At this point a 6/4 measure with dotted lines before beats 3 and 5 would suit 
better, in my opinion. Or eventually a measure tick instead of the dotted bar 
line could be used. By the way there is not an absolute theory which states 
that 6/4 has to be grouped in two ternary groups. Hindemit's approach to the so 
called 'compound time' would lead to other interpretation. 

Giovanni Andreani

> On 11 Dec 2016, at 16:28, Raymond Horton <horton.raym...@gmail.com> wrote:
> 
> perhaps a 3/2 measure with dotted lines for beats 3 + 5?
> 
> Raymond Horton
> Composer, Arranger
> Minister of Music, Edwardsville (IN) United Methodist Church
> Retired Bass Trombonist, Louisville Orchestra, 1971-2016
> 
> 
> On Dec 11, 2016 10:22 AM, "Christopher Smith" <
> christopher.sm...@videotron.ca> wrote:
> 
>> You must have meant 2/4.
>> 
>> It’s not a screwup; it’s communicating something that isn’t necessarily
>> there in the music. There is a large downbeat on the first beat of the 6/4,
>> then the next large downbeat is the next bar of 4/4. If the 6/4 were
>> divided into 3 bars of 2/4, it would be implying metric accents that
>> weren’t there, at the beginning of each measure of 2/4. I know as a
>> performer I would be wondering why we suddenly went to smaller measures
>> when the music didn’t reflect it. I’m a big proponent of making the
>> notation match what we are hearing, as much as that can be accomplished.
>> 
>> Christopher
>> 
>>>> On Dec 11, 2016, at 9:47 AM, timothy.price <timothy.pr...@valley.net>
>>> wrote:
>>> 
>>> 
>>> <christopher.sm...@videotron.ca> wrote:
>>> 
>>>>> I wouldn?t have liked three bars of 2/4 either, in a context of
>>>>> 4/4, as that would have been really weird.
>>> 
>>> timothy.key.price
>>> timothy.key.pr...@valley.net
>>> 
>>> 
>>> We composers have to try to make clear our intentions to conductors
>>> ranging from brilliant to partial awareness, with an emphasis upon
>>> the latter.
>>> Tell, me how, in a 4/4 context,  anyone, seeing 3 measures of 2/2,
>>> could possibly screw up?
>>> 
>>> tim
>>> 
>>> 
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