shsu.edu/mailman/listinfo/finale > > To unsubscribe from finale send a message to: > finale-unsubscr...@shsu.edu _______________________________________________ Finale mailing list Finale@shsu.edu https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: finale-unsubscr...@shsu.edu
